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Interface Metric Halo ULN 8
Estimated price for orientation: 1 642 $
Category: Audio or MIDI Interfaces
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Marca: Metric Halo
Uno de los mejores interfaces de audio del mercado, muy poco uso, escribir para más detalles de envío, se aconseja envío con valor asegurado. Sin embalaje original. One of the best interfaces nowadays, very low usage. Send an email for delivery details, insurance delivery is strongly recommended. No original package included. Building upon the experience gained with the Mobile I/O 2882 and ULN-2, we set out to design an integrated product to literally provide the best performance in each of its component sections while still providing all of the benefits of tight integration in a single field-capable package. The ULN-8 is the result of that development program. The ULN-8 incorporates a number of new Metric Halo Audio technologies including: 192k sample rate support for both Analog and AES Inputs and Outputs New DC-coupled, zero phase distortion, servo balanced Line Inputs and Outputs ULN-R next generation remote controlled preamp technology. The Mic Pres in the ULN-8 build upon the audio performance pioneered by the ULN-2 preamp design with the additional benefit and technological innovation of full clickless remote control of the ULN Mic pre. This is accomplished with a sophisticated gain switching mechanism which incorporates Metric Halo "zero-cross" technology. Fully clickless remote controlled Monitor outputs. All ULN-8 analog outputs incorporate Metric Halo clickless remote technology allowing for flexible monitoring applications from stereo to 7.1 surround. By implementing all the functions of a complete audio front end in a single package, the ULN-8 is able to provide unprecedented power and quality in a lightweight, low-power consumption, single RU hardware unit. This integration provides significant benefits to the owner in the form of reduced cabling (lower cost, weight and less opportunity for failure), weight, power consumption, and cost, while at the same time providing unprecedented performance. What does integration mean to you? Rather than pay for duplicate case work, duplicate power supplies and redundant interconnects, you get a product where all the components are engineered to work together and everything you pay for is dedicated to providing functionality towards the execution of your task. But the benefits don’t stop there. By tuning all the functional blocks of the system and removing external interconnects, the ULN-8 provides enhanced performance and reduced chance of failure from external influences. Connectors and cables are all potential sources of failure and interference. By eliminating preamp to converter and converter to interface cabling, these sources of cost and potential failure and interference are also eliminated. Internal operating levels within the box are tuned for optimal performance. The ULN-8’s integrated design provides maximal performance with a minimum use of material and power. Exceptional, Best–In–World, Archival Grade Converter Quality Exceptional, Boutique–Quality Mic Preamps Flexible, Integrated Analog-Domain Monitor Controller Universal Sample Rate Support Analog, AES and Firewire Interfacing Rock Solid Stability: Mature, Real-World-Tested Firmware, Software and Drivers Instant Access to Tactile Controls Fully digital control for total recall, remote control and control surface support Comprehensive Precision Metering — so you always know what is going on Works with or without a Computer Metric Halo’s Exclusive Per-channel selectable Character — from ultra clean to nice and gooey Integrated ultra-low-latency instantiable processing with plenty of DSP power to run it Most Compact, Lowest Weight, Lowest Power and Lowest Price in its Class With everything you need to record, mix, process, and master audio (just add your DAW of choice and transducers), the ULN-8 is your one-stop solution for recording, edit, mix and mastering suites. Even if you are using a DAW or recording system that does not support the ULN-8 Firewire interface, the unit’s standalone operation and standard AES and analog interface allow you to use it as the Audio Front End and Monitor Controller for Pro Tools, standalone and PC based recording systems. All these features make for an impressive package, but we're just beginning. The ULN-8 is built around Metric Halo's 2d DSP platform, giving you the power to run multiple mixers and plug-ins inside the box. It also includes a full +DSP license, giving you the ability to create powerful mixing, sound design and master plug-ins. Beauty and brains, in 1RU. ULN-8 is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever inspiration hits. Use 3 ULN-8s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime. When you’re done recording, use the ULN-8 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this box! And weighing only 6 pounds, and a little larger than a laptop, you can be the first one out of the gig, with no hassle. The ULN-8’s archival grade inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording. The ULN-8 is the only unit in its class with an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the ULN-8 comes with a full +DSP license that provides all the basic production processing you need — and more. And remember, this one rack space audio interface has the ability to run entirely from any DC power source (16V-30V), making it truly and completely mobile. A unique feature of the Mobile I/O system is that MIO’s work well individually or as a group. Mix and match ULN-8 with , and units to create a system that meets your needs for track count and preamp power. Adding a unit to the system organically increases the DSP power of the system, so that your DSP always scales with your I/O. Break your system up for small gigs when playing out or add the units of your mates to build a huge system when required. By standardizing on the Mobile I/O platform, each member of the band can have ultimate quality while working alone, and the band can have huge track counts when playing together. You can’t lose! Flexible signal routing and sophisticated patch and preset management systems as well as a comprehensive set of front panel controls are also featured in the ULN-8. The ULN-8’s front-panel controls allow the unit to function equally as well as a stand-alone Mic Pre/Converter system. In standalone mode, the ULN-8 operates with the converters directly routed to and from the AES I/O, and the analog domain sends allow purely analog operation of the preamps. As a standalone converter, the ULN-8 provides a 24bit/192kHz eight channel front-end with 8 world-class boutique-quality ULN mic pres for any recording system. It also functions seamlessly as an analog monitor controller, making it ideal as a digital headphone amp and studio monitor controller. The ULN-8 supports a variety of applications. For studio recording, it provides a very high quality interface to a DAW, offering sound processing or simple file transfer between workstations. Its exceptional sound quality makes it perfect as any studio’s primary analog to digital conversion and monitoring chain. Songwriters and engineers can use the ULN-8 to record and edit on the road, in the hotel, while traveling, or anywhere that inspiration strikes. The ULN-8 is suitable for broadcast applications, too. It offers instant playback of 8 individual stereo sends for music cues or sound effects, or smaller numbers of surround stems. The compact package and portable power features mean that the unit can go anywhere users need to work, and make on-site fixes or edit location recordings without the need to send files back to the studio, saving valuable time before air. In the live performance arena, in addition to operating as a remote recorder for archiving performances or to play out backing tracks and musical cues, the ULN-8 can operate as a soft-synth mixer and I/O interface. Rails Preamp Rails ±15.8 Volts Analog Rails (low power) ±9.9 Volts Analog Rails (high power) ±12.6 Volts Phantom Power 48 ± 0.1 Volts Max Phantom Current Per Mic 10 ma Maximum I/O Levels (Balanced) Peak Line Output @ 0 dBFS (no jumper/low power) +18.5 dBu Peak Line Output @ 0 dBFS (output jumper/low power) +22.0 dBu Peak Line Output @ 0 dBFS (output jumper/high power) +24.5 dBu Analog Send Max Output +21.5 dBu Mic Pre Max Input +20 dBu Line In Max Input +24.5 dBu Output Impedance 5 Ω Monitor Controller Nominal FS output (Balanced) Output Jumper Off -19.0 dBu Nominal FS output (Balanced) Output Jumper On -12.0 dBu Maximum Output Same as Line Gain Range -96 dB to +30 dB Gain Precision ±0.05 dB Gain Step 0.5 dB Mic Pre Input + ADC Input Impedance 3.3 kΩ Dynamic Range (-60 dB, flat 0-22.05 kHz, typ) 115 dB Dynamic Range (-60 dB, A-weighted, typ) 118 dB Noise Floor (flat 0-22.05 kHz, typ) 115 dB Noise Floor (A-weighted, typ) 117.9 dB Gain Range -22 dB to +91.5 dB Gain Precision ±0.05 dB Gain Step 0.5 dB THD D/A/A/D loop @ -12 dBFS 0.0007 % THD D/A/A/D loop @ -12 dBFS +12 dB Gain 0.0015 % THD D/A/A/D loop @ -0 dBFS 0.0023 % Crosstalk @ 1kHz -110dB IMD 1k component (19 kHz/20kHz @ +8dBu) -104 dBu EIN @ 60 dB Gain (150Ω Source Impedance) -130.50 dBu EIN @ 60 dB Gain (0Ω Source Impedance) -133.25 dBu Analog Send Calibration (ADC = 0 dBFS) +21.5 dBu Phantom Power (Switchable Per Channel) +48 Volts Mic Pre + ADC Frequency Response +0/-0.1dB @ fs = 44100 Hz 8.9 Hz - 20.5 kHz +0/-1.0dB @ fs = 44100 Hz 2.9 Hz - 21.0 kHz +0/-0.1dB @ fs = 96000 Hz 8.9 Hz - 43.9 kHz +0/-1.0dB @ fs = 96000 Hz 2.9 Hz - 45.4 kHz +0/-0.1dB @ fs = 192000 Hz 8.9 Hz - 42.1 kHz +0/-1.0dB @ fs = 192000 Hz 2.9 Hz - 64.7 kHz 5° low-end in-channel phase deviation point 20.0 Hz Interchannel phase 0 Hz - 20 kHz < ±0.05° Crosstalk from SMPTE Input < -142 dB Line Input + ADC Input Impedance 10 kΩ Dynamic Range (-60 dB, flat 0-22.05 kHz, typ) 115 dB Dynamic Range (-60 dB, A-weighted, typ) 118 dB Noise Floor (flat 0-22.05 kHz, typ) 115 dB Noise Floor (A-weighted, typ) 117.9 dB THD D/A/A/D loop @ -12 dBFS 0.0005 % THD D/A/A/D loop @ -0 dBFS 0.0015 % Crosstalk @ 1kHz -127 dB IMD 1k component (19 kHz/20kHz @ +8dBu) -104 dBu Gain Range -12 dB to +31.5 dB Gain Precision ±0.05 dB Gain Step 0.5 dB Line Input + ADC Frequency Response +0/-0.1dB @ fs = 44100 Hz 5.7 Hz - 20.5 kHz +0/-1.0dB @ fs = 44100 Hz 1.8 Hz - 21.0 kHz +0/-0.1dB @ fs = 96000 Hz 5.7 Hz - 43.9 kHz +0/-1.0dB @ fs = 96000 Hz 1.8 Hz - 45.4 kHz +0/-0.1dB @ fs = 192000 Hz 5.7 Hz - 42.1 kHz +0/-1.0dB @ fs = 192000 Hz 1.8 Hz - 64.7 kHz 5° low-end in-channel phase deviation point 10.7 Hz Interchannel phase 0 Hz - 20 kHz < ±0.05° Crosstalk from SMPTE Input < -142 dB Input Processing M/S Decode Instantiable Parametric EQ Instantiable Dynamics Instantiable Limiting Instantiable Character Instantiable Transient Control Instantiable Reverb Instantiable Delay Instantiable Nearly Infinite Combinations via +DSP Instantiable Output Processing M/S Encode Instantiable Parametric EQ Instantiable Dynamics Instantiable Limiting Instantiable Character Instantiable Transient Control Instantiable Reverb Instantiable Dither Instantiable Mix Foldown Instantiable Signal Generation Instantiable Nearly Infinite Combinations via +DSP Instantiable Front Panel Indicator LEDs (Bicolor) 495 Meters 16 Segments per Meter 15 Channel Encoder Knobs 8 Encoders Have Shaft Push Buttons Yes Monitor Controller Encoder Knobs 1 Monitor Controller Mute Yes Monitor Controller Dim Yes Indicators Per Encoder 16 Sample Rate Indicators 6 Clock Source Indicators 4 AES Clock Source Indicators 4 AES Lock Indicators 4 AES Input Signal Indicators 4 AES Output Signal Indicators 4 System Lock Indicator 1 Firewire Indicator 1 Front Panel Modes 14 Headphone Output (Dedicated DAC) TRS Stereo DI Inputs (2) TRS Balanced DI Input Impedance 10 MΩ DI Input Fixed Gain (Jumper Selectable) 0/10/20 dB DI Input Variable Gain -12 dB to 31.5 dB Power Switch (Jumper Defeatable) Toggle Back Panel MIDI Connectors (In and Out) 5-Pin DIN SMPTE Connectors (In and Out) Balanced TRS Word Clock Connectors (In and Out) 75Ω BNC AES Connector (8 Channels In and Out) DB-25 AES Connector Pinout Tascam/Digidesign Digital Mic Input Connector (8 Channels) DB-25 Mic Input Pinout Tascam/Digidesign Analog Line Input Connector (8 Channels) DB-25 Line Input Pinout Tascam/Digidesign Analog Send Output Connector (8 Channels) DB-25 Send Output Pinout Tascam/Digidesign Analog Line/Monitor Output Connector (8 Channels) DB-25 Line/Monitor Output Pinout Tascam/Digidesign Analog Line/Monitor Mult Output Connectors (Analog 1/2) TRS Balanced FireWire Connectors (2) 1394a 6-Pin Power (Unswitched) 2.1mm Coaxial Power (Switched) 4-Pin XLR Security Slot Kensington Software Driver CoreAudio Mac OS X Mac OS X 10.3.9 or newer Architectures PPC, Intel MIO Console Included Record Panel Included LTC Decoder Included Mixer Included +DSP License Included Power Voltage 14v - 28v Power 32 Watts FireWire Bus Powerable No Passes FireWire Bus Power Yes Supplies FireWire Bus Power No External Supply (Input) I00-240VAC External Supply (Max Input Current) 1.2 A External Supply (Output) 24 VDC External Supply (Max Output Current) 2.0 A External Supply Connector 4-Pin XLR Case Material Powder Coated Aluminum Fasteners 3mm Phillips Head Weight 6 lbs Weight 2.7 kg Dimensions 17" x 13" x 1.72" Dimensions 432 x 330 x 44 mm Rack Ears (included) Powder Coated Steel Rear Rack Mounts Available
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Marca: | Metric Halo |
Uno de los mejores interfaces de audio del mercado, muy poco uso, escribir para más detalles de envío, se aconseja envío con valor asegurado. Sin embalaje original. One of the best interfaces nowadays, very low usage. Send an email for delivery details, insurance delivery is strongly recommended. No original package included. Building upon the experience gained with the Mobile I/O 2882 and ULN-2, we set out to design an integrated product to literally provide the best performance in each of its component sections while still providing all of the benefits of tight integration in a single field-capable package. The ULN-8 is the result of that development program. The ULN-8 incorporates a number of new Metric Halo Audio technologies including: 192k sample rate support for both Analog and AES Inputs and Outputs New DC-coupled, zero phase distortion, servo balanced Line Inputs and Outputs ULN-R next generation remote controlled preamp technology. The Mic Pres in the ULN-8 build upon the audio performance pioneered by the ULN-2 preamp design with the additional benefit and technological innovation of full clickless remote control of the ULN Mic pre. This is accomplished with a sophisticated gain switching mechanism which incorporates Metric Halo "zero-cross" technology. Fully clickless remote controlled Monitor outputs. All ULN-8 analog outputs incorporate Metric Halo clickless remote technology allowing for flexible monitoring applications from stereo to 7.1 surround. By implementing all the functions of a complete audio front end in a single package, the ULN-8 is able to provide unprecedented power and quality in a lightweight, low-power consumption, single RU hardware unit. This integration provides significant benefits to the owner in the form of reduced cabling (lower cost, weight and less opportunity for failure), weight, power consumption, and cost, while at the same time providing unprecedented performance. What does integration mean to you? Rather than pay for duplicate case work, duplicate power supplies and redundant interconnects, you get a product where all the components are engineered to work together and everything you pay for is dedicated to providing functionality towards the execution of your task. But the benefits don’t stop there. By tuning all the functional blocks of the system and removing external interconnects, the ULN-8 provides enhanced performance and reduced chance of failure from external influences. Connectors and cables are all potential sources of failure and interference. By eliminating preamp to converter and converter to interface cabling, these sources of cost and potential failure and interference are also eliminated. Internal operating levels within the box are tuned for optimal performance. The ULN-8’s integrated design provides maximal performance with a minimum use of material and power. Exceptional, Best–In–World, Archival Grade Converter Quality Exceptional, Boutique–Quality Mic Preamps Flexible, Integrated Analog-Domain Monitor Controller Universal Sample Rate Support Analog, AES and Firewire Interfacing Rock Solid Stability: Mature, Real-World-Tested Firmware, Software and Drivers Instant Access to Tactile Controls Fully digital control for total recall, remote control and control surface support Comprehensive Precision Metering — so you always know what is going on Works with or without a Computer Metric Halo’s Exclusive Per-channel selectable Character — from ultra clean to nice and gooey Integrated ultra-low-latency instantiable processing with plenty of DSP power to run it Most Compact, Lowest Weight, Lowest Power and Lowest Price in its Class With everything you need to record, mix, process, and master audio (just add your DAW of choice and transducers), the ULN-8 is your one-stop solution for recording, edit, mix and mastering suites. Even if you are using a DAW or recording system that does not support the ULN-8 Firewire interface, the unit’s standalone operation and standard AES and analog interface allow you to use it as the Audio Front End and Monitor Controller for Pro Tools, standalone and PC based recording systems. All these features make for an impressive package, but we're just beginning. The ULN-8 is built around Metric Halo's 2d DSP platform, giving you the power to run multiple mixers and plug-ins inside the box. It also includes a full +DSP license, giving you the ability to create powerful mixing, sound design and master plug-ins. Beauty and brains, in 1RU. ULN-8 is the perfect tool for capturing audio wherever inspiration hits, in the studio or on the road. Well suited to any recording situation, you can record and edit on the road, in the hotel, on the airplane, or wherever inspiration hits. Use 3 ULN-8s chained together for 24 tracks of live concert recording with processing on all channels in 3 rack spaces. Location sound engineers can now capture the moment — anywhere, anytime. When you’re done recording, use the ULN-8 in the studio as an extremely high quality audio interface to transfer your tracks into a DAW. You’ll be amazed at the sound of this box! And weighing only 6 pounds, and a little larger than a laptop, you can be the first one out of the gig, with no hassle. The ULN-8’s archival grade inputs and outputs, coupled with Metric Halo’s exclusive Character processing, provide flexibility and sound quality unavailable on any other interface. You can transition from a wire-with-gain to a gooey tube pre with one click of the mouse, and every input can have the right character for the material you are recording. The ULN-8 is the only unit in its class with an on-board processing engine that supports fully instantiable processing, allowing you to use Metric Halo’s world-renowned signal processing effects without sacrificing your computer’s processing power or introducing any additional latency in your monitor path. From MIOStrip to HaloVerb, the ULN-8 comes with a full +DSP license that provides all the basic production processing you need — and more. And remember, this one rack space audio interface has the ability to run entirely from any DC power source (16V-30V), making it truly and completely mobile. A unique feature of the Mobile I/O system is that MIO’s work well individually or as a group. Mix and match ULN-8 with , and units to create a system that meets your needs for track count and preamp power. Adding a unit to the system organically increases the DSP power of the system, so that your DSP always scales with your I/O. Break your system up for small gigs when playing out or add the units of your mates to build a huge system when required. By standardizing on the Mobile I/O platform, each member of the band can have ultimate quality while working alone, and the band can have huge track counts when playing together. You can’t lose! Flexible signal routing and sophisticated patch and preset management systems as well as a comprehensive set of front panel controls are also featured in the ULN-8. The ULN-8’s front-panel controls allow the unit to function equally as well as a stand-alone Mic Pre/Converter system. In standalone mode, the ULN-8 operates with the converters directly routed to and from the AES I/O, and the analog domain sends allow purely analog operation of the preamps. As a standalone converter, the ULN-8 provides a 24bit/192kHz eight channel front-end with 8 world-class boutique-quality ULN mic pres for any recording system. It also functions seamlessly as an analog monitor controller, making it ideal as a digital headphone amp and studio monitor controller. The ULN-8 supports a variety of applications. For studio recording, it provides a very high quality interface to a DAW, offering sound processing or simple file transfer between workstations. Its exceptional sound quality makes it perfect as any studio’s primary analog to digital conversion and monitoring chain. Songwriters and engineers can use the ULN-8 to record and edit on the road, in the hotel, while traveling, or anywhere that inspiration strikes. The ULN-8 is suitable for broadcast applications, too. It offers instant playback of 8 individual stereo sends for music cues or sound effects, or smaller numbers of surround stems. The compact package and portable power features mean that the unit can go anywhere users need to work, and make on-site fixes or edit location recordings without the need to send files back to the studio, saving valuable time before air. In the live performance arena, in addition to operating as a remote recorder for archiving performances or to play out backing tracks and musical cues, the ULN-8 can operate as a soft-synth mixer and I/O interface.
| Rails | |
| Preamp Rails | ±15.8 Volts |
| Analog Rails (low power) | ±9.9 Volts |
| Analog Rails (high power) | ±12.6 Volts |
| Phantom Power | 48 ± 0.1 Volts |
| Max Phantom Current Per Mic | 10 ma |
| Maximum I/O Levels (Balanced) | |
| Peak Line Output @ 0 dBFS (no jumper/low power) | +18.5 dBu |
| Peak Line Output @ 0 dBFS (output jumper/low power) | +22.0 dBu |
| Peak Line Output @ 0 dBFS (output jumper/high power) | +24.5 dBu |
| Analog Send Max Output | +21.5 dBu |
| Mic Pre Max Input | +20 dBu |
| Line In Max Input | +24.5 dBu |
| Output Impedance | 5 Ω |
| Monitor Controller | |
| Nominal FS output (Balanced) Output Jumper Off | -19.0 dBu |
| Nominal FS output (Balanced) Output Jumper On | -12.0 dBu |
| Maximum Output | Same as Line |
| Gain Range | -96 dB to +30 dB |
| Gain Precision | ±0.05 dB |
| Gain Step | 0.5 dB |
| Mic Pre Input + ADC | |
| Input Impedance | 3.3 kΩ |
| Dynamic Range (-60 dB, flat 0-22.05 kHz, typ) | 115 dB |
| Dynamic Range (-60 dB, A-weighted, typ) | 118 dB |
| Noise Floor (flat 0-22.05 kHz, typ) | 115 dB |
| Noise Floor (A-weighted, typ) | 117.9 dB |
| Gain Range | -22 dB to +91.5 dB |
| Gain Precision | ±0.05 dB |
| Gain Step | 0.5 dB |
| THD D/A/A/D loop @ -12 dBFS | 0.0007 % |
| THD D/A/A/D loop @ -12 dBFS +12 dB Gain | 0.0015 % |
| THD D/A/A/D loop @ -0 dBFS | 0.0023 % |
| Crosstalk @ 1kHz | -110dB |
| IMD 1k component (19 kHz/20kHz @ +8dBu) | -104 dBu |
| EIN @ 60 dB Gain (150Ω Source Impedance) | -130.50 dBu |
| EIN @ 60 dB Gain (0Ω Source Impedance) | -133.25 dBu |
| Analog Send Calibration (ADC = 0 dBFS) | +21.5 dBu |
| Phantom Power (Switchable Per Channel) | +48 Volts |
| Mic Pre + ADC Frequency Response | |
| +0/-0.1dB @ fs = 44100 Hz | 8.9 Hz - 20.5 kHz |
| +0/-1.0dB @ fs = 44100 Hz | 2.9 Hz - 21.0 kHz |
| +0/-0.1dB @ fs = 96000 Hz | 8.9 Hz - 43.9 kHz |
| +0/-1.0dB @ fs = 96000 Hz | 2.9 Hz - 45.4 kHz |
| +0/-0.1dB @ fs = 192000 Hz | 8.9 Hz - 42.1 kHz |
| +0/-1.0dB @ fs = 192000 Hz | 2.9 Hz - 64.7 kHz |
| 5° low-end in-channel phase deviation point | 20.0 Hz |
| Interchannel phase 0 Hz - 20 kHz | < ±0.05° |
| Crosstalk from SMPTE Input | < -142 dB |
| Line Input + ADC | |
| Input Impedance | 10 kΩ |
| Dynamic Range (-60 dB, flat 0-22.05 kHz, typ) | 115 dB |
| Dynamic Range (-60 dB, A-weighted, typ) | 118 dB |
| Noise Floor (flat 0-22.05 kHz, typ) | 115 dB |
| Noise Floor (A-weighted, typ) | 117.9 dB |
| THD D/A/A/D loop @ -12 dBFS | 0.0005 % |
| THD D/A/A/D loop @ -0 dBFS | 0.0015 % |
| Crosstalk @ 1kHz | -127 dB |
| IMD 1k component (19 kHz/20kHz @ +8dBu) | -104 dBu |
| Gain Range | -12 dB to +31.5 dB |
| Gain Precision | ±0.05 dB |
| Gain Step | 0.5 dB |
| Line Input + ADC Frequency Response | |
| +0/-0.1dB @ fs = 44100 Hz | 5.7 Hz - 20.5 kHz |
| +0/-1.0dB @ fs = 44100 Hz | 1.8 Hz - 21.0 kHz |
| +0/-0.1dB @ fs = 96000 Hz | 5.7 Hz - 43.9 kHz |
| +0/-1.0dB @ fs = 96000 Hz | 1.8 Hz - 45.4 kHz |
| +0/-0.1dB @ fs = 192000 Hz | 5.7 Hz - 42.1 kHz |
| +0/-1.0dB @ fs = 192000 Hz | 1.8 Hz - 64.7 kHz |
| 5° low-end in-channel phase deviation point | 10.7 Hz |
| Interchannel phase 0 Hz - 20 kHz | < ±0.05° |
| Crosstalk from SMPTE Input | < -142 dB |
| Input Processing | |
| M/S Decode | Instantiable |
| Parametric EQ | Instantiable |
| Dynamics | Instantiable |
| Limiting | Instantiable |
| Character | Instantiable |
| Transient Control | Instantiable |
| Reverb | Instantiable |
| Delay | Instantiable |
| Nearly Infinite Combinations via +DSP | Instantiable |
| Output Processing | |
| M/S Encode | Instantiable |
| Parametric EQ | Instantiable |
| Dynamics | Instantiable |
| Limiting | Instantiable |
| Character | Instantiable |
| Transient Control | Instantiable |
| Reverb | Instantiable |
| Dither | Instantiable |
| Mix Foldown | Instantiable |
| Signal Generation | Instantiable |
| Nearly Infinite Combinations via +DSP | Instantiable |
| Front Panel | |
| Indicator LEDs (Bicolor) | 495 |
| Meters | 16 |
| Segments per Meter | 15 |
| Channel Encoder Knobs | 8 |
| Encoders Have Shaft Push Buttons | Yes |
| Monitor Controller Encoder Knobs | 1 |
| Monitor Controller Mute | Yes |
| Monitor Controller Dim | Yes |
| Indicators Per Encoder | 16 |
| Sample Rate Indicators | 6 |
| Clock Source Indicators | 4 |
| AES Clock Source Indicators | 4 |
| AES Lock Indicators | 4 |
| AES Input Signal Indicators | 4 |
| AES Output Signal Indicators | 4 |
| System Lock Indicator | 1 |
| Firewire Indicator | 1 |
| Front Panel Modes | 14 |
| Headphone Output (Dedicated DAC) | TRS Stereo |
| DI Inputs (2) | TRS Balanced |
| DI Input Impedance | 10 MΩ |
| DI Input Fixed Gain (Jumper Selectable) | 0/10/20 dB |
| DI Input Variable Gain | -12 dB to 31.5 dB |
| Power Switch (Jumper Defeatable) | Toggle |
| Back Panel | |
| MIDI Connectors (In and Out) | 5-Pin DIN |
| SMPTE Connectors (In and Out) | Balanced TRS |
| Word Clock Connectors (In and Out) | 75Ω BNC |
| AES Connector (8 Channels In and Out) | DB-25 |
| AES Connector Pinout | Tascam/Digidesign Digital |
| Mic Input Connector (8 Channels) | DB-25 |
| Mic Input Pinout | Tascam/Digidesign Analog |
| Line Input Connector (8 Channels) | DB-25 |
| Line Input Pinout | Tascam/Digidesign Analog |
| Send Output Connector (8 Channels) | DB-25 |
| Send Output Pinout | Tascam/Digidesign Analog |
| Line/Monitor Output Connector (8 Channels) | DB-25 |
| Line/Monitor Output Pinout | Tascam/Digidesign Analog |
| Line/Monitor Mult Output Connectors (Analog 1/2) | TRS Balanced |
| FireWire Connectors (2) | 1394a 6-Pin |
| Power (Unswitched) | 2.1mm Coaxial |
| Power (Switched) | 4-Pin XLR |
| Security Slot | Kensington |
| Software | |
| Driver | CoreAudio Mac OS X |
| Mac OS X | 10.3.9 or newer |
| Architectures | PPC, Intel |
| MIO Console | Included |
| Record Panel | Included |
| LTC Decoder | Included |
| Mixer | Included |
| +DSP License | Included |
| Power | |
| Voltage | 14v - 28v |
| Power | 32 Watts |
| FireWire Bus Powerable | No |
| Passes FireWire Bus Power | Yes |
| Supplies FireWire Bus Power | No |
| External Supply (Input) | I00-240VAC |
| External Supply (Max Input Current) | 1.2 A |
| External Supply (Output) | 24 VDC |
| External Supply (Max Output Current) | 2.0 A |
| External Supply Connector | 4-Pin XLR |
| Case | |
| Material | Powder Coated Aluminum |
| Fasteners | 3mm Phillips Head |
| Weight | 6 lbs |
| Weight | 2.7 kg |
| Dimensions | 17" x 13" x 1.72" |
| Dimensions | 432 x 330 x 44 mm |
| Rack Ears (included) | Powder Coated Steel |
| Rear Rack Mounts | Available |