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Yamaha M7CL-48 Soundboard Mixing Board USED Great Condition V3 Firmware
Estimated price for orientation: 7 999 $
Category: Live and Studio Mixers
Class:
Description Brand: Yamaha Suited For: Front of House (FOH), Recording & Live Sound, Stage/Live Sound, Studio/Recording Analog/Digital: Digital MPN: 00000000000000 UPC: Does not apply
This listing is for a Yamaha M7CL-48 Soundboard. Was used in a large bar/music venue for several years. The bar closed and put the item into storage until sold at auction. Has been tested. Works great. No issues detected.The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.Internal Universal Power and Optional External Power SupplyThe M7CL's internal universal power supply makes it convenient to simply plug the console into an available AC outlet and begin operation right away. But if you need the failsafe reliability of redundant power supplies you can add the optional external PW800W power supply unit (this is the same power supply used by the PM5D console) connected via an optional PSL360 power supply link cable.Advanced Channel Functionality with a Logical Access StructureThe M7CL provides all the functions you'd expect on a top-level live sound console, organized in a logical three-tiered hierarchy that makes operation exceptionally smooth and efficient. Every input channel has a physical fader, ON switch, and meter that are visible and operable at all times. Major mix functions such as input gain, EQ, auxiliary sends, dynamics, and more are directly accessible via the Selected Channel and Centralogic™ interfaces. Functions that are not required for real-time operation during a performance are located one level below. This configuration keeps the interface as simple as possible while allowing full, unimpeded access to performance-critical functions. The input channels include a 72-dB "recallable" head amp, phantom power, phase switching, a HPF, four-band fully-parametric EQ, and LCR panning capability. Each channel also offers two types of EQ, two dynamics processors, digital attenuation/gain that takes advantage of the console's extra bit length for maximum signal-to-noise ratio, flexible metering points, insert points, and direct outputs with -∞ ~ +10 dB level adjustment. It all adds up to functionality and ease of use that go way beyond conventional analog consoles.Flexible Mix Buses and MatrixThe M7CL's 16 mix buses can actually be used either as group or auxiliary buses. You can choose whether each bus pair functions as FIX (GROUP), VARI (AUX), and MONO x 2 or STEREO. If you select the VARI (AUX) mode you can also select pre-EQ, pre-fader, or post fader send, providing easy support for in-ear monitors. Since the matrix is capable of receiving signals not only from the buses but from the inputs as well, you can use the matrix as 8 additional auxiliary buses. In addition to the Input-to-Matrix function just described, the M7CL also has a Sends On Fader mode that assigns the channel send levels to the faders for easier send or monitor mixing with visual feedback from the fader positions. The mix, stereo, and matrix buses all provide a full complement of mix processing, including four-band parametric EQ and dynamics.Versatile Inputs and Outputs with Extensive Digital Patching CapabilityConnection to and from the M7CL is straightforward, with analog input connectors for every input channel and sixteen analog "omni" outputs as well as a 2TR digital output. Three Mini-YGDAI I/O card slots can accommodate up to 16 channels of digital or analog I/O each, for up to an additional 48 I/O channels. A versatile digital patching system allows the standard inputs and outputs and any optional I/O installed to be easily patched and routed as required by your application. A visually comprehensive on-screen patching display makes the process easy.Sophisticated Effects and GEQIn addition to its already impressive array of mix functions, the M7CL features a "virtual" 8-unit rack that can be loaded with up to four effects and four graphic equalizers, or you can use fewer effects and have up to eight graphic equalizers operating simultaneously. The 48 effects provided include Yamaha's outstanding REV-X reverb effects. You can use either "standard" single-channel 31-band graphic equalizer units, or innovative Flex15 GEQs that provide two channels of equalization with which you can control up to 15 bands at 31-band bandwidths. With the virtual rack loaded with eight Flex15 GEQ units you have 16 channels of high-performance graphic EQ! EQ bands can be directly controlled via the Centralogic™ faders for intuitive tactile opera
Description
| Brand: | Yamaha | Suited For: | Front of House (FOH), Recording & Live Sound, Stage/Live Sound, Studio/Recording |
| Analog/Digital: | Digital | MPN: | 00000000000000 |
| UPC: | Does not apply |
This listing is for a Yamaha M7CL-48 Soundboard. Was used in a large bar/music venue for several years. The bar closed and put the item into storage until sold at auction. Has been tested. Works great. No issues detected.The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations. The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope. The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.Internal Universal Power and Optional External Power SupplyThe M7CL's internal universal power supply makes it convenient to simply plug the console into an available AC outlet and begin operation right away. But if you need the failsafe reliability of redundant power supplies you can add the optional external PW800W power supply unit (this is the same power supply used by the PM5D console) connected via an optional PSL360 power supply link cable.Advanced Channel Functionality with a Logical Access StructureThe M7CL provides all the functions you'd expect on a top-level live sound console, organized in a logical three-tiered hierarchy that makes operation exceptionally smooth and efficient. Every input channel has a physical fader, ON switch, and meter that are visible and operable at all times. Major mix functions such as input gain, EQ, auxiliary sends, dynamics, and more are directly accessible via the Selected Channel and Centralogic™ interfaces. Functions that are not required for real-time operation during a performance are located one level below. This configuration keeps the interface as simple as possible while allowing full, unimpeded access to performance-critical functions. The input channels include a 72-dB "recallable" head amp, phantom power, phase switching, a HPF, four-band fully-parametric EQ, and LCR panning capability. Each channel also offers two types of EQ, two dynamics processors, digital attenuation/gain that takes advantage of the console's extra bit length for maximum signal-to-noise ratio, flexible metering points, insert points, and direct outputs with -∞ ~ +10 dB level adjustment. It all adds up to functionality and ease of use that go way beyond conventional analog consoles.Flexible Mix Buses and MatrixThe M7CL's 16 mix buses can actually be used either as group or auxiliary buses. You can choose whether each bus pair functions as FIX (GROUP), VARI (AUX), and MONO x 2 or STEREO. If you select the VARI (AUX) mode you can also select pre-EQ, pre-fader, or post fader send, providing easy support for in-ear monitors. Since the matrix is capable of receiving signals not only from the buses but from the inputs as well, you can use the matrix as 8 additional auxiliary buses. In addition to the Input-to-Matrix function just described, the M7CL also has a Sends On Fader mode that assigns the channel send levels to the faders for easier send or monitor mixing with visual feedback from the fader positions. The mix, stereo, and matrix buses all provide a full complement of mix processing, including four-band parametric EQ and dynamics.Versatile Inputs and Outputs with Extensive Digital Patching CapabilityConnection to and from the M7CL is straightforward, with analog input connectors for every input channel and sixteen analog "omni" outputs as well as a 2TR digital output. Three Mini-YGDAI I/O card slots can accommodate up to 16 channels of digital or analog I/O each, for up to an additional 48 I/O channels. A versatile digital patching system allows the standard inputs and outputs and any optional I/O installed to be easily patched and routed as required by your application. A visually comprehensive on-screen patching display makes the process easy.Sophisticated Effects and GEQIn addition to its already impressive array of mix functions, the M7CL features a "virtual" 8-unit rack that can be loaded with up to four effects and four graphic equalizers, or you can use fewer effects and have up to eight graphic equalizers operating simultaneously. The 48 effects provided include Yamaha's outstanding REV-X reverb effects. You can use either "standard" single-channel 31-band graphic equalizer units, or innovative Flex15 GEQs that provide two channels of equalization with which you can control up to 15 bands at 31-band bandwidths. With the virtual rack loaded with eight Flex15 GEQ units you have 16 channels of high-performance graphic EQ! EQ bands can be directly controlled via the Centralogic™ faders for intuitive tactile opera