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Taylor 400 Series 412ce Grand Concert Acoustic-Electric Guitar Natural

Estimated price for orientation: 3 274 $

Category: Taylor
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Features Body Body type: Taylor Grand Concert Cutaway: Yes - Venetian Top wood: Solid Sitka Spruce Back & sides: Solid Ovangkol Bracing pattern: Taylor Performance Bracing (Standard III with Relief Rout) Body finish: Gloss 6.0 Orientation: Right-HandedNeck Neck shape: Standard Taylor Profile Nut width: 1-3/4" (44.5mm) Fingerboard: Genuine African Ebony Neck wood: Tropical Mahogany Scale length: 24-7/8" Number of frets: 20 Neck finish: SatinElectronics Pickup/preamp: Expression System 2 "professional Description Product Description Though they've been a staple of the Taylor line for years, Taylor's ovangkol 400 Series guitars continue to be discovered and embraced by players, thanks in part to a compelling full-range tone profile that's comparable to rosewood. Ovangkol's natural tonal breadth and dynamic range fit many different playing applications and body styles. An all-gloss body adds a burnished complexion that ties ovangkol's toasted golden color tones together with the buttery Sitka Spruce top. All 400 Series instruments ship in a deluxe hard shell case made by Taylor for optimal fit and protection. Body Shape Taylor's Grand Concert is slightly smaller that its Grand Auditorium and yields controlled overtones, so the sound won't occupy a lot of sonic space. This is often a key consideration when other instruments are in the mix, such as in a performance or recording environment, and it allows the guitar to be heard more clearly. The Grand Concert pairs well with both 14-fret and 12-fret neck-to-body construction, and offers an articulate voice with top-end chime. It's perfect for fingerstyle players and light strummers, though flatpickers are known to enjoy its tonal character too. Its intimate size makes it lap/couch-friendly, and a great fit for players who find smaller instruments more physically comfortable.  Tone Wood Pairing A guitar's top is the primary filter and distributor of vibrating string energy through the guitar, which means it has a huge impact on its sound. Sitka Spruce is the most prevalent guitar top wood of the modern era. It blends stiffness and elasticity in just the right proportions which translates into broad dynamic range with crisp articulation. Solid ovangkol back and sides complement the top with a sound that's comparable to rosewood. Ovangkol is an African relative of rosewood that shares a wide tonal spectrum from lows to highs, but with a slightly fuller midrange and a bright treble that resembl