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musical instrument details
Manley Slam! Tube Stereo Limiter and Mic Preamp with 1 Year Free Extended Warranty
Estimated price for orientation: 6 660 $
Category: Manley
Class:
Features Input Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias Output Tubes: 2 x 6414W NOS USA dual triodes I/O: MANLEY transformer coupled Balanced Inputs and Outputs Micpre: Selectable 48V phantom power and PHASE REVERSE Gain: 60dB max Micpre, 43dB max DI, 20dB max Limiter Gain Description Product Description Includes 1 Year Free Extended Warranty. SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep the poor little needles from bending - it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym. When it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested? We combined our favorite Electro-Optical circuit (ELOP) with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, "it just works" quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM! GET IN: The SLAM! starts with tube Mic Preamps on both channels with selectable phase reverse, high pass filter, and switchable phantom power (on the back panel). We've got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter- plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock 'n' rollers won't cause a problem either. /p>
Features Input Tubes: 2 x 12AT7A NOS GE specially selected by Manley Labs for lo-noise and stable bias Output Tubes: 2 x 6414W NOS USA dual triodes I/O: MANLEY transformer coupled Balanced Inputs and Outputs Micpre: Selectable 48V phantom power and PHASE REVERSE Gain: 60dB max Micpre, 43dB max DI, 20dB max Limiter Gain Description Product Description Includes 1 Year Free Extended Warranty. SLAM! stands for "Stereo Limiter And Micpre" and it pretty much describes what it will do to most VU meters. We had to put a switch on this limiter to drop its internal VU meters down 3 & 6dB to keep the poor little needles from bending - it'll get LOUD fast (hence the exclamation mark). And on top of being an amazing pair of (actually four) Limiters, and Class A tube mic preamps, it also has masters degrees in DI, AtoD and DtoA, VU and PPM but that was too much for an acronym. When it comes to classic gear, especially classic limiters, we can all agree numbers like LA2s, 1176s, 2264s, and others come to mind. What if all those sounds were to be found in one stereo tube unit. Interested? We combined our favorite Electro-Optical circuit (ELOP) with a damn fast FET based brick-wall limiter reminiscent of some cool classics. And we added a sidechain filter that can remove low frequencies that makes it more useful for a variety of tasks, while retaining that easy, "it just works" quality that has made it a favorite for vocals everywhere. The FET-based limiter has different desirable characteristics that both optimise the signal for digital recording, due to the brick-wall capability, and let you dial in how clean or crunchy, or punchy, and how loud and proud you want it. Manley is excited to announce the SLAM! GET IN: The SLAM! starts with tube Mic Preamps on both channels with selectable phase reverse, high pass filter, and switchable phantom power (on the back panel). We've got plenty of gain for you in this new tube circuit, up to 60dB with 20dB more in the limiter- plenty for soft singers using low output ribbon mics. The input attenuator is right up front, like a variable pad so your loud rock 'n' rollers won't cause a problem either. /p>