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musical instrument details
Summit Audio ECS-410 Everest Configurable tube channel strip, ¹
Estimated price for orientation: 3 499 $
Category: Summit Audio
Class:
Features Mz2 tube or solid state mic preamplifier +48VDC phantom power, polarity switch, HPF, pad, 10-segment LED meter Fe1 passive 3 band equalizer Switch selectable frequencies, +/-12dB per band, peaking/shelving, bypass Dc1 dual mode dynamics, "Tight" and "Classic" compression modes Description Product Description The Summit Audio ECS-410 Everest Configurable Tube Channel Strip takes 4 of the most intense, flavorful audio processing blocks and fuses them into 1 master channel strip. A distinctly different four-section analog processor and mic preamp, the ECS-410 Everest is ideal for tracking, recording, and processing. With its own fully balanced IO, each section is completely independent or can be internally routed together via TouchPatch, a unique and amazingly intuitive routing section. Flexibility? The ECS-410 Everest excels in all regards. Since each section has it's own I/O (and in some cases, multiple I/O), each section can be wired to your patchbay for individual use. Each section can also be routed internally with the TouchPatch one-touch routing section while the outputs of each section remain active. For example, route the ECS-410 Everest from the Mz2 Preamp, to the Dc1 Compressor, to the Fe1 EQ, to the Db2 Drive Bus. Plug your microphone into the preamp section and adjust the gain and processing sections so you get what you want out of the main XLR output. The Mz2 preamp's output is still active, sending an unprocessed output from the mic. The Dc1's output is still active, sending the compressed and amplified signal out. The Fe1's output is active as well, sending the amplified, compressed, and EQed signal out it's individual output. Add to this the -10dB TRS outputs on both the Mz2 and Db2, and with one microphone you can get six outputs, all at different stages of the processing!Looking for flavor? Looking for pristine quiet and precision? ECS-410 Everest has it all. Put the Mz2 into tube mode, drive the Dc2 compressor in Tight mode, use the Fe1 EQ to tone and shape, drive the Db1 drive bus into tube or transistor overdrive and shape your sound into shapes and sizes never before heard. Put the Mz2 into solid-state mode, bypass the Db2, and you have an incredibly quiet, precise, open preamp, free of artifacts with very low THD and noise &mdash
Features Mz2 tube or solid state mic preamplifier +48VDC phantom power, polarity switch, HPF, pad, 10-segment LED meter Fe1 passive 3 band equalizer Switch selectable frequencies, +/-12dB per band, peaking/shelving, bypass Dc1 dual mode dynamics, "Tight" and "Classic" compression modes Description Product Description The Summit Audio ECS-410 Everest Configurable Tube Channel Strip takes 4 of the most intense, flavorful audio processing blocks and fuses them into 1 master channel strip. A distinctly different four-section analog processor and mic preamp, the ECS-410 Everest is ideal for tracking, recording, and processing. With its own fully balanced IO, each section is completely independent or can be internally routed together via TouchPatch, a unique and amazingly intuitive routing section. Flexibility? The ECS-410 Everest excels in all regards. Since each section has it's own I/O (and in some cases, multiple I/O), each section can be wired to your patchbay for individual use. Each section can also be routed internally with the TouchPatch one-touch routing section while the outputs of each section remain active. For example, route the ECS-410 Everest from the Mz2 Preamp, to the Dc1 Compressor, to the Fe1 EQ, to the Db2 Drive Bus. Plug your microphone into the preamp section and adjust the gain and processing sections so you get what you want out of the main XLR output. The Mz2 preamp's output is still active, sending an unprocessed output from the mic. The Dc1's output is still active, sending the compressed and amplified signal out. The Fe1's output is active as well, sending the amplified, compressed, and EQed signal out it's individual output. Add to this the -10dB TRS outputs on both the Mz2 and Db2, and with one microphone you can get six outputs, all at different stages of the processing!Looking for flavor? Looking for pristine quiet and precision? ECS-410 Everest has it all. Put the Mz2 into tube mode, drive the Dc2 compressor in Tight mode, use the Fe1 EQ to tone and shape, drive the Db1 drive bus into tube or transistor overdrive and shape your sound into shapes and sizes never before heard. Put the Mz2 into solid-state mode, bypass the Db2, and you have an incredibly quiet, precise, open preamp, free of artifacts with very low THD and noise &mdash