This GL2800-40 is equipped with 40 channel frames, 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for stereo recording. 8 audio groups and L,R and M buses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive.And at the heart of this design is the new gain structure allowing a whopping 34 dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance. It was used in a church setting but is being replaced with a digital board because of some new digital equipment upgrades.It's designed for use in any live sound application, including theatres, music venues, houses of worship, festivals, stadiums, etc. With its neat, intuitive layout and straightforward analogue technology, clean audio and high dynamic range, its performance easily rivals that of the best digital consoles.This console features    40 channel frames
    LR and M mix buses
    8 Audio groups with pan and routing to LR and M
    10 Auxes including a dedicated stereo send
    2 multifunction stereo channels each with mic and stereo line inputs
    2 dual stereos provide an extra 4 summed or independent stereo returns
    Fully featured 12x4 Matrix
    Proper dual functionality for FOH/Monitor mixing
    Recording capable with channel direct outputs
    M can be used for LR mono sum, engineers wedge, or centre/sub mix
    Matrix external inputs with level trims and common input capability
    Stereo channel mic inputs can cross patch into matrix for ambience feed
    Responsive 4-band, 2 sweep EQ
    100 Hz channel high pass filters
    Individual phantom power and polarity switching
    Wide angle channel and master meters
    Dedicated stereo monitor meters
    Per channel pre/post fader aux switching for full flexibility
    Recessed pre/post-EQ aux switching per channel
    'Internal jumper plugs for aux, direct out and other options
    Mutes on all fader masters
    100 mm dust protected faders
    Assignable talkback to all outputs
    1 kHz oscillator / pink noise generator with external output
    2-track monitoring and replay to LR
    3 headphones/earpiece sockets and local monitor outputs
    Electronically balanced XLR outputs with +26 dBu drive capability
    Preamp 74 dB range with +34 dBu input capability for mic or line
    Ultra low noise mix head amp design
    Uses external linear power supply
    Built-in combiner for redundant backup supply
    Metal jacks, gold-plated XLRs, sealed pots and switches
    Individual circuit card assembly with nutted pots
    Solid copper bus bar grounding
    Sys-Link V2 console linking option
    4-pin lamp sockets