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1986 Bach Strad C180 229(60's/70's bell) 25H LB C Trumpet Gold Plated Custom
Estimated price for orientation: 800 $
Category: Trumpets
Class:
Description Brand: Bach Finish: Gold Plated Trumpet Type: 229 25H Large bore C trumpet Bell Material: Brass MPN: Does Not Apply Items Included: Case, Mouthpiece Model: Model C180 229 25H CL Key: C Leadpipe Material: Gold plated Skill Level: Professional
1986-87 Bach Strad 229 CL 25H leadpipe (bell from 60's/70's)
w/ original Bach Strad Case and Gold Plated mouthpiece
If you are looking for one of the best playing C trumpets on eBay with a little age, character, custom features and ready to play the day you receive it, you may have just found it. How can I say it's one of the best playing you'll find? Because two of the most renowned trumpet instructors in the country played it and said it's a definite keeper. I'd keep it myself but I've got the exact same horn with even more custom work that I'm keeping as my C trumpet so decided to let this one go to someone who will appreciate a fine instrument that will be your primary C trumpet. So if you are still interested, keep reading to get the complete story on this horn.Here's the specifics of this horn: Bach Strad C180 229 Bell (earlier bell from late 60's to late 70's), CL large bore, 25H leadpipe, gold-plate over silver with custom first valve thumb hook. Great sound, great action, great intonation...in other words, the things that really matter are all GREAT!Comes with a vintage Bach Strad Case and a gold plated Bach 2 3/4C mouthpiece. Both in good used condition.The serial number is 284xxx (6 digits) which puts its manufactured date to be in the mid 80's probably late '86 early '87. There has never been any major damage to this horn but it has been played a lot!! So there was quite a bit of external wear in the hand hold areas before it was refurbished. The plating is really nice but is a bit thin in spots. No silver or brass showing but you can tell it is thinning. So if external looks are your main priority, you might want to buy a newer shiny C trumpet. But if aesthetics are secondary, keep reading. Just know, there are no dents, no damage scars, and no internal issues whatsoever. No corrosion or red rot. No thinning of brass in the bell. It is 100% structurally sound.Now that I've said that, there are custom patches on each of the three slide ends. Usually you see patches because there were cracks or splits in the crook. That is not the case here. The second slide had several small dents but it was obvious to me that it had dents removed in its past so I patched it after the dents were removed to protect it from further damage that would then require a patch due to splits or cracks. After looking as the other two slides, I decided to go ahead and reinforce the crooks so that there would be no issues in the future. I've pictured each end reinforcement patch so you can see what I'm talking about. I actually think it looks cool so it serves an aesthetic and structural purpose. Again, if you don't agree, you'll want to look for other newer shiny trumpets. While I was doing all the refurbishing on this horn, I also re-set the bell once everything else was done to release any tension in the bell. It made a huge difference in the free-blowing nature of the sound, which was confirmed by several pro players, both before and after the process. Since playing sound is my primary concern, this horn now is a magnificent playing C that you will love!!One other custom feature that I perform on every Strad I play is to bob and angle the first slide hook. It is more like every other major pro horn instead of the straight up and down design of the Strad. I've never had anyone disagree that this modification is more ergonomic and comfortable and I agree. It has just been chem-cleaned and is in perfect playing condition, ready for 30+ more years to its next owner and beyond. Here's some specific information about the Model C180 229CL 25H: The model 229 CL is the primary orchestral horn for most professional players. The 229 bell "tends to be broader than the 239" and provides the kind of power and fullness that is needed in large orchestral settings. This is the large bore .462 which is ideal for C trumpet. The "25H" leadpipe is described as "bigger tone, more free blowing and flexible than the 25C". When you combine the bell and leadpipe in this horn's setup, it makes a wonderful example of power, clarity, fullness and wonderfully blended tonal quality that can play in any and all venues. I've played orchestral, symphonic, jazz, quintet and of course weddings with mine in this exact configuration and it has never been out of place or had difficulty blending. This is the exact s
Description
| Brand: | Bach | Finish: | Gold Plated |
| Trumpet Type: | 229 25H Large bore C trumpet | Bell Material: | Brass |
| MPN: | Does Not Apply | Items Included: | Case, Mouthpiece |
| Model: | Model C180 229 25H CL | Key: | C |
| Leadpipe Material: | Gold plated | Skill Level: | Professional |
1986-87 Bach Strad 229 CL 25H leadpipe (bell from 60's/70's)
w/ original Bach Strad Case and Gold Plated mouthpiece
If you are looking for one of the best playing C trumpets on eBay with a little age, character, custom features and ready to play the day you receive it, you may have just found it. How can I say it's one of the best playing you'll find? Because two of the most renowned trumpet instructors in the country played it and said it's a definite keeper. I'd keep it myself but I've got the exact same horn with even more custom work that I'm keeping as my C trumpet so decided to let this one go to someone who will appreciate a fine instrument that will be your primary C trumpet. So if you are still interested, keep reading to get the complete story on this horn.Here's the specifics of this horn: Bach Strad C180 229 Bell (earlier bell from late 60's to late 70's), CL large bore, 25H leadpipe, gold-plate over silver with custom first valve thumb hook. Great sound, great action, great intonation...in other words, the things that really matter are all GREAT!Comes with a vintage Bach Strad Case and a gold plated Bach 2 3/4C mouthpiece. Both in good used condition.The serial number is 284xxx (6 digits) which puts its manufactured date to be in the mid 80's probably late '86 early '87. There has never been any major damage to this horn but it has been played a lot!! So there was quite a bit of external wear in the hand hold areas before it was refurbished. The plating is really nice but is a bit thin in spots. No silver or brass showing but you can tell it is thinning. So if external looks are your main priority, you might want to buy a newer shiny C trumpet. But if aesthetics are secondary, keep reading. Just know, there are no dents, no damage scars, and no internal issues whatsoever. No corrosion or red rot. No thinning of brass in the bell. It is 100% structurally sound.Now that I've said that, there are custom patches on each of the three slide ends. Usually you see patches because there were cracks or splits in the crook. That is not the case here. The second slide had several small dents but it was obvious to me that it had dents removed in its past so I patched it after the dents were removed to protect it from further damage that would then require a patch due to splits or cracks. After looking as the other two slides, I decided to go ahead and reinforce the crooks so that there would be no issues in the future. I've pictured each end reinforcement patch so you can see what I'm talking about. I actually think it looks cool so it serves an aesthetic and structural purpose. Again, if you don't agree, you'll want to look for other newer shiny trumpets. While I was doing all the refurbishing on this horn, I also re-set the bell once everything else was done to release any tension in the bell. It made a huge difference in the free-blowing nature of the sound, which was confirmed by several pro players, both before and after the process. Since playing sound is my primary concern, this horn now is a magnificent playing C that you will love!!One other custom feature that I perform on every Strad I play is to bob and angle the first slide hook. It is more like every other major pro horn instead of the straight up and down design of the Strad. I've never had anyone disagree that this modification is more ergonomic and comfortable and I agree. It has just been chem-cleaned and is in perfect playing condition, ready for 30+ more years to its next owner and beyond. Here's some specific information about the Model C180 229CL 25H: The model 229 CL is the primary orchestral horn for most professional players. The 229 bell "tends to be broader than the 239" and provides the kind of power and fullness that is needed in large orchestral settings. This is the large bore .462 which is ideal for C trumpet. The "25H" leadpipe is described as "bigger tone, more free blowing and flexible than the 25C". When you combine the bell and leadpipe in this horn's setup, it makes a wonderful example of power, clarity, fullness and wonderfully blended tonal quality that can play in any and all venues. I've played orchestral, symphonic, jazz, quintet and of course weddings with mine in this exact configuration and it has never been out of place or had difficulty blending. This is the exact s
w/ original Bach Strad Case and Gold Plated mouthpiece
If you are looking for one of the best playing C trumpets on eBay with a little age, character, custom features and ready to play the day you receive it, you may have just found it. How can I say it's one of the best playing you'll find? Because two of the most renowned trumpet instructors in the country played it and said it's a definite keeper. I'd keep it myself but I've got the exact same horn with even more custom work that I'm keeping as my C trumpet so decided to let this one go to someone who will appreciate a fine instrument that will be your primary C trumpet. So if you are still interested, keep reading to get the complete story on this horn.Here's the specifics of this horn: Bach Strad C180 229 Bell (earlier bell from late 60's to late 70's), CL large bore, 25H leadpipe, gold-plate over silver with custom first valve thumb hook. Great sound, great action, great intonation...in other words, the things that really matter are all GREAT!Comes with a vintage Bach Strad Case and a gold plated Bach 2 3/4C mouthpiece. Both in good used condition.The serial number is 284xxx (6 digits) which puts its manufactured date to be in the mid 80's probably late '86 early '87. There has never been any major damage to this horn but it has been played a lot!! So there was quite a bit of external wear in the hand hold areas before it was refurbished. The plating is really nice but is a bit thin in spots. No silver or brass showing but you can tell it is thinning. So if external looks are your main priority, you might want to buy a newer shiny C trumpet. But if aesthetics are secondary, keep reading. Just know, there are no dents, no damage scars, and no internal issues whatsoever. No corrosion or red rot. No thinning of brass in the bell. It is 100% structurally sound.Now that I've said that, there are custom patches on each of the three slide ends. Usually you see patches because there were cracks or splits in the crook. That is not the case here. The second slide had several small dents but it was obvious to me that it had dents removed in its past so I patched it after the dents were removed to protect it from further damage that would then require a patch due to splits or cracks. After looking as the other two slides, I decided to go ahead and reinforce the crooks so that there would be no issues in the future. I've pictured each end reinforcement patch so you can see what I'm talking about. I actually think it looks cool so it serves an aesthetic and structural purpose. Again, if you don't agree, you'll want to look for other newer shiny trumpets. While I was doing all the refurbishing on this horn, I also re-set the bell once everything else was done to release any tension in the bell. It made a huge difference in the free-blowing nature of the sound, which was confirmed by several pro players, both before and after the process. Since playing sound is my primary concern, this horn now is a magnificent playing C that you will love!!One other custom feature that I perform on every Strad I play is to bob and angle the first slide hook. It is more like every other major pro horn instead of the straight up and down design of the Strad. I've never had anyone disagree that this modification is more ergonomic and comfortable and I agree. It has just been chem-cleaned and is in perfect playing condition, ready for 30+ more years to its next owner and beyond. Here's some specific information about the Model C180 229CL 25H: The model 229 CL is the primary orchestral horn for most professional players. The 229 bell "tends to be broader than the 239" and provides the kind of power and fullness that is needed in large orchestral settings. This is the large bore .462 which is ideal for C trumpet. The "25H" leadpipe is described as "bigger tone, more free blowing and flexible than the 25C". When you combine the bell and leadpipe in this horn's setup, it makes a wonderful example of power, clarity, fullness and wonderfully blended tonal quality that can play in any and all venues. I've played orchestral, symphonic, jazz, quintet and of course weddings with mine in this exact configuration and it has never been out of place or had difficulty blending. This is the exact s