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musical instrument details
Taylor 322e Grand Concert Acoustic-Electric Guitar
Estimated price for orientation: 2 448 $
Category: Taylor
Class:
Features Tropical Mahogany Top and Sapele Back & Sides with Satin Finish Short-Scale (24-7/8") Tropical Mahogany Neck with Ebony Fingerboard Taylor Expression System 2 Electronics Taylor Nickel Tuners and Tusq Nut & Saddle Includes Hardshell Case Description Product Description The solid-wood Taylor experience begins with the 300 Series. The Taylor 322e 'Hog Top' is a stunning acoustic guitar with Mahogany top and Sapele back and sides for a visually stunning look and dark but sweet complex tone that's perfect for a wide range of styles while maintaining a unique character. To complement the dark, rich-grained complexion of the mahogany tops, these models feature a black pickguard with a mix of black binding and white purfling and a crisp black and white rosette. An all-satin finish evokes an earthy vintage aura.The African sapele used for backs and sides of the 300 Series shares many of mahogany s tonal properties; distinctions include slightly less midrange punch and an extra splash of treble brightness. Compared to a Sitka spruce top, the mahogany top s greater density produces extra compression, which translates into a more controlled, focused tone. A spruce top will yield a quicker response, while a mahogany top adds a more subtle roll-in effect to the notes, along with even sustain. The mahogany s tonal focus will articulate clearly with other instruments both on stage and in a recorded mix. The compression of the mahogany top will suit players who have a more aggressive strumming or picking attack. The Taylor 322e is a Grand Concert shaped guitar. The Grand Concert is a smaller bodied guitar ideally suited for fingerstyle. The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the Grand Concert s compact size and tapered waist kept the overtones in check. It is also more comfortable to play while sitting down, and the guitar s slightly wider neck gives players more room for complex fingerings. The Grand Concert s smaller sonic footprint also fits cleanly in a mix with other instruments when tracking in the studio and with a ban
Features Tropical Mahogany Top and Sapele Back & Sides with Satin Finish Short-Scale (24-7/8") Tropical Mahogany Neck with Ebony Fingerboard Taylor Expression System 2 Electronics Taylor Nickel Tuners and Tusq Nut & Saddle Includes Hardshell Case Description Product Description The solid-wood Taylor experience begins with the 300 Series. The Taylor 322e 'Hog Top' is a stunning acoustic guitar with Mahogany top and Sapele back and sides for a visually stunning look and dark but sweet complex tone that's perfect for a wide range of styles while maintaining a unique character. To complement the dark, rich-grained complexion of the mahogany tops, these models feature a black pickguard with a mix of black binding and white purfling and a crisp black and white rosette. An all-satin finish evokes an earthy vintage aura.The African sapele used for backs and sides of the 300 Series shares many of mahogany s tonal properties; distinctions include slightly less midrange punch and an extra splash of treble brightness. Compared to a Sitka spruce top, the mahogany top s greater density produces extra compression, which translates into a more controlled, focused tone. A spruce top will yield a quicker response, while a mahogany top adds a more subtle roll-in effect to the notes, along with even sustain. The mahogany s tonal focus will articulate clearly with other instruments both on stage and in a recorded mix. The compression of the mahogany top will suit players who have a more aggressive strumming or picking attack. The Taylor 322e is a Grand Concert shaped guitar. The Grand Concert is a smaller bodied guitar ideally suited for fingerstyle. The small-body Grand Concert debuted in 1984 to meet the needs of a new wave of adventurous acoustic fingerstyle players. In contrast to the traditionally darker, boomier voices of bigger body styles like dreadnoughts and jumbos, the Grand Concert s compact size and tapered waist kept the overtones in check. It is also more comfortable to play while sitting down, and the guitar s slightly wider neck gives players more room for complex fingerings. The Grand Concert s smaller sonic footprint also fits cleanly in a mix with other instruments when tracking in the studio and with a ban