Back to the main page Back to category Audio or MIDI Interfaces

musical instrument details

Benchmark DAC2 L in Black with remote Audiophile 24-bit 192kHz DAC

Estimated price for orientation: 1 600 $

Category: Audio or MIDI Interfaces
Class:











Description
Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Benchmark
Max. Sampling Rate: 24 Bit (192kHz) Type: 24-Bit 192kHz DAC
Features: Remote Control Interface Type: Optical, Line/Audio Interface, USB Interface
Country/Region of Manufacture: United States Mic/Line Input: Line RCA, Line Stereo
Form Factor: Rack Mountable Additional Inputs/Outputs: Analog In, Analog Out, S/PDIF Optical In, S/PDIF RCA In, USB Interface


Benchmark DAC2 L in Black with remote24-bit 192kHz Audiophile Digital to Analog Converter with PCM and DSD
Made in the USA!Pristine conditionIncludes: original box and packing materials, instruction manual, registration card, remote control and all factory accessoriesFactory installed latest firmware version 2.2Manufactured in July 2016Factory Specs:A NEW REFERENCE - GOING BEYOND THE LEGENDARY DAC1Benchmark's DAC1 family of D/A converters have been the reference to which other converters have been compared. It is rare to find a converter review that does not draw comparisons to the DAC1. The DAC1 has been the best-selling 2-channel reference-quality converter and is in daily use at many of the finest recording studios and mastering rooms. DAC1 converters are also enjoyed by thousands of audiophiles. Benchmark has raised the bar ... the DAC2 defines a new reference.REFERENCE PERFORMANCEThe DAC2 is Benchmark's new 2-channel D/A converter. The DAC2 converter has lower noise and lower distortion than Benchmark's DAC1 converter.The performance of the DAC2 exceeds the measurement limits of some of today's best test equipment.The DAC2 delivers outstanding musical detail and precise stereo imaging. It employs an advanced high-headroom digital filter design, and a new high-sample-rate Asynchronous USB Audio interface. All inputs are fully isolated from interface jitter by Benchmark's new UltraLock2™ jitter attenuation system.Internal digital processing and conversion is 32-bits, and this processing includes 3.5 dB of headroom above 0 dBFS. This headroom prevents the DSP overloads that commonly occur in other D/A converters.Four balanced 32-bit D/A converter are summed together to create each balanced analog output. This 4:1 summation provides a 6 dB noise reduction, and gives the DAC2 industry-leading performance.NATIVE DSD CONVERSIONAll digital inputs on the DAC2 support native PCM or DSD conversion. From any input, DSD is transported with bit accuracy over DoP 1.1. DSD and PCM are both natively converted to analog. There are no DSD to PCM or PCM to DSD conversions to compromise the quality of the music. The DAC2 conversion system seamlessly switches between native PCM and native DSD conversion. DSD over DoP 1.1 is supported by many media players, and DSD downloads are now available from several sources.DIRECT CONNECTIVITY TO POWER AMPLIFIERSBenchmark DAC1 and DAC2 converters are designed to directly drive power amplifiers and speakers. Benchmark converters feature adjustable low-impedance passive attenuators at the XLR outputs that can be used to optimize the interface to the power amplifier (or powered monitor). This unique Benchmark feature optimizes the gain staging between the DAC and the power amplifier. Proper gain staging cannot be overemphasised. When audio stages are properly matched, each component in the audio chain is able to operate at its optimum signal level, and the system performance is significantly improved.SONICALLY-NEUTRAL STUDIO MONITORINGAll Benchmark converters are designed for maximum transparency. This transparency is absolutely essential in the studio monitoring chain. For this reason, DAC2 converters are ideal for critical reference-quality professional systems. Unlike many competing products, the DAC2 is not designed to add "euphonic" coloration to the audio. Instead it is designed to be as uncolored and natural as possible.STEP INTO THE STUDIOWhen Benchmark's professional converters are used in hi-fi applications, studio-quality sound can be enjoyed in a home environment. Enjoy pure music without any coloration from the electronics. Hear the music exactly the way it was heard in the studio, and exactly the way the artists intended.Discover the natural, uncolored, analog sound of the DAC2.SIT IN THE PERFORMANCE SPACETransparent sound can go beyond replicating the studio experience. Recordings that have been produced with a natural and unprocessed sound can transport you to the performance space. But, this can only happen when the entire playback chain is selected for maximum transparency.This experience of "being there" cannot be created by systems that are designed to add "warmth" or "euphonic color" to the music. HYBRID GAIN CONTROLThe DAC2 L includes Benchmark's unique Hybrid Gain Control (HGC) system. The DAC2 combines active analog gain control, passive low-impedance attenuators, a 32-bit digital gain control, and a servo-driven volume control. All inputs are controlled by the rotary volume control. This volume control moves in response to commands from the remote control. Analog inputs are never converted to digital, and digital inputs never pass through an analog potentiometer. Digital inputs are precisely controlled in the 32-bit DSP system. The DSP system preserves precise L/R balance, and precise stereo imaging, while avoiding any source of noise and distortion.Benchmark's unique passive output attenuators provide distortion-free gain reduction without reducing the dynamic range of the converter. The attenuators optimize the gain staging between the DAC2 and the power amplifier. This optimization is absolutely essential for maximizing the dynamic range of the entire playback system. Much of the success of the DAC1 converters can be attributed to the passive output attenuators. Musical details can be obscured by system noise whenever a preamplifier and power amplifier are improperly matched. The" HGC " system will make full use of your power amplifier's dynamic range. Experience new details in your favorite recordings.ULTRALOCK2™ JITTER ATTENUATION SYSTEMUltraLock2™ is an improved version of the UltraLock™ system used in the DAC1 and ADC1 product families. DSP processing is 32-bits, DSP headroom is 3.5 dB, sample rate is 211 kHz, and jitter-induced distortion and noise is at least 140 dB below the level of the music - well below the threshold of hearing. Benchmark's UltraLock2™ system eliminates all audible jitter artifacts.HIGH HEADROOM DSP - WITH 3.5 DB "EXCESS" DIGITAL HEADROOMAll of the digital processing in the DAC2 is designed to handle signals as high as +3.5 dBFS. Most digital systems clip signals that exceed 0 dBFS. The 0 dBFS limitation seems reasonable, as 0 dBFS is the highest sinusoidal signal level that can be represented in a digital system. However, a detailed investigation of the mathematics of PCM digital systems will reveal that inter-sample peaks may reach levels slightly higher than +3 dBFS while individual samples never exceed 0 dBFS. These inter-sample overs are common in commercial releases, and are of no consequence in a PCM system until they reach an interpolation process. But, for a variety of reasons, virtually all audio D/A converters use an interpolation process. The interpolation process is absolutely necessary to achieve 24-bit state-of-the art conversion performance. Unfortunately, inter-sample overs cause clipping in most interpolators. This clipping produces distortion products that are non-harmonic and non-musical . We believe these broadband distortion products often add a harshness or false high-frequency sparkle to digital reproduction. The DAC2 avoids these problems by maintaining at least 3.5 dB of headroom in the entire conversion system. We believe this added headroom is a groundbreaking improvement.MULTI-MODE ASYNCHRONOUS USB SYSTEMBenchmark's USB system supports USB Audio 2.0, DSD, and USB Audio 1.1. It is frequency agile, and will follow sample rate changes initiated by the computer and/or the media playback software. In all modes the USB communications are asynchronous in order to eliminate unnecessary sources of jitter.The DAC2 has a low-jitter master clock which controls the transfer of audio data from the computer to the USB sub-system. The computer asynchronously transfers audio data to a buffer in the DAC2. The contents of the buffer are then asynchronously transferred to the D/A conversion sub-system. This second asynchronous transfer eliminates any traces of jitter that accumulate as the data is transferred between the USB and conversion subsystems. No traces of jitter-induced distortion are measurable to our measurement limits (better than -150 dBFS). This truly represents the state-of-the art. Enjoy the convenience of computer playback without compromise. The Asynchronous USB system supports USB Audio 2.0 for high-resolution 192kHz, and DSD playback. No drivers are required for MAC operating systems. An easy-to-install driver adds 192 kHz and DSD capabilities to Windows operating systems.An asynchronous, driverless USB Audio 1.1 mode supports sample rates up to 96 kHz. This USB mode can be selected from the front panel or from the remote control. The driverless USB Audio 1.1 mode allows quick plug-and-play connections to Windows, MAC, iOS, and Linux operating systems without installing drivers. Just plug in the USB, and the DAC2 becomes an available audio device.The USB subsystem remains active when the DAC2 is powered down. This prevents interruptions to the computer playback operations and eliminates the need to reconfigure the computer every time the converter is turned on.QUAD 32-BIT BALANCED CONVERSION SYSTEMFour balanced 32-bit D/A converters deliver audio to Benchmark's low-impedance current to voltage converters. The 4:1 redundancy reduces noise and distortion to levels that set new benchmarks. The conversion system at the core of the DAC2 is as good as it gets. The analog circuits that follow the D/A converter are carefully designed. Benchmark has leveraged its long history of building high-end analog audio equipment, in order to create an outstanding output stage.DISTRIBUTED POWER REGULATIONTo achieve the lowest possible noise, the DAC2 HGC uses distributed power supply regulation. Each critical subsystem has at least one dedicated low-noise voltage regulator.DIAGNOSTIC TOOLS - SAMPLE-RATE AND WORD-LENGTH INDICATORSEver wonder why that 192 kHz 24-bit download on your computer just doesn't sound right? Your media player may be down-sampling to 44.1 kHz and/or truncating to 16-bits. Many computers and media players apply poor-quality sample rate conversion and truncation. Fortunately these problems can be eliminated with the selection a good frequency-agile media player. The sample-rate and word-length displays on the DAC2 confirm the proper operation of your media player.POLARITY SWITCHYou may encounter recordings with inverted polarity. The DAC2 HGC and DAC2 L include a polarity switch to correct the problem.HOME THEATER BYPASSThe DAC2 can be integrated into a home theater system. Typically the DAC2 drives the left and right power amplifiers, and an analog feed from the home theater system is connected to either of the analog inputs on the DAC2. A programmable Home Theater Bypass function sets the pass-through gain to unity when the surround system is active. The DAC2 HGC and DAC2 L include an indicator light that is illuminated when bypass is active.DIGITAL PASS THROUGHThe second coaxial input on the DAC2 can be reconfigured as a digital output. In output mode, any selected digital input (including USB) will pass through to the coaxial output. The digital pass through is bit-transparent and even supports DSD (DoP 1.1). Dolby digital and DTS formats can also be passed through to a surround processor.BI-DIRECTIONAL 12 VOLT TRIGGERBenchmark re-invents the 12 volt trigger. The trigger connection on the DAC2 can be used as an input, an output, or both. It is compatible with any common 12 volt trigger input or output. The trigger can be used to turn a power amplifier on or off automatically. The DAC2 will also respond to a 12 volt trigger to follow the actions of another audio component.POWER SWITCHThe power switch can place the DAC2 in standby, or full shut down. In full shut down, the unit will still respond to the trigger input and the IR remote control. Power consumption is less than 0.5 W in full shut down.LOW POWER CONSUMPTIONThe DAC2 uses high-efficiency low noise power supplies and may be operated from any standard international voltage without adjustment. Power consumption is 12 W typical.AUDIO PERFORMANCEFs = 44.1 to 96 kHz, 20 to 20 kHz BW, 1 kHz test tone, 0 dBFS = +24 dBu (unless noted)SNR – A-Weighted, 0 dBFS = +20 to +29 dBu126 dBSNR – Unweighted, 0 dBFS = +20 to +29 dBu123 dBTHD+N, 1 kHz at 0 dBFS-109 dBFS, -109 dB, 0.00035%THD+N, 1 kHz at -1 dBFS-110 dBFS, -109 dB, 0.00035%THD+N, 1 kHz at –3 dBFS-113 dBFS, -109 dB, 0.00035%THD+N, 20 to 20 kHz test tone at –3 dBFS-112 dBFS, -108 dB, 0.00040%Frequency Response at Fs=96 kHz+0 dB, -0.04 dB (20 to 20 kHz)-0.04 dB at 10 Hz-0.04 dB at 20 kHz-0.04 dB at 40 kHz-0.7 dB at 45 kHzFrequency Response at Fs=48 kHz+0 dB, -0.04 dB (20 to 20 kHz)-0.04 dB at 10 Hz-0.04 dB at 20 kHzCrosstalk-116 dB at 20 kHz-130 dB at 1 kHz-137 dB at 20 HzMaximum Amplitude of Jitter Induced Sidebands (10 kHz 0 dBFS test tone, 12.75 UI sinusoidal jitter at 1 kHz)< -144 dBMaximum Amplitude of Spurious Tones with 0 dBFS test signal< -138 dBMaximum Amplitude of Idle Tones< -147 dBMaximum Amplitude of AC line related Hum & Noise< -140 dBInter-channel Differential Phase (Stereo Pair – any sample rate)+/- 0.25 degrees at 20 kHzInter-channel Differential Phase (Between DAC2 Units Fs<110 kHz) Any sample rate.+/- 0.25 degrees at 20 kHzMaximum Lock Time after Fs change400 msSoft Mute Ramp Up/Down Time50 msMute on Receive ErrorYesMute on Lock ErrorYesMute on Idle ChannelNo50/15 us De-Emphasis EnableAutomatic in Consumer ModeDe-Emphasis MethodDigital IIRDe-Emphasis Supported atFs = 32, 44.1, 48 kHz GROUP DELAY (LATENCY)Delay – Digital Input to Analog Output (function of sample rate)   1.36 ms at 44.1 kHz1.27 ms at 48 kHz0.90 ms at 88.2 kHz0.82 ms at 96 kHz0.51 ms at 176.4 kHz0.47 ms at 192 kHz DIGITAL AUDIO INPUTSNumber of Digital Inputs (switch selected)5 (1 USB, 2 Optical, 2 Coaxial)Number of Channels2Input Sample Frequency Range28 to 210 kHz (Coaxial Inputs)28 to 96 kHz (Optical Inputs)44.1, 48, 88.2, 96, 176.4, 192 kHz (USB Input)Maximum Input Word Length24 bitsDigital Input Impedance75 Ohms (Coaxial Inputs)DC Blocking Capacitors on Digital InputsYes (Coaxial Inputs)Transient and Over-Voltage Protection on Digital InputsYes (Coaxial Inputs)Minimum Digital Input Level250 mVpp (Coaxial Inputs)Jitter Tolerance(With no Measurable Change in Performance) >12.75 UI sine, 100 Hz to 3 kHz>1.5 UI sine at 20 kHz>1.5 UI sine at 40 kHz>1.5 UI sine at 80 kHz>1.5 UI sine at 90 kHz>0.25 UI sine above 160 kHzJitter Attenuation MethodBenchmark UltraLock2™ - all inputs BALANCED ANALOG OUTPUTSNumber of Balanced Analog Outputs2Output ConnectorGold-Pin Neutrik™ male XLROutput Impedance60 Ohms (Attenuator off)425 Ohms (Attenuator = 10 dB)135 Ohms (Attenuator = 20 dB)Analog Output Clip Point+30 dBuFactory Set Bypass Level (at 0 dBFS)+23 dBu (Attenuator = 0 dB)Output Level Range (at 0 dBFS) In ‘Variable’ ModeOff to +23 dBu (Attenuator off)Off to +13 dBu (Attenuator = 10 dB)Off to +3 dBu (Attenuator = 20 dB)Output Level Variation with Sample Rate (44.1 kHz vs. 96 kHz)< +/- 0.006 dB UNBALANCED ANALOG OUTPUTSNumber of Unbalanced Analog Outputs4Output ConnectorRCAOutput Impedance30 OhmsAnalog Output Clip Point+13.5 dBuFactory Set Home Theater Bypass Output Level (at 0 dBFS)+8.2 dBu (2 Vrms)Output Level Range (at 0 dBFS)Off to +8.2 dBuOutput Level Variation with Sample Rate (44.1 kHz vs. 96 kHz)< +/- 0.006 dB HPA2TM HEADPHONE OUTPUTSNumber of Headphone Outputs0The DAC2 L has the same features and performance as the DAC2 HGC, but without the headphone amplifier.Output ConnectorsN/AOutput ImpedanceN/AOutput Level ControlN/AOutput Level Range (at 0 dBFS) into 60-Ohm LoadN/AMaximum Output CurrentN/AOverload Protection (independent per channel)N/ABandwidthN/ATHD+NN/A STATUS DISPLAYIndicators - Type and Location16 LED’s on Front PanelSelection/Status Indication1 – Dim/Mute1 - Polarity6 – Input2 – Bypass/Calibrated Output2 – Word length4 – Sample Rate AC POWER REQUIREMENTSNominal Input Operating Voltage Range (VAC RMS)100 – 240VFrequency50-60 HzPower< 0.5 Watts Idle12 Watts Typical Program15 Watts MaximumFuses5 x 20 mm (2 required)0.5 A 250 V Slo-Blo® TypeMin/Max Operating range (VAC RMS)90 – 26047 – 63Hz DIMENSIONSForm Factor½ Rack Wide, 1 RU HighDepth behind front panel8.5” (216 mm)Overall depth including connectors but without power cord9.33” (237 mm)Width9.5” (249 mm)Height1.725” (44.5 mm) WEIGHTDAC2 only3 lb.DAC2 with remote control, power cord, extra fuses, and manual4 lb.Shipping weight7 lb.NEW FEATURESDAC1 customers requested many new features which have been integrated into the new DAC2 HGC:Sample Rate DisplayWord Length DisplayMore Digital Inputs (5 total)More Analog Inputs (2 total)More Analog Outputs (3 total)Digital Pass ThroughNative DSD ConversionPolarity SwitchAsynchronous USB 2.0Driverless Asynchronous USB 1.1Home Theater BypassBi-Directional 12 Volt TriggerPower SwitchLow Power ConsumptionNew Benchmark Technologies