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musical instrument details
Crown SASS-P MkII Mikrofon
Estimated price for orientation: 648 $
Category: Mikrofone
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Marke: Crown Mikrofon-Formfaktor: PZM Grenzfläche / Trennkörpermikrofon Modell: SASS-P MkII Richtcharakteristik: Omnidirektional Verbindungen: Kabelgebunden Anschlüsse: 2 x XLR 3-polig
Crown SASS-P Mk2 (mit eingebauten Kapseln)Hard casePistol grip2x10m wiresCrown SASS-P MKII Stereo PZM MicrophoneWindscreen/Pop filtergood condition, working perfectly
with original case, pistol grip, sounds fabulous!
The Crown® SASS-P MK II Stereo Ambient Sampling System™ is a patented, stereo condenser microphone using PZM technology. It is a mono-compatible, near-coincident array designed for professional applications including:
classical-music recording (acoustic ensembles, choir, organ, piano)
stereo electronic news gathering (E.N.G.)
sports ambience and crowd reaction
recording worship services
televised theatre and dance
film ambience
stereo sampling for keyboards
stereo sound effects
recording studios and live sound
Compared to its predecessor the SASS-P, the SASS-P MK II provides a warmer, smoother sound with more high-frequency brilliance (“air”) and less midrange “hardness.” A patented design, the SASS® uses a premium-quality Pressure Zone Microphone® for each channel. The PZMs are mounted on boundaries (with a foam barrier between them) to make each microphone directional.
The carefully controlled polar patterns and human-head-sized spacing between capsules create extremely well-focused, natural stereo imaging with no “hole in the middle.” Overall, the reproduction of the sound field is precise and realistic.
The SASS can accurately convey the ambient environment for location recording film-wide sound, or synched audio ambience (movement of traffic) where movement heard must precisely match movements in the screen image.
A foam barrier/baffle between the capsules shapes the pickup angle of each capsule in the front, and limits overlap of the two sides at higher frequencies. Although the mic capsules are spaced a few centimeters apart, there is little phase cancellation when both channels are combined to mono because of the shadowing effect of the baffle. The SASS can be powered in the field by two 9V batteries, as well as 12-48V phantom power. Separate left and right outputs are low-impedance balanced.Privatverkauf, keine Gewährleistung
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Marke: | Crown |
| Mikrofon-Formfaktor: | PZM Grenzfläche / Trennkörpermikrofon | Modell: | SASS-P MkII |
| Richtcharakteristik: | Omnidirektional | Verbindungen: | Kabelgebunden |
| Anschlüsse: | 2 x XLR 3-polig |
Crown SASS-P Mk2 (mit eingebauten Kapseln)Hard casePistol grip2x10m wiresCrown SASS-P MKII Stereo PZM MicrophoneWindscreen/Pop filtergood condition, working perfectly
with original case, pistol grip, sounds fabulous!
The Crown® SASS-P MK II Stereo Ambient Sampling System™ is a patented, stereo condenser microphone using PZM technology. It is a mono-compatible, near-coincident array designed for professional applications including:
classical-music recording (acoustic ensembles, choir, organ, piano)
stereo electronic news gathering (E.N.G.)
sports ambience and crowd reaction
recording worship services
televised theatre and dance
film ambience
stereo sampling for keyboards
stereo sound effects
recording studios and live sound
Compared to its predecessor the SASS-P, the SASS-P MK II provides a warmer, smoother sound with more high-frequency brilliance (“air”) and less midrange “hardness.” A patented design, the SASS® uses a premium-quality Pressure Zone Microphone® for each channel. The PZMs are mounted on boundaries (with a foam barrier between them) to make each microphone directional.
The carefully controlled polar patterns and human-head-sized spacing between capsules create extremely well-focused, natural stereo imaging with no “hole in the middle.” Overall, the reproduction of the sound field is precise and realistic.
The SASS can accurately convey the ambient environment for location recording film-wide sound, or synched audio ambience (movement of traffic) where movement heard must precisely match movements in the screen image.
A foam barrier/baffle between the capsules shapes the pickup angle of each capsule in the front, and limits overlap of the two sides at higher frequencies. Although the mic capsules are spaced a few centimeters apart, there is little phase cancellation when both channels are combined to mono because of the shadowing effect of the baffle. The SASS can be powered in the field by two 9V batteries, as well as 12-48V phantom power. Separate left and right outputs are low-impedance balanced.Privatverkauf, keine Gewährleistung
with original case, pistol grip, sounds fabulous!
The Crown® SASS-P MK II Stereo Ambient Sampling System™ is a patented, stereo condenser microphone using PZM technology. It is a mono-compatible, near-coincident array designed for professional applications including:
classical-music recording (acoustic ensembles, choir, organ, piano)
stereo electronic news gathering (E.N.G.)
sports ambience and crowd reaction
recording worship services
televised theatre and dance
film ambience
stereo sampling for keyboards
stereo sound effects
recording studios and live sound
Compared to its predecessor the SASS-P, the SASS-P MK II provides a warmer, smoother sound with more high-frequency brilliance (“air”) and less midrange “hardness.” A patented design, the SASS® uses a premium-quality Pressure Zone Microphone® for each channel. The PZMs are mounted on boundaries (with a foam barrier between them) to make each microphone directional.
The carefully controlled polar patterns and human-head-sized spacing between capsules create extremely well-focused, natural stereo imaging with no “hole in the middle.” Overall, the reproduction of the sound field is precise and realistic.
The SASS can accurately convey the ambient environment for location recording film-wide sound, or synched audio ambience (movement of traffic) where movement heard must precisely match movements in the screen image.
A foam barrier/baffle between the capsules shapes the pickup angle of each capsule in the front, and limits overlap of the two sides at higher frequencies. Although the mic capsules are spaced a few centimeters apart, there is little phase cancellation when both channels are combined to mono because of the shadowing effect of the baffle. The SASS can be powered in the field by two 9V batteries, as well as 12-48V phantom power. Separate left and right outputs are low-impedance balanced.Privatverkauf, keine Gewährleistung