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Tone King Royalist 45 Mk II Combo
Estimated price for orientation: 1 731 $
Category: Guitar Amplifiers
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Tone King Amplifier Type: Combo
Up for sale my 2016 Tone King Royalist 45 MK II combo. This EL34 tube amp is fantastic at copping the old Marshall tones. Note this is the MKII, which includes a two inputs (deep and bright) and the up-graded Ironman II attenuator. Sounds great home or in live situation, but this amp won't go down to whisper volumes unless the master is very low and the tone will be very clean. Amp is a very early one, SN 008. Like new, except for a rounded corner (see pictures). Also included is an amp cover, power cord, manual and some OEM spec tubes (TAD). Bias and screen voltage can be checked and adjusted on the back of the unit (very handy!). Why am I selling? I have two Royalists - the other is the 15 watt version, and frankly, that's enough for me, when connected to an extension cab. These don't come up for sale used very often - and they're $3000 new. I'll cover shipping - but no international shipping, please.From the designer Mark Bartel (who recently left Tone King) on these amplifiers (from the owner's manual):The Royalist is inspired by the sound of the early Marshall amps, and you will certainly hear elements of the old JTM45 and JMP50 in
this amp. Regardless, the Royalist is not a mere clone of any vintage amp. It is a new design which captures the essence of those fine
vintage amps, but goes further as well. The basic idea behind the Royalist was to focus on the tones of early, lower gain, non-master volume British amps. In particular, tones that span from clean to edge-of-breakup, as you might hear on some of the old Jeff Beck Group tracks and many other classic rock tracks of that period, to the bright, crunchy sounds of AC/DC and the like. There is a particular quality to the attack and the harmonic content of these early non-master- volume amps that sets them apart from the higher gain models that came later. Achieving and improving upon these tones was no easy feat. Given the harmonic complexity required, and the dynamic response needed, every detail had to be perfect. Component layout, component choice, wiring scheme, etc. all contribute in a much larger extent than they do in a typical Fender style
design. By incorporating some innovative design features, I was able to tune the design to improve upon these classic tones as well. For example, I used a tube-based screen supply regulator to control both the voltage and source impedance of the screen supply, which allowed me to independently control the feel of the note attack and the amount of sag in the response. With this circuit, sag is virtually eliminated, but the amp doesn't feel stiff. The new MK II update receives both dual inputs (bright and deep), and the revised Ironman II attenuator. The Ironman II architecture provides a reactive load circuit, as well as other design features such as volume-compensation circuit which really do a great job at preserving the tone and feel of the amp at very low volume.Output Power: 45W
Power Tubes: 2 x EL34
Preamp Tubes: 3 x 12AX7
Front Controls: Volume, Treble, Mid, Bass, Presence, Attenuation, FX Loop Bypass
Back Panel: Speaker, Ext Spkr, Impedance (4,8,16), Line Out, Line Out Level, FX Send, FX Receive, Bias Test Jacks, Bias Adjust, Screen Test
FX Loop: Tube Buffered Series Effects Loop
Attenuation: Built-In Ironman II Reactive Attenuator with 6 Levels of reduction
Additional Features: Adjustable Line-Out, Easy Access to Bias & Screen Voltage CalibrationAttenuator:
– Ironman II Precision Compensated Power Attenuator
– Tuned Reactive Load
– Six Attenuation Steps: 0db, -3db, -9db, -15db, -24db, -36db
– Fletcher-Munson Volume Level EQ Compensation
– Selectable 4, 8, and 16 ohm speaker impedanceOutput Stage:
– Fixed Bias (bias adjustment & test points on back panel)6V6 Screen regulator:
– Screen voltage adjustment and test points on back panel
– Reduces sag without hardening the feel of the amp
– Provides ability to fine tune the attack, overdrive characteristics, and feel of the amp
– Extends tube lifeFX Loop:
– Tube Driven Series Loop
– All Tube Signal Path (Driver and Receiver)
– Fully Buffered Series Loop
– Front Panel Effects Bypass SwitchLine-Out:
– Line out jack (on back panel)
– 1/4″ Unbalanced Line-Out for driving another amplifier, recording device, or any level input
– Adjustable level control on back panelCalibration:
– Output Stage calibration available on back panel
– Bias Current: Test points and adjustment control on back panel (multimeter required)
– Screen voltage: Test points and adjustment control on back panel (multimeter required)Thanks for checking out my ad!
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Tone King |
| Amplifier Type: | Combo |
Up for sale my 2016 Tone King Royalist 45 MK II combo. This EL34 tube amp is fantastic at copping the old Marshall tones. Note this is the MKII, which includes a two inputs (deep and bright) and the up-graded Ironman II attenuator. Sounds great home or in live situation, but this amp won't go down to whisper volumes unless the master is very low and the tone will be very clean. Amp is a very early one, SN 008. Like new, except for a rounded corner (see pictures). Also included is an amp cover, power cord, manual and some OEM spec tubes (TAD). Bias and screen voltage can be checked and adjusted on the back of the unit (very handy!). Why am I selling? I have two Royalists - the other is the 15 watt version, and frankly, that's enough for me, when connected to an extension cab. These don't come up for sale used very often - and they're $3000 new. I'll cover shipping - but no international shipping, please.From the designer Mark Bartel (who recently left Tone King) on these amplifiers (from the owner's manual):The Royalist is inspired by the sound of the early Marshall amps, and you will certainly hear elements of the old JTM45 and JMP50 in
this amp. Regardless, the Royalist is not a mere clone of any vintage amp. It is a new design which captures the essence of those fine
vintage amps, but goes further as well. The basic idea behind the Royalist was to focus on the tones of early, lower gain, non-master volume British amps. In particular, tones that span from clean to edge-of-breakup, as you might hear on some of the old Jeff Beck Group tracks and many other classic rock tracks of that period, to the bright, crunchy sounds of AC/DC and the like. There is a particular quality to the attack and the harmonic content of these early non-master- volume amps that sets them apart from the higher gain models that came later. Achieving and improving upon these tones was no easy feat. Given the harmonic complexity required, and the dynamic response needed, every detail had to be perfect. Component layout, component choice, wiring scheme, etc. all contribute in a much larger extent than they do in a typical Fender style
design. By incorporating some innovative design features, I was able to tune the design to improve upon these classic tones as well. For example, I used a tube-based screen supply regulator to control both the voltage and source impedance of the screen supply, which allowed me to independently control the feel of the note attack and the amount of sag in the response. With this circuit, sag is virtually eliminated, but the amp doesn't feel stiff. The new MK II update receives both dual inputs (bright and deep), and the revised Ironman II attenuator. The Ironman II architecture provides a reactive load circuit, as well as other design features such as volume-compensation circuit which really do a great job at preserving the tone and feel of the amp at very low volume.Output Power: 45W
Power Tubes: 2 x EL34
Preamp Tubes: 3 x 12AX7
Front Controls: Volume, Treble, Mid, Bass, Presence, Attenuation, FX Loop Bypass
Back Panel: Speaker, Ext Spkr, Impedance (4,8,16), Line Out, Line Out Level, FX Send, FX Receive, Bias Test Jacks, Bias Adjust, Screen Test
FX Loop: Tube Buffered Series Effects Loop
Attenuation: Built-In Ironman II Reactive Attenuator with 6 Levels of reduction
Additional Features: Adjustable Line-Out, Easy Access to Bias & Screen Voltage CalibrationAttenuator:
– Ironman II Precision Compensated Power Attenuator
– Tuned Reactive Load
– Six Attenuation Steps: 0db, -3db, -9db, -15db, -24db, -36db
– Fletcher-Munson Volume Level EQ Compensation
– Selectable 4, 8, and 16 ohm speaker impedanceOutput Stage:
– Fixed Bias (bias adjustment & test points on back panel)6V6 Screen regulator:
– Screen voltage adjustment and test points on back panel
– Reduces sag without hardening the feel of the amp
– Provides ability to fine tune the attack, overdrive characteristics, and feel of the amp
– Extends tube lifeFX Loop:
– Tube Driven Series Loop
– All Tube Signal Path (Driver and Receiver)
– Fully Buffered Series Loop
– Front Panel Effects Bypass SwitchLine-Out:
– Line out jack (on back panel)
– 1/4″ Unbalanced Line-Out for driving another amplifier, recording device, or any level input
– Adjustable level control on back panelCalibration:
– Output Stage calibration available on back panel
– Bias Current: Test points and adjustment control on back panel (multimeter required)
– Screen voltage: Test points and adjustment control on back panel (multimeter required)Thanks for checking out my ad!
this amp. Regardless, the Royalist is not a mere clone of any vintage amp. It is a new design which captures the essence of those fine
vintage amps, but goes further as well. The basic idea behind the Royalist was to focus on the tones of early, lower gain, non-master volume British amps. In particular, tones that span from clean to edge-of-breakup, as you might hear on some of the old Jeff Beck Group tracks and many other classic rock tracks of that period, to the bright, crunchy sounds of AC/DC and the like. There is a particular quality to the attack and the harmonic content of these early non-master- volume amps that sets them apart from the higher gain models that came later. Achieving and improving upon these tones was no easy feat. Given the harmonic complexity required, and the dynamic response needed, every detail had to be perfect. Component layout, component choice, wiring scheme, etc. all contribute in a much larger extent than they do in a typical Fender style
design. By incorporating some innovative design features, I was able to tune the design to improve upon these classic tones as well. For example, I used a tube-based screen supply regulator to control both the voltage and source impedance of the screen supply, which allowed me to independently control the feel of the note attack and the amount of sag in the response. With this circuit, sag is virtually eliminated, but the amp doesn't feel stiff. The new MK II update receives both dual inputs (bright and deep), and the revised Ironman II attenuator. The Ironman II architecture provides a reactive load circuit, as well as other design features such as volume-compensation circuit which really do a great job at preserving the tone and feel of the amp at very low volume.Output Power: 45W
Power Tubes: 2 x EL34
Preamp Tubes: 3 x 12AX7
Front Controls: Volume, Treble, Mid, Bass, Presence, Attenuation, FX Loop Bypass
Back Panel: Speaker, Ext Spkr, Impedance (4,8,16), Line Out, Line Out Level, FX Send, FX Receive, Bias Test Jacks, Bias Adjust, Screen Test
FX Loop: Tube Buffered Series Effects Loop
Attenuation: Built-In Ironman II Reactive Attenuator with 6 Levels of reduction
Additional Features: Adjustable Line-Out, Easy Access to Bias & Screen Voltage CalibrationAttenuator:
– Ironman II Precision Compensated Power Attenuator
– Tuned Reactive Load
– Six Attenuation Steps: 0db, -3db, -9db, -15db, -24db, -36db
– Fletcher-Munson Volume Level EQ Compensation
– Selectable 4, 8, and 16 ohm speaker impedanceOutput Stage:
– Fixed Bias (bias adjustment & test points on back panel)6V6 Screen regulator:
– Screen voltage adjustment and test points on back panel
– Reduces sag without hardening the feel of the amp
– Provides ability to fine tune the attack, overdrive characteristics, and feel of the amp
– Extends tube lifeFX Loop:
– Tube Driven Series Loop
– All Tube Signal Path (Driver and Receiver)
– Fully Buffered Series Loop
– Front Panel Effects Bypass SwitchLine-Out:
– Line out jack (on back panel)
– 1/4″ Unbalanced Line-Out for driving another amplifier, recording device, or any level input
– Adjustable level control on back panelCalibration:
– Output Stage calibration available on back panel
– Bias Current: Test points and adjustment control on back panel (multimeter required)
– Screen voltage: Test points and adjustment control on back panel (multimeter required)Thanks for checking out my ad!