Back to the main page Back to category Synthesizers
musical instrument details
BRAND NEW Synthesizer ACCESS VIRUS TI2 Desktop - Fast Worldwide Shipment
Estimated price for orientation: 1 850 $
Category: Synthesizers
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Access Model: Desktop Type: Synthesizer Country/Region of Manufacture: Germany MPN: Does Not Apply Inputs / Outputs: Digital RCA/Coaxial (S/PDIF) Out
Access Virus TI2 Desktop Analog Modeling Synthesizer SoftwareVirus Control VST/AU/RTAS compatible virtual instrument plug-in included to create an audio link in between the host sequencer and Virus hardware synthesizer.Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interface. Total Integration keeps working, even if you prefer to use another audio interface.Sample accurate and delay compensated timing.All knobs on surface can be used to control other software and hardware synthesizers (this feature is not available for the Virus TI Snow).Virus Control Center application for convenient memory backup of the entire Virus TI and exchange of content of ROM banks.Soft- and hardware specifications and detailsSound EngineVarious oscillator models including Virtual Analog, Wavetable, HyperSaw, Grain- and Formant Table types.A maximum of 192 parallel effects in total. Reverb and delay, chorus, phaser, frequency shifter, ring modulator, distortion, 3-band EQ and new Character processors.2 independent multi-mode filters (HP, LP, BP, BS) and the Analog Filter which was modeled after the Moog MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation.32-step user-programmable arpeggiator pattern for every patch.Modulation Matrix with 6 slots each featuring 1 source and 3 destinations.3 LFOs with 68 waveforms to choose from. 2 fast ADSTR envelopes.Knob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock.Adaptive control smoothing for jitter-free modulations on all important parameters.Multi mode with embedded patches.Huge voice countThe Virus TI series features a dual core DSP system with a high-speed local buss. This combo is capable of cranking out in between 20-90 voices. Also thanks to the high end design, we were able to improve the overall system response time (sometimes referred to as latency) which makes the Virus TI Series even snappier, especially for live musicians. HyperSaw oscillatorsHyperSaw is a multi-sawtooth oscillator. With a single parameter the user can alter the amount of parallel oscillators from 1-9, smoothly and in realtime. You can literally add more oscillators to fatten up the sound whilst playing a chord. The relative tuning and spread can be controlled as well. Using the highly efficient HyperSaw engine with 9 parallel oscillators per voice (each with it’s own parallel sub oscillator) the Virus TI series can calculate over 1800 oscillators in realtime. Programmable ArpeggiatorThe Virus TI features a user-programmable arpeggiator. Every single Virus TI patch can store it’s own arpeggiator pattern. You can build new patterns from scratch or use one of the 64 presets as a foundation. PureSemitonesPureSemitones tunes the oscillator’s semitone knob to pure intervals. The technology, derived from Access’ PureTuning, tunes the intervals of the semitone parameter to the nearest harmonic and therefore combines a linear scale with intervals which are perfectly in tune. Sync sounds especially benefit from PureSemitones. Delay and reverb per partEach of the 16 parts in multimode can have it’s own, dedicated delay and reverb. Graintable oscillatorsThe Graintable oscillators applies techniques as those used in granular sampling and pitch-shifting algorithms to synthesizer Wavetables. It opens up a whole exciting world of new possibilities. Imagine bending any Wavetable far beyond what is sonically possible with common Wavetable synthesizers. It all happens in realtime and of course all parameters can be modulated in realtime as well.
The formant-based oscillators work in a similar fashion, only with one crucial difference: the formants remain fixed as you play. This effectively turns the oscillator into a filterbank on steroids comprising up to 256 resonant bandpass filter poles, whereby the cutoff of each virtual pole is determined by the harmonics in the current Wavetable index. Multi ModeMulti Mode doesn’t just reference every patch in each of the 16 parts (as most synthesizers do); it embeds all patch data for every part. There is no longer any need to be cau
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Access |
| Model: | Desktop | Type: | Synthesizer |
| Country/Region of Manufacture: | Germany | MPN: | Does Not Apply |
| Inputs / Outputs: | Digital RCA/Coaxial (S/PDIF) Out |
Access Virus TI2 Desktop Analog Modeling Synthesizer
SoftwareVirus Control VST/AU/RTAS compatible virtual instrument plug-in included to create an audio link in between the host sequencer and Virus hardware synthesizer.Audio and MIDI inputs and outputs can be used by the sequencer application as an audio and MIDI interface. Total Integration keeps working, even if you prefer to use another audio interface.Sample accurate and delay compensated timing.All knobs on surface can be used to control other software and hardware synthesizers (this feature is not available for the Virus TI Snow).Virus Control Center application for convenient memory backup of the entire Virus TI and exchange of content of ROM banks.Soft- and hardware specifications and detailsSound EngineVarious oscillator models including Virtual Analog, Wavetable, HyperSaw, Grain- and Formant Table types.A maximum of 192 parallel effects in total. Reverb and delay, chorus, phaser, frequency shifter, ring modulator, distortion, 3-band EQ and new Character processors.2 independent multi-mode filters (HP, LP, BP, BS) and the Analog Filter which was modeled after the Moog MiniMoog™ cascade filter with 6-24 dB Slope and self-oscillation.32-step user-programmable arpeggiator pattern for every patch.Modulation Matrix with 6 slots each featuring 1 source and 3 destinations.3 LFOs with 68 waveforms to choose from. 2 fast ADSTR envelopes.Knob quantise for creating stepped controller movements. The stepping automatically syncs to the Virus clock or an incoming MIDI clock.Adaptive control smoothing for jitter-free modulations on all important parameters.Multi mode with embedded patches.
Huge voice countThe Virus TI series features a dual core DSP system with a high-speed local buss. This combo is capable of cranking out in between 20-90 voices. Also thanks to the high end design, we were able to improve the overall system response time (sometimes referred to as latency) which makes the Virus TI Series even snappier, especially for live musicians. HyperSaw oscillatorsHyperSaw is a multi-sawtooth oscillator. With a single parameter the user can alter the amount of parallel oscillators from 1-9, smoothly and in realtime. You can literally add more oscillators to fatten up the sound whilst playing a chord. The relative tuning and spread can be controlled as well. Using the highly efficient HyperSaw engine with 9 parallel oscillators per voice (each with it’s own parallel sub oscillator) the Virus TI series can calculate over 1800 oscillators in realtime. Programmable ArpeggiatorThe Virus TI features a user-programmable arpeggiator. Every single Virus TI patch can store it’s own arpeggiator pattern. You can build new patterns from scratch or use one of the 64 presets as a foundation. PureSemitonesPureSemitones tunes the oscillator’s semitone knob to pure intervals. The technology, derived from Access’ PureTuning, tunes the intervals of the semitone parameter to the nearest harmonic and therefore combines a linear scale with intervals which are perfectly in tune. Sync sounds especially benefit from PureSemitones.
Delay and reverb per partEach of the 16 parts in multimode can have it’s own, dedicated delay and reverb. Graintable oscillatorsThe Graintable oscillators applies techniques as those used in granular sampling and pitch-shifting algorithms to synthesizer Wavetables. It opens up a whole exciting world of new possibilities. Imagine bending any Wavetable far beyond what is sonically possible with common Wavetable synthesizers. It all happens in realtime and of course all parameters can be modulated in realtime as well.
The formant-based oscillators work in a similar fashion, only with one crucial difference: the formants remain fixed as you play. This effectively turns the oscillator into a filterbank on steroids comprising up to 256 resonant bandpass filter poles, whereby the cutoff of each virtual pole is determined by the harmonics in the current Wavetable index. Multi ModeMulti Mode doesn’t just reference every patch in each of the 16 parts (as most synthesizers do); it embeds all patch data for every part. There is no longer any need to be cau
The formant-based oscillators work in a similar fashion, only with one crucial difference: the formants remain fixed as you play. This effectively turns the oscillator into a filterbank on steroids comprising up to 256 resonant bandpass filter poles, whereby the cutoff of each virtual pole is determined by the harmonics in the current Wavetable index. Multi ModeMulti Mode doesn’t just reference every patch in each of the 16 parts (as most synthesizers do); it embeds all patch data for every part. There is no longer any need to be cau