Features 24 channels 8 Audio groups with pan and routing to LR and M 10 Auxes including a dedicated stereo send 2 multifunction stereo channels each with mic and stereo line inputs 2 extra dual stereos provide 4 summed or independent stereo returns Description Product Description Product Description With the GL2800-824, Allen & Heath has taken their pioneering dual functionality a leap further with new capability for multi-output and personal monitor mixing. This feature-packed mixer gives you 24 channels, 10 auxes (including a stereo aux for recording feeds), and eight groups. Whether you're using it as a Front-Of-House mixer or running up to an astounding 14 mixes for monitor wedges and/or in-ears, you'll definitely wonder how you did without the GL2800-824 for this long. As a monitor console, you get up to 14 mixes such as 8 wedges and 3 stereo IEM, complete with dedicated engineer’s monitor control using the M fader. With 24 input channels you can handle any festival or gig at FOH or on stage with no controls redundant in any mode. Aux 9-10 has dedicated level and pan control complete with mute and stereo monitoring. You can create an LCR mix from the LR and M buses, and add 6 stereo line sources using the full feature stereo channels and 2 extra short fader dual stereo returns in the master section. Our new 74dB range mic preamp can handle the widest range of signals you are ever likely to encounter. A 12x4 Matrix provides a quick way to create studio quality IEM mixes with ambience and "more me" control. You even get matrix talkback and mono or stereo monitoring. There are electronically balanced XLR outputs with +26dBu drive capability, a built-in combiner for redundant backup PSU, metal jacks, gold-plated XLRs, sealed pots and switches. Other features include Individual circuit card assembly with nutted pots, solid copper bus bar grounding, a built- in oscillator / pink noise generator with patchable output, extensive metering. and much more. Make live mixing easier with the GL2800-824. From the Manufacturer A brand new dual-function mixer derived from our classic GL Series, the most popular mixers in the world for mid-range mixing applications. One glance at this new design will confirm that all our design experience and knowledge has been distilled into one amazingly capable console. Uniquely at this level, GL2800 is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for IEM and stereo recording. 8 audio groups and L,R and M busses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive. And at the heart of this design is the new gain structure allowing a whopping 34dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance. The GL Series provides the benefits of the very best in analogue audio performance and intuitive walk up and go operation, featuring capability for the latest techniques in live sound mixing.  All members of the GL Series range retain the rock solid, all metal, individual card build for which Allen & Heath is renowned. A brand new dual-function mixer derived from our classic GL Series, the most popular mixers in the world for mid-range mixing applications. One glance at this new design will confirm that all our design experience and knowledge has been distilled into one amazingly capable console. Uniquely at this level, GL2800 is equipped with 10 auxiliary sends - including a dedicated stereo aux - and using the 12x4 matrix, provides the ideal solution for IEM and stereo recording. 8 audio groups and L,R and M busses are also provided, allowing for full dual functionality with 10 mixes with faders, inserts and XLR drive. And at the heart of this design is the new gain structure allowing a whopping 34dBu maximum input capability and a new ultra-quiet mix head amp section, delivering excellent audio performance. GL2800 is designed for use in any live sound application, including theatres, music venues, houses of worship, festivals, corporate AV, stadiums, etc. With its neat, intuitive layout and straightforward analogue technology, clean audio and high dynamic range, its performance easily rivals that of the best digital consoles. Features • 24, 32, 40, 48 and 56 channel frames • LR and M mix buses • 8 Audio groups with pan and routing to LR and M • 10 Auxes including a dedicated stereo send • 2 multifunction stereo channels each with mic and stereo line inputs • 2 dual stereos provide an extra 4 summed or independent stereo returns • Fully featured 12x4 Matrix • Proper dual functionality for FOH/Monitor mixing • Recording capable with channel direct outputs • M can be used for LR mono sum, engineers wedge, or centre/sub mix • Matrix external inputs with level trims and common input capability • Stereo channel mic inputs can cross patch into matrix for ambience feed • Responsive 4 band, 2 sweep EQ • 100Hz channel high pass filters • Individual phantom power and polarity switching • Wide angle channel and master meters • Dedicated stereo monitor meters • Per channel pre/post fader aux switching for full flexibility • Recessed pre/post-EQ aux switching per channel • `Internal jumper plugs for aux, direct out and other options • Mutes on all fader masters • 100mm dust protected faders • Assignable talkback to all outputs • 1kHz oscillator / pink noise generator with external output • 2-track monitoring and replay to LR • 3 headphones/earpiece sockets and local monitor outputs • Electronically balanced XLR outputs with +26dBu drive capability • Preamp 74dB range with +34dBu input capability for mic or line • Ultra low noise mix head amp design • Uses external linear power supply • Built-in combiner for redundant backup supply • Metal jacks, gold-plated XLRs, sealed pots and switches • Individual circuit card assembly with nutted pots • Soli