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Mackie 1604 VLZ4 MIxer - WESTLAKE PRO - BRAND NEW - AUTHORIZED DEALER!!
Estimated price for orientation: 899 $
Category: Live and Studio Mixers
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Mackie Number of Line Inputs: 16 Analog/Digital: Analog Number of Phono Inputs: 2 Powered/Non-Powered: Non-Powered Model: 1604 VLZ4 Suited For: Front of House (FOH), Home Recording, Monitor, Recording & Live Sound, Stage/Live Sound Type: Mixing Console Number of Channels: 16 MPN: Mackie 1604 VLZ4 Number of Buses: 4 Country/Region of Manufacture: China Number of Mic Inputs: 16 UPC: Does not apply
Featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie 1604VLZ4 delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time. 16 XLR ins, assignable sub-groups, inserts per channel.VLZ
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.Onyx
The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.Shhh...
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.Reliable
Mackie VLZ mixers are truly "Built-Like-A-Tank." From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.VLZ4's new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer's usability in low-light scenarios, it also means your mixer looks as good as it performs.FEATURES16 great-sounding mic preampsBalanced main outputsInserts per channelRCA and 1/4" inputsSweep mid EQOrder today and get the clarity, punch, presence and versatility that your music deserves.SPECIFICATIONSVLZ4 Series 1604VLZ4 16-Channel/4-Bus Compact MixerMain Mix Noise
(20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Main mix fader down, channel level faders down: -88.5 dBu
Main mix fader @ unity, channel level faders @ unity: -82.5 dBu,THD
(1 kHz @ 35 dB gain, 20 Hz-20 kHz bandwidth)
Mic in to insert send: <0.0007%
Mic in to Main Out: <0.005%Attenuation/Crosstalk
(1 kHz relative to 0 dBu, 20 Hz-20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
Channel Mute switch engaged: -84 dBu
Channel Gain knob down: -84 dBuFrequency Response
Mic input to main output (gain @ unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHzEquivalent Input Noise (EIN)
(Mic input to insert send out, max gain)
150 termination: -128.5 dBu, 20 Hz-20 kHzCommon Mode Rejection Ratio (CMRR)
1 kHz: better than -70 dBMaximum Levels
Mic in: +22 dBu
All other inputs: +22 dBu
Main mix XLR out: +28 dBu
All other outputs: +22 dBuImpedances (Ohms)
Mic in: 2.5K
Channel insert return: 2.5K
All other inputs: 10K or greater
Tape out: 1.1K
Phones out: 120
All other outputs: 120EQ
High Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB sweep 100Hz - 8kHz
Low Shelving: ±15 dB @ 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB @ 75 HzPhysical Properties
Height: 17.0"
Depth: 5.1"
Width: 17.3"
Weight: 20lbSHIPPING & RETURNS POLICY We ship with UPS or FedEx. If you require a specific carrier, please contact us ahead of time or leave a note in the "message to seller" field at checkout stating that preference. If you need the item faster, please choose from the expedited UPS options listed on the page. Please be aware that your order may ship "Signature Required" to avoid a lost or stolen package. Residents of Hawaii, Alaska, and Puerto Rico should contact us for a shipping quote. Orders shipping to California addresses, or picked up locally, will be charged California sales tax. Please note that if you create music for Film or TV, you may be entitled to a reduced tax rate of 3.5%. Contact Westlake Pro at 323-845-1145 for details. If your purchase has been damaged in shipping, or if the product is not as represented, then we'll take it back. Just send us an email and let us know. We want your experience to be a positive one.
We provide free shipping via UPS or FedEx Ground to the contiguous 48 United States, on most items. Shipping fees to other locations will be calculated and added to customer invoices. Local duties, taxes and charges are not included in the sale price or ship charges. Westlake Pro is not responsible for any taxes, duties, or fees outside of California and/or the USA. In the event that the customer refuses a shipment, all shipping costs are not refunded. Please note that in some cases return shipping can cost as much as double the original ship cost. We offer a 15-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. The ship cost we paid to ship your item will be deducted as well. In some cases restock fee's and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, or other items that you wouldn't want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. "Special Orders", discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Shipping and handling costs are non-refundable, including a reasonable ship cost calculated into free US shipping best offer prices. Please contact us for our Return Form and return ship instructions before returning any items. Upon receipt of the returned product a credit will be issued according to your payment method. If any product is damaged in shipping, you should address the issue promptly with the appropriate carrier. Any return sent back without a processed return form will not be processed. Please call anytime. We hope your experience with us, even when returning gear, is easy and is positive. ABOUT USAt Westlake Pro, we have the best service and support in the business. If you have questions about this, or any of our many eBay listings, just call - we can help. Our sales associates are musicians, producers, engineers. We use what we sell. We are literally in the heart of the media and entertainment industry, so excellent customer service is a must. Within 2 miles of our store there are at least 200 professional commercial and private recording studios, and we provide them with the best knowledge and service in the industry. We sell to and service many lucrative businesses here in Los Angeles: Disney, Warner Bros., Universal Studios, Sony, NBC, Blizzard Entertainment, and many others. We design, build studios, and provide top tech support for clients around Los Angeles and the world. We pride ourselves on top notch service, no matter how big the order, and we take our commitment seriously. We are the largest Avid dealer in California. Westlake Pro is an authorized Apple dealer. Our Clients Include:
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Mackie |
| Number of Line Inputs: | 16 | Analog/Digital: | Analog |
| Number of Phono Inputs: | 2 | Powered/Non-Powered: | Non-Powered |
| Model: | 1604 VLZ4 | Suited For: | Front of House (FOH), Home Recording, Monitor, Recording & Live Sound, Stage/Live Sound |
| Type: | Mixing Console | Number of Channels: | 16 |
| MPN: | Mackie 1604 VLZ4 | Number of Buses: | 4 |
| Country/Region of Manufacture: | China | Number of Mic Inputs: | 16 |
| UPC: | Does not apply |
Featuring Mackie's flagship Onyx mic preamps, the comprehensive Mackie 1604VLZ4 delivers the proven feature set, high-headroom/low-noise design and "Built-Like-A-Tank" construction that created an industry more than 25 years ago. From every input to every output, VLZ4 is optimized to deliver professional-quality results each and every time. 16 XLR ins, assignable sub-groups, inserts per channel.VLZ
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.Onyx
The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.Shhh...
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.Reliable
Mackie VLZ mixers are truly "Built-Like-A-Tank." From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.VLZ4's new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer's usability in low-light scenarios, it also means your mixer looks as good as it performs.
Each generation of VLZ mixers benefits from a reinvestment in performance, all without raising prices. By continuing to ignore the "race to the bottom," VLZ4 benefits from generations of performance improvements like transparent EQ, class-leading negative summing bus architecture and custom-designed op-amps to ensure signal integrity from every input to every output. The result is a mixer that is at the peak of performance and is the obvious go-to compact analog mixer for engineers who demand professional results.Onyx
The performance of Mackie's Onyx mic preamps is more than proven. Just check all the amazing reviews and customer testimonials. Their boutique quality sound and unmatched performance rival any high-priced, boutique preamp on the market. Adding these flagship preamps to our VLZ4 Series compact mixers underlines our commitment to continually improving the performance of the VLZ line with each generation.Shhh...
The VLZ4 design goal was simple: every VLZ4 mixer must have the highest headroom and lowest noise possible. Strict attention to component quality and tolerances has led to innovations like our custom M80 op-amps and class-leading negative summing bus architecture that add yet another level of assurance that a Mackie VLZ4 mixer is the right choice for your professional audio application.Reliable
Mackie VLZ mixers are truly "Built-Like-A-Tank." From beer spills to drops from moving vehicles, the testimonials are as endless as the applications Mackie mixers serve. The VLZ4 series is certainly no exception. With a nearly indestructible steel wrap-around chassis and features like grime-resistant rotary sealed pots, you can be sure that buying a Mackie VLZ4 mixer is a solid investment.VLZ4's new black powder coat finish, cockpit-inspired controls and high-contrast knobs not only optimize your mixer's usability in low-light scenarios, it also means your mixer looks as good as it performs.
FEATURES16 great-sounding mic preampsBalanced main outputsInserts per channelRCA and 1/4" inputsSweep mid EQ
Order today and get the clarity, punch, presence and versatility that your music deserves.
SPECIFICATIONSVLZ4 Series 1604VLZ4 16-Channel/4-Bus Compact Mixer
SHIPPING & RETURNS POLICY We ship with UPS or FedEx. If you require a specific carrier, please contact us ahead of time or leave a note in the "message to seller" field at checkout stating that preference. If you need the item faster, please choose from the expedited UPS options listed on the page. Please be aware that your order may ship "Signature Required" to avoid a lost or stolen package. Residents of Hawaii, Alaska, and Puerto Rico should contact us for a shipping quote. Orders shipping to California addresses, or picked up locally, will be charged California sales tax. Please note that if you create music for Film or TV, you may be entitled to a reduced tax rate of 3.5%. Contact Westlake Pro at 323-845-1145 for details. If your purchase has been damaged in shipping, or if the product is not as represented, then we'll take it back. Just send us an email and let us know. We want your experience to be a positive one.Main Mix Noise
(20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Main mix fader down, channel level faders down: -88.5 dBu
Main mix fader @ unity, channel level faders @ unity: -82.5 dBu,THD
(1 kHz @ 35 dB gain, 20 Hz-20 kHz bandwidth)
Mic in to insert send: <0.0007%
Mic in to Main Out: <0.005%Attenuation/Crosstalk
(1 kHz relative to 0 dBu, 20 Hz-20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
Channel Mute switch engaged: -84 dBu
Channel Gain knob down: -84 dBuFrequency Response
Mic input to main output (gain @ unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHzEquivalent Input Noise (EIN)
(Mic input to insert send out, max gain)
150 termination: -128.5 dBu, 20 Hz-20 kHzCommon Mode Rejection Ratio (CMRR)
1 kHz: better than -70 dBMaximum Levels
Mic in: +22 dBu
All other inputs: +22 dBu
Main mix XLR out: +28 dBu
All other outputs: +22 dBuImpedances (Ohms)
Mic in: 2.5K
Channel insert return: 2.5K
All other inputs: 10K or greater
Tape out: 1.1K
Phones out: 120
All other outputs: 120EQ
High Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB sweep 100Hz - 8kHz
Low Shelving: ±15 dB @ 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB @ 75 HzPhysical Properties
Height: 17.0"
Depth: 5.1"
Width: 17.3"
Weight: 20lb
(20 Hz-20 kHz bandwidth, 1/4" Main out, channel gains @ unity gain, EQs flat, all channels assigned to main mix, odd channels panned left, even channels panned right)
Main mix fader down, channel level faders down: -88.5 dBu
Main mix fader @ unity, channel level faders @ unity: -82.5 dBu,THD
(1 kHz @ 35 dB gain, 20 Hz-20 kHz bandwidth)
Mic in to insert send: <0.0007%
Mic in to Main Out: <0.005%Attenuation/Crosstalk
(1 kHz relative to 0 dBu, 20 Hz-20 kHz bandwidth, line in, 1/4" main out, gain @ unity)
Channel Mute switch engaged: -84 dBu
Channel Gain knob down: -84 dBuFrequency Response
Mic input to main output (gain @ unity)
+0, -1 dB, 20 Hz to 50 kHz
+0, -3 dB, <10 Hz to >100 kHzEquivalent Input Noise (EIN)
(Mic input to insert send out, max gain)
150 termination: -128.5 dBu, 20 Hz-20 kHzCommon Mode Rejection Ratio (CMRR)
1 kHz: better than -70 dBMaximum Levels
Mic in: +22 dBu
All other inputs: +22 dBu
Main mix XLR out: +28 dBu
All other outputs: +22 dBuImpedances (Ohms)
Mic in: 2.5K
Channel insert return: 2.5K
All other inputs: 10K or greater
Tape out: 1.1K
Phones out: 120
All other outputs: 120EQ
High Shelving: ±15 dB @ 12 kHz
Mid Peaking: ±15 dB sweep 100Hz - 8kHz
Low Shelving: ±15 dB @ 80 Hz
Low Cut Filter: 18 dB/octave, -3 dB @ 75 HzPhysical Properties
Height: 17.0"
Depth: 5.1"
Width: 17.3"
Weight: 20lb
We provide free shipping via UPS or FedEx Ground to the contiguous 48 United States, on most items. Shipping fees to other locations will be calculated and added to customer invoices. Local duties, taxes and charges are not included in the sale price or ship charges. Westlake Pro is not responsible for any taxes, duties, or fees outside of California and/or the USA. In the event that the customer refuses a shipment, all shipping costs are not refunded. Please note that in some cases return shipping can cost as much as double the original ship cost. We offer a 15-day return period. Items must be returned with all original packaging as well as all included items. Items that are not returned in original, resalable condition are subject to a 15% restocking fee. The ship cost we paid to ship your item will be deducted as well. In some cases restock fee's and ship costs can be applied as a store credit. We will exchange a defective unit for the same unit within the 30-day period. Items that can not be returned include: software, units with contents or packaging that is damaged/missing, and items that are considered for personal use (such as earphones, headphones, microphones, instrument mouthpieces, or other items that you wouldn't want to purchase if someone else had previously used them). Also, Items which we do not normally stock (i.e. "Special Orders", discontinued products, close-outs, used products, etc.) are non-returnable. We strongly suggest that you check your order after receiving it to be sure that it is in proper working order. Shipping and handling costs are non-refundable, including a reasonable ship cost calculated into free US shipping best offer prices. Please contact us for our Return Form and return ship instructions before returning any items. Upon receipt of the returned product a credit will be issued according to your payment method. If any product is damaged in shipping, you should address the issue promptly with the appropriate carrier. Any return sent back without a processed return form will not be processed. Please call anytime. We hope your experience with us, even when returning gear, is easy and is positive.