(1) SOLO 610 (1) IEC Cable (1) Owner's Manual (1) LCT 450 Large-Diaphragm Microphone

SOLO 610 Features: Classic Putnam 610 console mic preamplifier and DI Legendary all-tube sound, at a project studio price Gain, Level, and Impedance selection for maximum tonal variety Portable design for studio, desktop or stage Rugged construction-steel chassis DI features include Thru and Mic/Line level output Hand-built in USA; backed by 1-year limited warranty Specifications: Input Impedance Mic Input - Selectable 450 ohms (Lo-Z) or 1.6 kilohms (Hi-Z) DI Input - Selectable 2.2 megohms (Lo-Z) or 50 kilohms (Hi-Z) Output Load Impedance: 20 Hz to 20 kHz +/- 1 dB Maximum Gain: 61 dB Tube Complement: (1) 12AX7, (1) 12AT7 Maximum Mic Input Level: -12 dBu, 1.0% THD+N Ratio Maximum Instrument Input Level: +4 dBu, 1.0% THD+N Ratio Maximum Gain Mic Input: 55 dB (1.6K ohm input), 60 dB (450 ohm input) Mic/Instrument In Frequency Response: 20 Hz to 20 kHz, +/- 0.1 dB Maximum Gain Instrument Input: 37 dB Dimensions (L x W x H): 14" x 5.75" x 5" Weight: 9 lbs LCT 450 Features: LEWITT's gateway to the world of large diaphragm condenser microphones - at an affordable price 1-inch true condenser capsule in a small housing Natural authentic sound with first-class transient response 3 micron thin gold-sputtered Mylar diaphragm A perfect choice for vocals, overheads and acoustic instruments Cardioid polar pattern for effective rear sound rejection 9 dB (A) self noise 129 dB dynamic range SPL max of 138 dB (A) Immune to electromagnetic interference thanks to transformerless preamplifier circuitry Illuminated user interface for quick and easy handling in dark environments Noiseless pushbuttons for attenuation and low-cut selection Automatic Attenuation and Clipping History mode Rugged zinc die cast body Internal shock mount for maximum reduction of structure borne noise Corrosion-resistant gold-plated 3-pin XLR output connector Top applications Vocals & background vocals Classic drum & percussion overhead Acoustic instruments (strings, guitars, piano and similar) Ambitious stereo recording techniques (XY, ORTF, AB, ...)

The All-Tube 610 Console Mic Preamp Sound in a Rugged “Go Anywhere” Design The SOLO/610 delivers the classic Putnam 610 tube console sound in a rugged, highly versatile mic preamp design. This unit provides the silky, vintage warmth of the original console’s mic amp design, and will flatter any microphone or instrument with its signature sound. Thanks to its convenient form factor, the SOLO/610 can be conveniently used in the control room or the recording room, on stage, or on a desktop. Functionally lean but sonically mean, the SOLO/610 maintains the character of the 610 console — at a price every serious project studio can afford. The SOLO/610 offers Mic and DI inputs, and features Gain and Level control for a wide variety of clean to colored tones. Unlike its predecessors, the SOLO/610 has continuous Gain control with even greater range, allowing for more precise gain structuring — doubling as input signal padding. The SOLO/610 has all the essential features like 48v Phantom Power, Lo-Cut filtering, Phase Reverse and flexible dual impedance selection for both Mic and DI inputs. The SOLO/610 includes essential DI features like Thru use in conjunction with an amplifier, plus Ground Lift and a versatile Mic/Line level output switch. The LCT 450 steps up to the plate with the LCT 540's capsule and thus features a natural, authentic sound with first-class transient response due to the ultra-thin, gold-layered, low-mass, 1-inch diaphragm, while its cardioid polar pattern ensures effective rear sound rejection both onstage and in the studio. It comes with two-step switchable pre-attenuation for an ear-splitting maximum SPL of 158 dB at 20 dB of attenuation. Two low-cut settings help to reduce unwanted low-frequency noise like wind, footsteps or the like. Clever features known from flagships like the LCT 640 or LCT 940 are also onboard, including automatic attenuation and clipping history – as well as, of course, the illuminated user interface for quick and easy handling in dark environments. All this, combined with the brilliant, clear and authentic sound that characterizes our recording microphones, has been packed into our well-known LCT 240 housing to ensure that the LCT 450 isn't too dominant as an onstage overhead; studio users, on the other hand, will appreciate the appealing look that reflects its professional inner workings. In short: the LCT 450 has everything it needs and nothing more, so what you pay for is pure performance rather than gimmicks. The LCT 450 is LEWITT's gateway to the world of large-membrane condenser microphones for everyone who's looking for the best performance at an affordable price!

Product:Period: SOLO 610 1 Year LCT 450 Large-Diaphragm Microphone 2 Year Limited

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