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musical instrument details
6ea Audio-Technica In Ear Monitors M3T Transmitter, MCB4 Combiner, M3R Receiver
Estimated price for orientation: 3 500 $
Category: Microphones and Wireless Systems
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Audio-Technica Connectivity: Wireless Model: M3T Wireless Technology: UHF Type: In-Ear Monitors Bundled Items: Road Case
We are selling this as a whole in ears system. Everything is in working order and ready to ship. Included are:6ea audio-technica M3T UHF Stereo Transmitters 7ea audio-technica M3R UHF Stereo Receivers2ea audio-techinica ATW-A49 440-900 MHz Antennas2ea audio-technica MCB4 Antenna Combiner Systems1ea Road Case 5 rack space (Outside: 25"x24"x13.5" | Inside: 18"x19.25"x9")2ea 8 channel 10' long serial connector sub snakes3ea spare antennas for wireless packsOther misc. extras shown in the pictures. Audio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume1321 selectable UHF channels with automatic frequency scanning
Up to 16 simultaneous systems per frequency band
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two independent signals at the receiver
LCD information display offers step-through menus for setting preferences
XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation
Adjustable squelch eliminates annoying static
Pilot tone protects against RF interference when transmitter is turned off
Multi-level limiter (defeatable) helps protect hearing from sudden peaks
Portable system is quick to load and set up
Reduces on-stage audio clutter for better overall mix & less feedback
Use any number of Stereo Receivers (with individual mixes) on the same frequencySelectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input
Operating Frequencies Band E: 790.000 to 822.000 MHz, 1281 frequencies Band F: 832.000 to 865.000 MHz, 1282 frequencies Band L: 575.000 to 608.000 MHz, 1321 frequencies Band M: 614.000 to 647.000 MHz, 1321 frequencies Not all frequency bands available in all areas. Please check with local regulations.Minimum Frequency Step 25 kHzModulation Mode FM stereoMaximum Deviation ±40 kHzDynamic Range 90 dB (typical), A-weightedTotal Harmonic Distortion <1% at (1 kHz, ±20 kHz Deviation)Operating Range 100 m (300'), typical (Open range environment with no interfering signals.)Operating Temperature Range -5° C (23° F) to +50° C (122° F) (Battery performance may be reduced at very low temperatures.)Frequency Response 60 Hz to 13 kHz (+/- 3 dB)Simultaneous Use 16 channels per band (maximum recommended)
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Audio-Technica |
| Connectivity: | Wireless | Model: | M3T |
| Wireless Technology: | UHF | Type: | In-Ear Monitors |
| Bundled Items: | Road Case |
We are selling this as a whole in ears system. Everything is in working order and ready to ship. Included are:6ea audio-technica M3T UHF Stereo Transmitters 7ea audio-technica M3R UHF Stereo Receivers2ea audio-techinica ATW-A49 440-900 MHz Antennas2ea audio-technica MCB4 Antenna Combiner Systems1ea Road Case 5 rack space (Outside: 25"x24"x13.5" | Inside: 18"x19.25"x9")2ea 8 channel 10' long serial connector sub snakes3ea spare antennas for wireless packsOther misc. extras shown in the pictures. Audio-Technica’s advanced M3 IEM system offers a full range of professional in-ear monitoring features, with a choice of 1321 UHF channels and easy-to-read LCD information displays on both transmitter and receiver for setting preferences. The stereo monitor system is equipped with Audio-Technica’s versatile Personal Mix Control, which allows volume and mix control of two independent signals on stage, via controls on the M3R stereo body-pack receiver. While up to 16 complete M3 systems may be used simultaneously, any number of M3R stereo receivers can operate on the same frequency with a single M3T stereo transmitter. The M3T Stereo Transmitter is equipped with two XLR/¼” combo input connectors into which users can connect line-level inputs (from a mixing console, for example). The M3T also offers a headphone output that allows you to monitor transmitter input signals directly.High-fidelity sound with clean, articulate mix allows performers to hear themselves clearly at lower volume1321 selectable UHF channels with automatic frequency scanning
Up to 16 simultaneous systems per frequency band
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two independent signals at the receiver
LCD information display offers step-through menus for setting preferences
XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation
Adjustable squelch eliminates annoying static
Pilot tone protects against RF interference when transmitter is turned off
Multi-level limiter (defeatable) helps protect hearing from sudden peaks
Portable system is quick to load and set up
Reduces on-stage audio clutter for better overall mix & less feedback
Use any number of Stereo Receivers (with individual mixes) on the same frequencySelectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input
Operating Frequencies Band E: 790.000 to 822.000 MHz, 1281 frequencies Band F: 832.000 to 865.000 MHz, 1282 frequencies Band L: 575.000 to 608.000 MHz, 1321 frequencies Band M: 614.000 to 647.000 MHz, 1321 frequencies Not all frequency bands available in all areas. Please check with local regulations.Minimum Frequency Step 25 kHzModulation Mode FM stereoMaximum Deviation ±40 kHzDynamic Range 90 dB (typical), A-weightedTotal Harmonic Distortion <1% at (1 kHz, ±20 kHz Deviation)Operating Range 100 m (300'), typical (Open range environment with no interfering signals.)Operating Temperature Range -5° C (23° F) to +50° C (122° F) (Battery performance may be reduced at very low temperatures.)Frequency Response 60 Hz to 13 kHz (+/- 3 dB)Simultaneous Use 16 channels per band (maximum recommended)
Up to 16 simultaneous systems per frequency band
Three receiver modes: Personal Mix, stereo, and mono
Personal Mix Control allows volume and mix control of two independent signals at the receiver
LCD information display offers step-through menus for setting preferences
XLR loop output (true pass-through) connects signal to mixing console, additional IEM system or recording device with no signal degradation
Adjustable squelch eliminates annoying static
Pilot tone protects against RF interference when transmitter is turned off
Multi-level limiter (defeatable) helps protect hearing from sudden peaks
Portable system is quick to load and set up
Reduces on-stage audio clutter for better overall mix & less feedback
Use any number of Stereo Receivers (with individual mixes) on the same frequencySelectable auxiliary input offers connection point for ambient microphone, click track, or other mic- or line-level input
Operating Frequencies Band E: 790.000 to 822.000 MHz, 1281 frequencies Band F: 832.000 to 865.000 MHz, 1282 frequencies Band L: 575.000 to 608.000 MHz, 1321 frequencies Band M: 614.000 to 647.000 MHz, 1321 frequencies Not all frequency bands available in all areas. Please check with local regulations.Minimum Frequency Step 25 kHzModulation Mode FM stereoMaximum Deviation ±40 kHzDynamic Range 90 dB (typical), A-weightedTotal Harmonic Distortion <1% at (1 kHz, ±20 kHz Deviation)Operating Range 100 m (300'), typical (Open range environment with no interfering signals.)Operating Temperature Range -5° C (23° F) to +50° C (122° F) (Battery performance may be reduced at very low temperatures.)Frequency Response 60 Hz to 13 kHz (+/- 3 dB)Simultaneous Use 16 channels per band (maximum recommended)