PreSonus' StudioLive AI Active Integration mixing consoles offer the familiar set up of an analog console combined with the best of digital mixing to give you a series of consoles that are powerful enough for demanding applications while still remaining approachable for the novice. With no-compromise signal processing on every channel, easy storing and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, you've got a mixer that's ready for anything you throw its way. The 32.4.2 AI model offers a total of 32 microphone inputs with PreSonus' renowned XMAX Class A preamplifiers for transparent and warm sound across every input. Plus, there are also 32 separate TRS line inputs for each channel, 32 analog inserts, 4 subgroups, 2 stereo aux inputs, 14 TRS analog aux outputs, and 48 inputs/34 outputs of digital I/O. This means that you've got plenty of flexibility on how to use this mixer to achieve great-sounding mixes no matter the application. Ease of Analog Meets the Power of Digital
The ability to work quickly is incredibly important whether you're mixing a live event or recording an artist in the studio, and PreSonus helps ensure fast workflow when using the StudioLive AI mixers by keeping all critical controls visible and accessible instead of buried in menus or layers. You'll find one fader for every channel, one output for every bus, and a clearly labeled workspace to keep you focused on what's important — the performance. You'll Never Run Out of Signal Processors
The StudioLive AI mixers provide a huge amount of DSP power with no limitations — no shared resources and no need to figure out what processing is available where — you have all of the processing available at all times without compromise. The Fat Channel provides a compressor, limiter, expander/gate, and parametric EQ on every channel and bus, along with a high-pass filter on each channel, a library of professional crafted presets, and the ability to save, selectively recall, and A/B-compare processor settings. There are also four effects processors that have their own dedicated mix buses, a 31-band graphic EQ for every aux mix plus the main mix, and 500 ms of delay available to each of the four subgroups. Superior Sound
StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording, and they also use the same high-quality 64-bit summing engine found in PreSonus' Studio One® DAW, along with high-quality Burr-Brown converters on every input and output with a best-in-class 118 dB of dynamic range. These powerful capabilities combine with the XMAX preamps to ensure that you're getting greater sonic detail, smooth highs, deep lows, and a rich overall sound. Recording is in StudioLive AI's DNA
With the 32.4.2 AI model, you get a built in 48x34 multitrack recording interface that's tightly integrated with the rest of the mixer, so your recording capabilities are just as intuitive and powerful as everything else you will find on this mixer. All 32 channels, the tape inputs, and your choice of buses continuously stream to your FireWire- or Dante™-equipped Mac or Windows PC. Plus, each channel can independently access its analog input or its dedicated digital return from your computer. Recording with this mixer is simple and straightforward — just launch the included Capture™ software for one-click recording of all channel inputs and your main mix. You can also record with the included Studio One Artist DAW software or any recording software that supports ASIO or Core Audio, so you can be equally at home on stage or in the studio when using StudioLive. Integrated Multiplatform Software
Not only do you get integration with Capture and Studio One Artist recording software, but you can also use PreSonus' UC Surface software for Mac, Windows, and iPad to wirelessly mix your StudioLive when it is connected to a wired network. You can also tune your system to the room you're in using UC Surface's integrated Smaart® wizards, RTA, and spectrograph. Plus, your on-stage musicians can download the QMix®-AI app for iPhone/iPod touch to control their monitor mixes onstage without the need for complex and expensive in-ear monitor setups. This means that the StudioLive AI ecosystem covers your needs from every angle, so you don't have to worry about dealing with complex setups that might not play nice together. Networking Provides Wireless Control and Eliminates Snakes
StudioLive Active Integration mixers make it easy to set up a wired or wireless network and create large setups without the hassles normally found in doing so. This can be as easy as connecting an Ethernet cable or scrolling through a list of available wireless networks and getting connected. Control your StudioLive AI from anywhere in the venue using an iPad and wirelessly control monitors from an iPhone. With the optional Dante card, a single Ethernet cable can send and receive networked audio for multitrack recording, remote control, and connecting to hundreds of Dante-enabled products such as loudspeakers, stage boxes, and more. Use optional AVB to add a StudioLive RM-series Active Integration mixer as a stage box and monitor mixer, replacing bulky analog snakes with CAT5e. Go wireless, wired, or both, because once you've used a fully networked StudioLive setup, you won't want to go back to your old analog setup! PreSonus StudioLive 32.4.2AI Features: 32 Input Channels, Each With: XLR mic and 1/4" line inputsHigh-headroom Class A XMAX mic preamplifiersAnalog 1/4" inserts (rear panel)Trim control with -20 to +20 dBV line / -15 to +65 dBu mic gain range+48V phantom power switch for condenser microphonesDigital Audio Input Select100 mm precision fadersPhase reverse, high-pass filter, noise gate/expander, compressor, 4-band EQ, limiter all with A/B and Quick NullCascade two StudioLive AI mixers of any frame size to create custom-sized mixing consoles48 in x 34 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz), compatible with Apple Thunderbolt to FireWire adapterCompatible with ASIO and Core Audio; works with Logic, Pro Tools, Cubase, Sonar, Digital Performer, Live and others24 dedicated mix buses for easy configuration14 aux buses with analog outputs4 internal FX buses4 subgroups with analog outputsStereo main bus with analog outputsAccess to Fat Channel functions Four Subgroup Buses, Each With: Balanced TRS outputSoloMuteNoise Gate/Expander, compressor, 4-band EQ, limiter, all with A/B and Quick Null300 ms output delay Ten Aux Buses, Each With: Balanced TRS outputSoloMutePre1/Pre2/Post-Fader sendOutput-level controlHigh-pass filter, nose gate/expander, compressor, 4-band EQ, limiter, all with A/B and Quick Null31-band graphic EQ with A/B and Quick NullAvailable sources: 16 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback Four Internal Effects Sends (2 reverbs, 2 delays), Each With: MutePre1/Pre2/Post-Fader sendOutput level controlHigh-pass filter, noise gate/expander, compressor, 4-band EQ, limiter, all with A/B and Quick Null Stereo Main Bus With: Balanced XLR OutputsBalanced TRS OutputsMono Sum XLR OutputNoise Gate/expander, compressor, 4-band EQ, limiter, all with A/B and Quick Null31-band graphic EQ with A/B and Quick Null Master Section: Aux Input A and BLevel Control and stereo panNoise Gate/expander, compressor, 4-band EQ, limiter, all with A/B and Quick Null Talkback System: Mic level controlOutput Select (Auxes, Main)Talk buttonRear-panel XLR mic input with trim control and continuous 48V phantom power 2-Track In: Level ControlTape Input to Mains ButtonMain Digital Audio Return on/off Solo Bus: Cue Mix volume controlPFL/AFL and Solo In Place (SIP) buttonsLatch, Radio, and CR ModesSolo Clear Monitor Bus: Headphone output level controlControl room monitor level contrrolSolo bus to monitor buttonTape input to monitor buttonMain digital audio return to monitor buttonMain mix to monitor button Fat Channel with Rotary Encoders: Pan with dedicated 15-LED displayStereo link for input channels, aux buses, and subgroupsPhase reverse (input channels only)High-pass filter: -6 dB/oct, sweepable from Off to 1 kHz (main channels and aux's only)Gate: Threshold 0 to -84 dB; attack 0.02 to 500 ms; release 0.05 to 2 sec, bandpass key filter 40 Hz to 16 kHz, second-order resonant bandpass filter Q (0.7) with Key Listen functionCompressor: threshold -56 to 0 dB, ratio 1:1 to 14:1, LIM = inf:1, attack 0.2 to 150 ms, release 2.5 to 900 ms, makeup gain 0 to 28 dB, soft knee switch, auto mode with 10 ms attack and 150 ms release 4-Band full parametric equalizer (with UC Surface): Low EQ: Sweepable from 36 Hz to 465 Hz, ±15 dB, variable Q 0.1 to 4.0Low Mid EQ: Sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0High Mid EQ: Sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0High EQ: Sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peakingMaster EQ On/Off button 4-Band semi-parametric Equalizer: Low EQ: Sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peakingLow Mid EQ: Sweepable from 90 Hz to 1.2 kHz, ±15 dB, Low Q = 0.55, Hi Q = 2.0Mid High EQ: Sweepable from 380 Hz to 5 kHz, ±15 dB, Low Q = 0.55, Hi Q = 2.0High EQ: Sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peakingMaster EQ On/Off buttonLimiter: Variable threshold -28 dBFS to 0, inf:1 ratioAlt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and busAll settings can be copied among channels and buses and can be saved as user presets50 channel strip presets for drums, bass, guitars, keybaords, and vocalsQuick parameter null easily zeroes out any Fat Channel parameter Metering/Displays: Input/Output: 24 x 16 LED Fat Channel matrix: Pre-dynamics/pre-fader inputPost-dynamics/post-fader outputGain reductionAux 1-14 and EFX A-D outputFader-position recall 8 x 15 LED main meter bank: Selected channel levelSelected channel gain reductionSub buses 1 to 4Main stereo outputs15-LED horizontal Pan/Balance display 64 x 194 LCD Matrix Effects parametersScene creation, storage, and recallSystem menuesChannel info page with custom namingGEQ select 2-digit Channel Selected display 32 main inputs, each with XLR mic, 1/4" line, and 1/4" insertsTwo 1/4" balanced stereo (L/R) aux inputsOne XLR talkback mic input with XMAX preamp, phantom power (always on) and level controlUnbalanced RCA stereo (L/R) tape inputs and outputsXLR stereo (L/R) main outputs with level control1/4" balanced stero (L/R) main outputsXLR mono output with level control1/4" balanced stereo (L/R) control room outputs1/4" headphone outputFour 1/4" balanced subgroup outputs14 1/4" balanced aux outputs32 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 socketsDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications Installed option card with: S/PDIF digital outTwo FireWire S800 ports (compatible with Apple Thunderbolt to FireWire adapter) Optional I/O Cards: Dante (SL-Dante-Mix)AVB (SL-AVB-Mix) Integrated Software: UC Surface control software with Smaart Measurement Technology Studio One Artist Digital Audio Workstation software for Mac and WindowsCapture multitrack recording software for Mac and WindowsQMix-AI aux-control software for iPhone and iPod Touch available free from Apple App store Digitalia: High-definition Burr-Brown analog-to-digital converts (118 dB dynamic range)Unlimited headroom, 32-bit floating point, digital mixing and effects processingInternal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz Physical: Rugged, non-flex steel chassis100 mm long-throw fadersMilitary-grade, quick-touch buttons **ALL ITEMS ARE FOR SALE LOCALLY, SO SELLER RESERVES THE RIGHT TO END ANY LISTING AT ANY TIME.