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musical instrument details
Yamaha M7CL-32 Digital Mixing Console w/ Meter Bridge
Estimated price for orientation: 5 499 $
Category: Yamaha M7cl32 Di
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Yamaha Number of Channels: 32 Analog/Digital: Digital Number of Buses: 16 Mix buses, 8 matrixes, 8 DCAs Suited For: Front of House (FOH), Home Recording, Monitor, Recording & Live Sound, Stage/Live Sound Number of Mic Inputs: 32 Features: 4-Band Equalizer, Built-in Effects, Fader-Type Control, Headphone Cue MPN: M7CL-32 Inputs/Outputs: Analog XLR Out, Analog XLR In
YAMAHA M7CL-32 DIGITAL MIXERWITH METER BRIDGEThis console has been owned by me since new and has only been used as a control room board on reality shows and game shows. It went through a full service by Yamaha technicians in 2013 and has not been used since. It is in pristine physical condition. The board passes signal on all channels. The board has 32 mono input channels and 4 stereo inputs. The CentaLogic section has a touchscreen for full control over all parameters. This board comes packed with a 4-Band PEQ and 2 Dynamics Modules on each channel, a full FX rack, 8 GEQ's, 16 Mix Busses, 8 Matrix Busses. Running a fader calibration shows that some of the faders will not calibrate to factory spec (this means only that fader automation does not perform to spec and the fader may need to be replaced soon, but this does not have a noticeable effect on fader operation). This item is being offered "for local pickup". I will entertain offers from bidders who are out of the area, but it will be the buyer's responsibility to arrange for shipping and there will be a packing and handling charge of $150 added to the cost of the item -or- I have a custom built road case for the board, but it has been repurposed for my new CL5 and is not included in this auction. I can sell you the road case at an additional cost of $900 (this is a HARDCORE case built of 1/2" plywood that cost $1750 new), in that case I would not charge the $150 for packing & handling.FROM THE YAMAHA WEBSITE:The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.
The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.Outline M7CL-48ES M7CL-48 M7CL-32 Mixing capability Mixing channels 48 Mono + 4 Stereo 48 Mono + 4 Stereo 32 Mono + 4 Stereo GROUP 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses AUX 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses 16 MIX (Group/AUX) busses MAIN Stereo, Mono Stereo, Mono Stereo, Mono MATRIX 8 (Can be used as AUX by "Input to Matrix" function) 8 (Can be used as AUX by "Input to Matrix" function) 8 (Can be used as AUX by "Input to Matrix" function) DCA/VCA 8 8 8 Input channel functions HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) Output channel functions Attenuator, 4-band PEQ, Dynamics Attenuator, 4-band PEQ, Dynamics Attenuator, 4-band PEQ, Dynamics On-board processors 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay I/O Mic inputs 0 (Use SB168-ES for physical I/O) 48 (Recallable) 32 (Recallable) Line inputs 4x Stereo (Compliant with mic input) 4x Stereo (Compliant with mic input) 4x Stereo (Compliant with mic input) AD converter 24-bit; 128-time over sampling 24-bit; 128-time over sampling 24-bit; 128-time over sampling Line outputs 8 Omni output 16 Omni output 16 Omni output DA converter 24-bit; 128-time over sampling 24-bit; 128-time over sampling 24-bit; 128-time over sampling Digital I/O 3x EtherSound, 2tr out 2tr out 2tr out Expansion slots 3x Mini-YGDAI (16-in/16-out) 3x Mini-YGDAI (16-in/16-out) 3x Mini-YGDAI (16-in/16-out) Control and others Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, 2x Lamp (12V) Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, 2x Lamp (12V) Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, Lamp (12V) Phantom power - +48V DC; ON/OFF per channel +48V DC; ON/OFF per channel General specifications M7CL-48ES M7CL-48 M7CL-32 Internal processing 32bit, Accumulator: 58bit 32bit, Accumulator: 58bit 32bit, Accumulator: 58bit Sampling frequency rate Internal 44.1kHz, 48kHz 44.1kHz, 48kHz 44.1kHz, 48kHz External 44.1 kHz (-2.5%) to 48 kHz (+2.5%) 44.1 kHz (-10%) to 48 kHz (+6%) 44.1 kHz (-10%) to 48 kHz (+6%) Signal delay Less than 2.5 ms (@48kHz) Less than 2.5 ms (@48kHz) Less than 2.5 ms (@48kHz) Total harmonic distortion Less than 0.05% (20Hz-20kHz) Less than 0.05% (20Hz-20kHz) Less than 0.05% (20Hz-20kHz) Frequency response 0, +0.5, -1.5dB 20Hz-20kHz 0, +0.5, -1.5dB 20Hz-20kHz 0, +0.5, -1.5dB 20Hz-20kHz Dynamic range DA: 110dB; AD+DA: 108dB DA: 110dB; AD+DA: 108dB DA: 110dB; AD+DA: 108dB Hum & noise level Equivalent input noise -128dBu -128dBu -128dBu Residual output noise -86dBu -86dBu -86dBu Crosstalk -80 dB Adjacent Input Channels, Input to Output -80 dB Adjacent Input Channels, Input to Output -80 dB Adjacent Input Channels, Input to Output Power requirements AC100-240V 50/60Hz, and/or Use PW800W AC100-240V 50/60Hz, and/or Use PW800W AC100-240V 50/60Hz, and/or Use PW800W Power consumption 150W, 190W (When use with PW800W) 300W, 375W (When use with PW800W) 250W, 310W (When use with PW800W) Dimensions W 1274mm; 50-3/16in 1274mm; 50-3/16in 1060mm; 41-3/4in H 286mm; 11-1/4in 286mm; 11-1/4in 286mm; 11-1/4in D 701mm; 27-5/8in 701mm; 27-5/8in 701mm; 27-5/8in Net weight 46kg; 101.4lbs 50kg; 110.3lbs 42kg; 92.6lbs Accessories Owner’s Manual, AC power cord, Dust cover Owner’s Manual, AC power cord, Dust cover Owner’s Manual, AC power cord, Dust cover
Analog input characteristicsAnalog input characteristicsInput terminals GAIN Actual load impedance For use with nominal Input level Connector Sensitivity*¹ Nominal Max. before clip INPUT 1-48 (M7CL-48)
INPUT 1-32 (M7CL-32) -62dB
+10dB 3kΩ 50-600Ω Mics & 600Ω Lines -82dBu -62dBu -42dBu XLR3-31 type*² -10dBu +10dBu +30dBu ST IN 1-4 [L,R] (M7CL-32/48)
OMNI IN 1-8 (M7CL-48ES) -62dB
+10dB 3kΩ 50-600Ω Mics & 600Ω Lines -82dBu -62dBu -42dBu XLR3-31 type*² -10dBu +10dBu +30dBu TALKBACK -60dB
-16dB 3kΩ 50-600Ω Mics &
600Ω Lines -70dBu
-26dBu -60dBu
-16dBu -40dBu
+4dBu XLR3-31 type*²
*¹ Sensitivity is the lowest level that will produce an output of +4 dBu (1.23 V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.)
*² XLR-3-31 type connectors with latch are balanced. (1=GND, 2=HOT, 3=COLD)
* In these specifications, 0 dBu = 0.775 Vrms.
* All input AD converters are 24bit linear, 128 times oversampling.
* +48V DC (phantom power) is supplied to INPUT (1-48 or 1-32), ST IN 1L-4R, OMNI IN 1-8 and TALKBACK XLR type connectors via each individual software controlled switches.Analog output characteristicsAnalog output characteristicsOutput terminal Actual source impedance For use with nominal GAIN SW*³ Output level Connector Nominal Max. before clip OMNI OUT 1-16 (M7CL-32/48)
OMNI OUT 1-8 (M7CL-48ES)
75Ω 600Ω Lines +24dB
+4dBu
+24dBu
XLR-3-32 type*¹ +18dB -2dBu +18dBu PHONES 15Ω 8Ω Phones - 75mW* 150mW ST Phone jack*² 40Ω Phones 65mW* 150mW
*¹ XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*² PHONES stereo phone jack is unbalanced. (Tip=LEFT, Ring=RIGHT, Sleeve=GND)
*³ There are switches inside the body to preset the maximum output level.
* The position of the level control is 10 dB lowered from Max.
* In these specifications, 0 dBu = 0.775 Vrms.
* All output DA converters are 24 bit, 128 times oversampling.Digital I/O characteristicsDigital I/O characteristicsTerminal Format Data length Level Audio Connector 2TR OUT DIGITAL*¹ AES/EBU AES/EBU Professional Use*¹ 24bit RS422 - XLR3-32 type (Balanced)*² EtherSound (M7CL-48ES) EtherSound 24bit 100Base-TX 48ch Input/24ch Output @48kHz etherCON CAT5*³
*¹ The channel status of 2TR OUT DIGITAL is described on page 294.
*² XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*³ IN, OUTControl I/O characteristicsControl I/O characteristicsTerminal Format Level Connector NETWORK IEEE802.3 - RJ-45 3rd Port (M7CL-48ES) MIDI IN MIDI - DIN-5pin OUT MIDI - DIN-5pin WORD CLOCK IN - TTL/75Ω BNC OUT - TTL/75Ω BNC REMOTE (M7CL-32/48) - RS422 D-sub 9pin(male) LAMP 1(32ch), 2(48ch) - 0V-12V XLR-4-31 type*¹ USB HOST USB1.1 - A type USB Connector
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Yamaha |
| Number of Channels: | 32 | Analog/Digital: | Digital |
| Number of Buses: | 16 Mix buses, 8 matrixes, 8 DCAs | Suited For: | Front of House (FOH), Home Recording, Monitor, Recording & Live Sound, Stage/Live Sound |
| Number of Mic Inputs: | 32 | Features: | 4-Band Equalizer, Built-in Effects, Fader-Type Control, Headphone Cue |
| MPN: | M7CL-32 | Inputs/Outputs: | Analog XLR Out, Analog XLR In |
YAMAHA M7CL-32 DIGITAL MIXERWITH METER BRIDGEThis console has been owned by me since new and has only been used as a control room board on reality shows and game shows. It went through a full service by Yamaha technicians in 2013 and has not been used since. It is in pristine physical condition. The board passes signal on all channels. The board has 32 mono input channels and 4 stereo inputs. The CentaLogic section has a touchscreen for full control over all parameters. This board comes packed with a 4-Band PEQ and 2 Dynamics Modules on each channel, a full FX rack, 8 GEQ's, 16 Mix Busses, 8 Matrix Busses. Running a fader calibration shows that some of the faders will not calibrate to factory spec (this means only that fader automation does not perform to spec and the fader may need to be replaced soon, but this does not have a noticeable effect on fader operation). This item is being offered "for local pickup". I will entertain offers from bidders who are out of the area, but it will be the buyer's responsibility to arrange for shipping and there will be a packing and handling charge of $150 added to the cost of the item -or- I have a custom built road case for the board, but it has been repurposed for my new CL5 and is not included in this auction. I can sell you the road case at an additional cost of $900 (this is a HARDCORE case built of 1/2" plywood that cost $1750 new), in that case I would not charge the $150 for packing & handling.FROM THE YAMAHA WEBSITE:The M7CL series is a digital live-sound console that carries on the digital evolution from the acclaimed PM1DV2 and PM5D consoles. It includes an impressive array of advanced concepts such as the "Centralogic™" control interface that makes it as easy and intuitive to use as an analog console, and in-depth access management facilities that will be particularly appreciated in installations.
The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.
The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
The M7CL is familiar and comfortable to use, offering a level of convenience that overturns the preconception that "digital is difficult". A surprising range of functions that you would normally have to supply in the form of peripheral equipment is built in, and all of this is provided in a space that is dramatically less than an analog console of similar scope.
The M7CL is the ideal digital mixing console for medium size live sound applications that have previously been handled by analog gear.
| Outline | M7CL-48ES | M7CL-48 | M7CL-32 | |
|---|---|---|---|---|
| Mixing capability | Mixing channels | 48 Mono + 4 Stereo | 48 Mono + 4 Stereo | 32 Mono + 4 Stereo |
| GROUP | 16 MIX (Group/AUX) busses | 16 MIX (Group/AUX) busses | 16 MIX (Group/AUX) busses | |
| AUX | 16 MIX (Group/AUX) busses | 16 MIX (Group/AUX) busses | 16 MIX (Group/AUX) busses | |
| MAIN | Stereo, Mono | Stereo, Mono | Stereo, Mono | |
| MATRIX | 8 (Can be used as AUX by "Input to Matrix" function) | 8 (Can be used as AUX by "Input to Matrix" function) | 8 (Can be used as AUX by "Input to Matrix" function) | |
| DCA/VCA | 8 | 8 | 8 | |
| Input channel functions | HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) | HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) | HPF, Attenuator, 4-band PEQ, 2x Dynamics, Pan (LR or LCR with CSR) | |
| Output channel functions | Attenuator, 4-band PEQ, Dynamics | Attenuator, 4-band PEQ, Dynamics | Attenuator, 4-band PEQ, Dynamics | |
| On-board processors | 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay | 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay | 4x GEQ, 4x GEQ/SPX (GEQ: 31-band or 2x Flex15), 68x Output port delay | |
| I/O | Mic inputs | 0 (Use SB168-ES for physical I/O) | 48 (Recallable) | 32 (Recallable) |
| Line inputs | 4x Stereo (Compliant with mic input) | 4x Stereo (Compliant with mic input) | 4x Stereo (Compliant with mic input) | |
| AD converter | 24-bit; 128-time over sampling | 24-bit; 128-time over sampling | 24-bit; 128-time over sampling | |
| Line outputs | 8 Omni output | 16 Omni output | 16 Omni output | |
| DA converter | 24-bit; 128-time over sampling | 24-bit; 128-time over sampling | 24-bit; 128-time over sampling | |
| Digital I/O | 3x EtherSound, 2tr out | 2tr out | 2tr out | |
| Expansion slots | 3x Mini-YGDAI (16-in/16-out) | 3x Mini-YGDAI (16-in/16-out) | 3x Mini-YGDAI (16-in/16-out) | |
| Control and others | Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, 2x Lamp (12V) | Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, 2x Lamp (12V) | Ethernet, MIDI, Remote (HA remote), USB (Storage/Key), Word clock I/O, Lamp (12V) | |
| Phantom power | - | +48V DC; ON/OFF per channel | +48V DC; ON/OFF per channel | |
| General specifications | M7CL-48ES | M7CL-48 | M7CL-32 | |
| Internal processing | 32bit, Accumulator: 58bit | 32bit, Accumulator: 58bit | 32bit, Accumulator: 58bit | |
| Sampling frequency rate | Internal | 44.1kHz, 48kHz | 44.1kHz, 48kHz | 44.1kHz, 48kHz |
| External | 44.1 kHz (-2.5%) to 48 kHz (+2.5%) | 44.1 kHz (-10%) to 48 kHz (+6%) | 44.1 kHz (-10%) to 48 kHz (+6%) | |
| Signal delay | Less than 2.5 ms (@48kHz) | Less than 2.5 ms (@48kHz) | Less than 2.5 ms (@48kHz) | |
| Total harmonic distortion | Less than 0.05% (20Hz-20kHz) | Less than 0.05% (20Hz-20kHz) | Less than 0.05% (20Hz-20kHz) | |
| Frequency response | 0, +0.5, -1.5dB 20Hz-20kHz | 0, +0.5, -1.5dB 20Hz-20kHz | 0, +0.5, -1.5dB 20Hz-20kHz | |
| Dynamic range | DA: 110dB; AD+DA: 108dB | DA: 110dB; AD+DA: 108dB | DA: 110dB; AD+DA: 108dB | |
| Hum & noise level | Equivalent input noise | -128dBu | -128dBu | -128dBu |
| Residual output noise | -86dBu | -86dBu | -86dBu | |
| Crosstalk | -80 dB Adjacent Input Channels, Input to Output | -80 dB Adjacent Input Channels, Input to Output | -80 dB Adjacent Input Channels, Input to Output | |
| Power requirements | AC100-240V 50/60Hz, and/or Use PW800W | AC100-240V 50/60Hz, and/or Use PW800W | AC100-240V 50/60Hz, and/or Use PW800W | |
| Power consumption | 150W, 190W (When use with PW800W) | 300W, 375W (When use with PW800W) | 250W, 310W (When use with PW800W) | |
| Dimensions | W | 1274mm; 50-3/16in | 1274mm; 50-3/16in | 1060mm; 41-3/4in |
| H | 286mm; 11-1/4in | 286mm; 11-1/4in | 286mm; 11-1/4in | |
| D | 701mm; 27-5/8in | 701mm; 27-5/8in | 701mm; 27-5/8in | |
| Net weight | 46kg; 101.4lbs | 50kg; 110.3lbs | 42kg; 92.6lbs | |
| Accessories | Owner’s Manual, AC power cord, Dust cover | Owner’s Manual, AC power cord, Dust cover | Owner’s Manual, AC power cord, Dust cover | |
Analog input characteristicsAnalog input characteristics
*¹ Sensitivity is the lowest level that will produce an output of +4 dBu (1.23 V) or the nominal output level when the unit is set to maximum gain. (all faders and level controls are maximum position.)
*² XLR-3-31 type connectors with latch are balanced. (1=GND, 2=HOT, 3=COLD)
* In these specifications, 0 dBu = 0.775 Vrms.
* All input AD converters are 24bit linear, 128 times oversampling.
* +48V DC (phantom power) is supplied to INPUT (1-48 or 1-32), ST IN 1L-4R, OMNI IN 1-8 and TALKBACK XLR type connectors via each individual software controlled switches.
| Input terminals | GAIN | Actual load impedance | For use with nominal | Input level | Connector | ||
|---|---|---|---|---|---|---|---|
| Sensitivity*¹ | Nominal | Max. before clip | |||||
| INPUT 1-48 (M7CL-48) INPUT 1-32 (M7CL-32) | -62dB +10dB | 3kΩ | 50-600Ω Mics & 600Ω Lines | -82dBu | -62dBu | -42dBu | XLR3-31 type*² |
| -10dBu | +10dBu | +30dBu | |||||
| ST IN 1-4 [L,R] (M7CL-32/48) OMNI IN 1-8 (M7CL-48ES) | -62dB +10dB | 3kΩ | 50-600Ω Mics & 600Ω Lines | -82dBu | -62dBu | -42dBu | XLR3-31 type*² |
| -10dBu | +10dBu | +30dBu | |||||
| TALKBACK | -60dB -16dB | 3kΩ | 50-600Ω Mics & 600Ω Lines | -70dBu -26dBu | -60dBu -16dBu | -40dBu +4dBu | XLR3-31 type*² |
*² XLR-3-31 type connectors with latch are balanced. (1=GND, 2=HOT, 3=COLD)
* In these specifications, 0 dBu = 0.775 Vrms.
* All input AD converters are 24bit linear, 128 times oversampling.
* +48V DC (phantom power) is supplied to INPUT (1-48 or 1-32), ST IN 1L-4R, OMNI IN 1-8 and TALKBACK XLR type connectors via each individual software controlled switches.
Analog output characteristicsAnalog output characteristics
*¹ XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*² PHONES stereo phone jack is unbalanced. (Tip=LEFT, Ring=RIGHT, Sleeve=GND)
*³ There are switches inside the body to preset the maximum output level.
* The position of the level control is 10 dB lowered from Max.
* In these specifications, 0 dBu = 0.775 Vrms.
* All output DA converters are 24 bit, 128 times oversampling.
| Output terminal | Actual source impedance | For use with nominal | GAIN SW*³ | Output level | Connector | |
|---|---|---|---|---|---|---|
| Nominal | Max. before clip | |||||
| OMNI OUT 1-16 (M7CL-32/48) OMNI OUT 1-8 (M7CL-48ES) | 75Ω | 600Ω Lines | +24dB | +4dBu | +24dBu | XLR-3-32 type*¹ |
| +18dB | -2dBu | +18dBu | ||||
| PHONES | 15Ω | 8Ω Phones | - | 75mW* | 150mW | ST Phone jack*² |
| 40Ω Phones | 65mW* | 150mW | ||||
*² PHONES stereo phone jack is unbalanced. (Tip=LEFT, Ring=RIGHT, Sleeve=GND)
*³ There are switches inside the body to preset the maximum output level.
* The position of the level control is 10 dB lowered from Max.
* In these specifications, 0 dBu = 0.775 Vrms.
* All output DA converters are 24 bit, 128 times oversampling.
Digital I/O characteristicsDigital I/O characteristics
*¹ The channel status of 2TR OUT DIGITAL is described on page 294.
*² XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*³ IN, OUT
| Terminal | Format | Data length | Level | Audio | Connector | |
|---|---|---|---|---|---|---|
| 2TR OUT DIGITAL*¹ | AES/EBU | AES/EBU Professional Use*¹ | 24bit | RS422 | - | XLR3-32 type (Balanced)*² |
| EtherSound (M7CL-48ES) | EtherSound | 24bit | 100Base-TX | 48ch Input/24ch Output @48kHz | etherCON CAT5*³ | |
*² XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
*³ IN, OUT
Control I/O characteristicsControl I/O characteristics
| Terminal | Format | Level | Connector | |
|---|---|---|---|---|
| NETWORK | IEEE802.3 | - | RJ-45 | |
| 3rd Port (M7CL-48ES) | ||||
| MIDI | IN | MIDI | - | DIN-5pin |
| OUT | MIDI | - | DIN-5pin | |
| WORD CLOCK | IN | - | TTL/75Ω | BNC |
| OUT | - | TTL/75Ω | BNC | |
| REMOTE (M7CL-32/48) | - | RS422 | D-sub 9pin(male) | |
| LAMP 1(32ch), 2(48ch) | - | 0V-12V | XLR-4-31 type*¹ | |
| USB HOST | USB1.1 | - | A type USB Connector | |