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Focusrite CLARETT 2PRE Thunderbolt Interface+(2) Mackie 5" Monitors+Stands+Pads

Estimated price for orientation: 699 $

Category: Focusrite Claret
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Description
Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Focusrite
Max. Number of Channels: 10 MPN: CLARETT 2PRE+(2) MR5mk3+RVSM1+RRS190S
Max. Sampling Rate: 24 Bit (44.1kHz) UPC: 613816021291
Country/Region of Manufacture: China Model: CLARETT 2PRE+(2) MR5mk3+RVSM1+RRS190S


Package Includes: (1) Focusrite CLARETT 2PRE 10-In/4-Out Thunderbolt Interface (2) Mackie MR5mk3 5.25" Powered Active Studio Mixing Reference Monitors (1) Pair of Rockville RVSM1 Near-Field Studio Monitor Stands (1) Pair of Rockville RRS190S Foam Studio Monitor Isolation Pads (2) Rockville RCXMB10B 10' Male REAN XLR to 1/4'' TRS Cable Black
Authorized Focusrite Dealer! Description of CLARETT 2PRE: Better. Faster. Easier.
Excellent sound is the quality Clarett owners love most. With up to 119dB dynamic range, superbly low noise, precision 24/192 conversion and two specially-designed mic preamps with a unique analogue “Air” effect, Clarett 2Pre simply sounds great, easily out-performing other interfaces in its class and beyond. Meanwhile, its astonishing 1.38ms round-trip latency* simplifies your workflow and lets you use your favourite plug-ins in real time.
Two New Clarett Mic Pres with extra ‘Air’
The mic pres have been designed especially for the Clarett range, with plenty of gain, yet low noise and distortion. In addition, they include a special “Air” feature that switches in an analogue model of the classic transformer-based Focusrite ISA mic pre. The Instrument inputs also feature extra headroom to handle the loudest pickup.Precision Digital Conversion
Clarett features Focusrite’s class-leading 24/192 conversion: with up to 119dB dynamic range, Clarett offers the cleanest way yet to get music in and out of your DAW.

Plug Straight In
Do not underestimate the quality of the Clarett range DI. This newly designed instrument input allows for even the hottest of guitar pick-ups to be recorded without clipping, and the performance specifications easily match some of the finest dedicated DI’s on the market. Coupled with the low latency environment, now you can get the most out of recording through your favorite amp sim and guitar effect plug-ins in real time.Revolutionise your Workflow
Clarett’s ultra-low round-trip latency completely transforms your workflow. If you’re used to having to build two different mixes – one using input monitoring to overdub, the other using the DAW for playback – the good news is that now, one is enough. Build your mix on the DAW and use it whether you’re overdubbing (monitoring the input you’re recording with the new Focusrite Control software mixer) or playing back, with all your plugins in place, all the time. Use your favorite plugins while recording too – whether it’s reverb on a vocal, a guitar amp simulator, or even virtual instruments live on stage.Intuitive, Easy to Use Software Mixer and Sweet Sounding Plug-ins
Focusrite Control is a brand new software mixer designed for easy configuration of monitoring and routing setups. Simple and intuitive to use, Focusrite Control offers a traditional mixer workflow and allows immediate access to internal hardware functions. Also included is a sweet sounding plug-in collection comprising Softube's world-class Time and Tone Bundle, with TSAR-1R Reverb, Tube Delay and Saturation Knob. This is complemented by the Red 2 & Red 3 AAX, AU & VST Plug-in Suite, which accurately models Focusrite's classic Red range equalizer and compressor hardware.'Gain Halos’ help keep levels in check
The front panel inputs include Focusrite’s signature “Gain Halo” – an illuminated ring around the gain control that lights up green when there’s signal and red when it’s too high. There’s a main monitor knob plus a high-power headphone output with its own volume control.The ins and outs
Clarett 2Pre offers 10 audio inputs and four outputs, including two front-panel multi-function inputs and a headphone output, plus four rear-panel line outputs (one pair doubling the headphone feed). There are also eight channels of ADAT-format digital input – ideal for adding eight channels of digital mic pre. Features:
Focusrite CLARETT 2PRE 10-In/4-Out Thunderbolt Interface w/2 Clarett Mic Preamps Two New Clarett Mic Pres with extra "Air" Precision 192kHz/24-bit conversion delivering up to 119dB of dynamic range Ultra-low latency lets you use your DAW plug-ins in real time High-power headphone output deliver plenty of level even on high-impedance headphone "Gain Halo" Metering provide clear indication of levels to avoid clipping Software Mixer for maximum control Powerful plug-ins included:
Red 2 and Red 3 plug-in suite (AAX, AU, VST) Softube's Time and Tone Pack (TSAR-1R reverb, Tube Delay, and Saturation Knob) ADAT optical input expands input capability with eight additional digital channels THD+N: 0.001% Noise EIN: –128 dBu (A-Weighted) Maximum input level: +18 dBu Gain Range: 57dB Line Inputs Frequency Response: 20 Hz - 20 kHz +/-0.1 dB Dynamic Range: 118 dB (A-weighted) THD+N: 0.001% Maximum input level: 26dBu Gain Range: 57dB Instrument Inputs Frequency Response: 20 Hz – 20 kHz ± 0.1 dB Dynamic Range: 116 dB (A-weighted) THD+N: 0.001% Maximum input level: +14dBu Gain Range: 57dB Line & Monitor Outputs Dynamic Range (Line Outputs): 119dB Dynamic Range (Monitor Outputs): 118dB Maximum Output Level (0 dBFS): +16 dBu, balanced THD+N: 0.0007% Headphone Outputs Dynamic Range: 116dB THD+N: 0.0008% Maximum Output Level: +16dBu
  Features of MR5mk3:
Mackie MR5mk3  5.25" 50 Watt Active/Powered Studio Monitor Music-centric voicing perfect for modern mixing,  monitoring and multimedia applications Enhanced waveguide system delivers unmatched clarity and openness Minimized reflections and diffractions for wider sweet spot Seamless transition from high to low frequencies for a crystal clear mix  image Perfectly matched amps and drivers for optimized performance 50 watts of Class A/B amplification 5.25" polypropylene woofer High output with controlled low-frequency performance with 1" silk-dome tweeter Superior transient response great for snares and other fast-transient  sources Flexible inputs for simple connection to almost any audio source Customizable frequency control for your studio space Two levels of bass boost Boost/cut control over highs Custom-tuned rear ports for smooth, even bass extension Rugged all-wood cabinet design built to last Acoustically optimized with sound-tightening acoustic absorption  material Details: Technical Information AC Power Requirements US: 120 VAC, 60 Hz AC Connector: 3-pin IEC 250 VAC, 16 A male 115 VAC: T 1 AL / 250 V Power Consumption: 90 watts with music, loud mix 7 watts quiescent (idle) Physical Dimensions and Weight Enclosure: 0.47 in / 12 mm thick MDF with 0.98 in / 25 mm MDF front panel Dimensions: Height: 11.3 in / 286 mm Width: 7.8 in / 197 mm Depth: 10.9 in / 276 mm Weight: 12.1 lb / 5.5 kg Damping: Adiabatic batting Acoustic Performance Frequency Response (-3 dB): 57 Hz – 20 kHz Sound Pressure Level @ 1 meter, +4 dBu into Balanced Input: 102dB SPL @ 1m 108 dB SPL @ 1m Transducers Low Frequency: 5.25 in / 133 mm hyperbolic curved cone woofer High Frequency: Neodymium magnet driven 1 in / 25 mm silk dome tweeter Amplifiers Low Frequency Power: 30 watts, 4 O load, 60 watts peak High Frequency Power: 20 watts, 8 O load, 40 watts peak Type: Monolithic IC, Class AB with DMOS power stage Electronic Crossover Crossover Type: 24 dB/octave 3 kHz Sensitivity: +4 dBu at 300 Hz for full output Input Impedance: 20 kO, balanced bridging; 10 kO unbalanced Equalization Low Frequency EQ: +2 dB/+4 dB @ 100 Hz, shelving ±2 dB @ 3 kHz, shelving
Video of RVSM1:
Description: These heavy-duty Near-Field monitor stands are designed with home and project recording studios in mind. The height is adjustable for listening while sitting or standing, and locks in place with a security pin. Three rubber pads on the bottom of the base keep this stand stable on any surface. The entire stand breaks down into four pieces for easy storage and travel.Includes: (2) Near-Field Monitor Stands Features: Studio Monitor Stands (Pair) Adjustable Height Steel Construction Nylon clutch for adjusting EVA Pad on top to eliminate unwanted vibrations Triple enforced steel base with ultimate sturdiness Black Color Weight capacity: 80 lbs. Adjustable height Range: 33-45 inches Base: 17.7 x 17.7 x 17.7 inches Top Plate: 9.05 x 9.45 inches Tube Diameter: 1.5 inch- 1.37 inch ​​ The Rockville Difference: Whenever you see the Rockville shield on a product you know that it has the stamp of approval. While other companies simply import products from China, Rockville manufactures the products in China to lower your cost but do so under American style supervision and quality standards to get you that USA quality that you want! About Rockville Quality Control Procedures: The Rockville brand stands for Quality, Innovation and Value. All Rockville products go through the most rigorous quality control standards in the industry. Products go through months of extensive testing before they reach your hands. All user functions are tested and all internal components are tested for quality.Rockville makes products that are virtually un-breakable! Rockville is one of the only brands in its class to test every concept model for weeks or months before starting production. Once production begins, Rockville sends product engineers to their factory to quality control every line of production. During production every product is tested and on top of that Rockville goes the extra mile and has their high level product engineers do an additional quality control. They test a certain percentage of all products from the production line a second time to ensure that the quality meets their vigorous standards, and to make sure that there is never a batch of products with even a slight problem. All Rockville products are backed with a full 1 year warranty, though it is unlikely that you will need to use the warranty.Great features and great quality make Rockville a great choice.

Description of RRS190S:

The Rockville RRS190S is specially designed to increase monitoring accuracy. These are made to decrease unwanted vibrations and noises so that you are left with accurate sounds. No matter how good your monitors are, they can never sound the way they were meant to if they are carrying over vibrations and unwanted noises into your music.  These are 7.5" by 9.5" and includes 2 pads which will accommodate (2) monitors. Isolate your speakers!
Rockville isolation pads are designed to acoustically isolate your studio monitors. They were designed to work in studios and give studio quality sound; however some customers will also use them for high end home theater setups. Typically when speakers are placed on hard surfaces, they can vibrate. The vibrations cause the speakers’ sound to become inaccurate, unfocused and lose their “musical transparency." The Rockville Isolation Pad package includes a pair of high-density acoustic foam pads with multiple angle inserts that allow you to fine-tune your speakers positioning. Though conceived and designed for studio monitors/speakers you can decouple and isolate any sensitive studio device such as DVD players, turntables and laptops.
How to get maximum performance from your Monitors!
Rockville Studio Isolation Pads are the most cost-effective improvement you make to your sound system. Imagine the isolation pads as being your speaker systems “shock absorbers”.  Place the Rockville Isolation Pads under your monitors they will absorb vibrations and decouple your monitor to stop vibrations that would otherwise transfer into your studio environment. Isolation Pads will make a day and night difference in the sound quality of your studio. You spent good money on your studio monitors, now go the extra mile to make them sound their best.Rockville Studio Isolation Pads Feature:
Easiest and affordable way to improve your studio monitors sound Decouples your studio monitors from desktops and monitor stands for accurate reproduction Each package contains 2 Isolation Pads - enough for 2 studio monitors 2-part angled design provides you with a wide range of tilt options, including flat, +/-4 degrees, and +/-8 degrees Supports up to 100 lbs., so they can isolate a variety of studio gear Handsome charcoal gray color Decouple your monitors for super-accurate sound
What Rockville Isolation Pads do is called "decoupling." When your monitors sit on your desk or floor, they transmit vibrations that cause the surface that they're sitting on to vibrate at low bass frequencies. These bass vibrations don’t get recorded in to your mix because they are not really in your mix. But when you play the mix in your studio the “coupled” vibrations, will be heard giving you false sound reproduction. But because these “coupled” vibrations are not being recorded when you play your mix outside of your studio, all those low bass frequencies will be gone. By “decoupling: your monitors, you eliminate these false low frequency vibrations, helping you to create accurate mixes that will sound great on any playback system.
Perfectly position your monitors
Rockville Isolation Pads allow you to position your studio monitors at the exact angle you need. Each pad comes in two pieces, each with a 4 degree angle. That allows you to tilt your monitor at one of five different angles: flat, +/-4 degrees, or +/-8 degrees. This allows you to place your monitors flat on your desk top or angled down for proper positioning.
The most affordable way to improve the sound of your studio monitors
Features: Rockville RRS190S: Monitor Isolation Pads 3 Angle High Density Foam 7.5" x 9.5" High quality, High Density Foam Eliminates vibrations and unwanted noises in your studio
Price is for (2) pads which accommodates (2) speakers
Description of RCXMB10B: All Rockville pro audio cables are made with 100% copper which boosts the efficiency of the cable. There is nothing better than 100% copper. Most of the cheaper cables on the market do not use 100% copper, instead they make their cables with CCA (Copper Clad Aluminum). CCA cables do not perform on the level that 100% copper cables perform at. CCA will not conduct signals efficiently. A 12 gauge CCA cable will not even perform as well as a 14 gauge 100% pure copper cable, which will in turn, affect the performance and longevity of your equipment. If you find cables on the market that do not mention the copper content, there is a good chance that they are selling you a cheaper cable that is CCA and not 100% copper. Rockville pays an inspection company to oversee the manufacturing of the product to ensure that we provide a 100% Oxygen Free Copper Cable (OFC). Our OFC cables are less prone to oxidation, and will provide maximum signal transfer.The other important factor of a cable is the shielding. Most of the good brands on the market have about 85% shielding coverage, so we decided to take our shielding a step further. Rockville cables are shielded with a tight copper mesh, covering 90% of the cable! The high percentage of coverage increases the ability to absorb the Electromagnetic Interference (EMI) and Radio Frequency Interference (RFI) that suppresses signal and degrades the performance of equipment. Rockville Cable’s copper shielding provides great flexibility, maintains a durable structural integrity, while decreasing signal interference ensuring enhanced signal clarity with every use. Features: Rockville RCXMB10-B Black Nickel Plated REAN XLR Male to 1/4'' TRS Cable 24 AWG 100% Copper Conductors for Enhanced Signal Clarity 90% OFC Spiral Shield for Effective EMI and RFI Rejection and  Flexibility Length: 10 Ft Color: Black