Includes:
Filmtech LSP4 4 channel mixer. all labelling was redone approx 5 years ago by creator. serviced in May 2013. KTS modular bag with detachable front pouch and pouch to store NP1 battery. Also with large cover that goes over the bag. Also selling Fader and boom pole remote in separate listing. Also in seperate listing are np1 adapter in aswell as all direct out and tails cables. REVIEW:
The Filmtech LSP4 comes the closest to having-it-all. Every feature on every other mixer on this list is found on the LSP4, plus a couple that are unique. It is so versatile that the manufacturer has aptly dubbed this mixer an "audio processor". Starting with the remote mounted boom pole fader (easy to use rotary as opposed to the M4mkII’s slider), an optional remote vertical fader accessory, 4 direct outputs for multi-tracking, mono and stereo utility outputs, and dual M/S input decoding ability (not just on the headphones) this mixer could easily be a dual purpose mixer for over the shoulder or serious drama production recording from a cart. The two separate master pots can be switched so that one pot controls both the left and right outputs (very handy). Its alignment tone can pulsate to verify L/R integrity down the line. Logically, all of this ability requires more power. In fact, Filmtech suggests powering the LSP4 from its 4-pin XLR connector, relying on its 8 AA cells for back-up only, which is less of a concern now that many ENG rigs use external power distributed from a single battery. The only negative criticism of the LSP4 comes as a result of having it all – it is a little heavier and larger than the others and uses more battery current. If there’s a feature needed in an ENG/EFP production, the LSP4 is the most likely to have it. Price: about $4200 –Glen Trew