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Aphex Channel Channelstrip Kanalzüge
Estimated price for orientation: 999 $
Category: Other Pro Audio Equipment
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Marke: Aphex Herstellernummer: nicht zutreffend EAN: 0136975019935
Artikel ist absolut NEU. Mit 3 Jahren Reverse Pro-Store Garantie* Versandkosten:
Für dieses Produkt fallen innerhalb Deutschlands keine Versandkosten an!
Für Preisanfragen und Rabatte bitte Mail an info@reverse-records.deComplete High Performance Channel Strip With more and more studios foregoing consoles in favor of recording and mixing in the computer,
a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel
strips and similar devices to choose from, but none that come close to the Channel by way of sound,
features or performance. The legendary Model 230 has been re-imagined, adding a host of new features to address a greater
number of workflows while retaining the sound, functionality and versatility that made it one of
the most in-demand processors ever for professional audio, live sound, broadcast and post production. The Channel incorporates seven powerful devices within a compact, single rack space design,
including five of Aphex’s exclusive patented technologies. Together, the result is the highest possible
audio quality, processing power and flexibility available. The elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow
with easy to understand labeling. Building on the foundation of the Model 230, the Channel features
an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock
source selection, and a reference quality internal clock. Applications Broadcast The Aphex Channel is a Tube Microphone Preamp and signal processor that is an indispensable
broadcast station tool. You’ll find them in the production room and installed as a permanent on-air
processing for pumping up voices. Recording Studios The Aphex Channel is a powerful and easy-to-use channel strip for commercial and project studios,
featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser,
parametric EQ, Aural Exciter, and Big Bottom bass enhancement.
It is an extraordinary single rack unit that offers 7 of Aphex’s most popular tools that help you work
more easily and naturally, achieving the sonic quality you want without connecting several devices. Live Sound When space is at a premium in a touring rig, and night after night reliability is essential,
the rugged Aphex Channel provides all the top quality processing needed for any instrument without
taking up precious rack space. Features Patented Reflected Plate Amplifier (RPA) Tube Preamp · Ultra-wide bandwidth, maximum gain and headroom · Lower operating temperature than conventional tube designs for longer tube life · Each unit is individually tuned at the Aphex factory for unparalleled consistency any two units are a matched pair EasyRider Class A Compressor · Aphex’s patented Wave Dependent Compressor automatically adjusts attack and release times according to program complexity · No-Knee compression curve circuitry automatically adjusts compression ratio based on program levels · Includes Aphex’s 1001 Class A Voltage Controlled Attenuator, used in the Compellor and Dominator Logic Assisted Gate · Patented gate technology designed to avoid false triggers, clicks and chattering De-Esser · Split band universal de-esser designed to maintain presence while dramatically reducing sibilance on any voice Big Bottom · Patented technology for deeper and more resonant bass with little or no increase in peak output Parametric EQ · For the ability to precisely fine tune the all-important midrange between the Big Bottom and Aural Exciter. Aural Exciter · Patented technology for increased presence and clarity with improved detail and intelligibility Preliminary Specifications MIC INPUT Connector : XLR-3F Type : Transformerless, NPN active balanced, tube second stage Input Z : 2k ohms nominal Maximum Input Level (MIL) : +25dBu CMRR : >70 dB @ 60 Hz Nominal Preamp Gain : 20 to 65 dB Phantom Power : +48VDC Pad : 20dB EIN : -127dBu (Input Shorted) Tube Type : 12AT7/ECC81 Dual Triode OUTPUT Connector : XLR-3M and 1/4″ TRS Phone Jacks Type : XLR is Impedance Balanced (may be used unbalanced); TRS is unbalanced Out Z Balanced : XLR 66 ohms Out Z Unbalanced : XLR 33 ohms; TRS 600 ohms Nominal Level : XLR +4dBu; TRS -10dBV Maximum Output Level : +25dBu Unloaded; TRS +11dBV COMPRESSOR Attack / Release : Program dependent, user variable release baseline Ratio : 4:1 Threshold : Fixed Knee : Medium Hard GATE Attack : 0.1 millisecond Hold / Release : 300 milliseconds / 400 milliseconds Threshold : Variable -50 to +20dB Depth : Variable, 1 to 58dB DE-ESSER Attack : 0.1 millisecond Release : 100 milliseconds Threshold : Variable -20 to +20dB Ratio : 5:1 Active Band : 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover INSERT Connector type – Send : 1/4 TRS Phone Jack, Balanced Connector type – Return : 1/4 TRS Phone Jack, Balanced Nominal Operating Level : 0 dBu Point of Insertion : Between dynamics processing and equalizers BIG BOTTOM Frequency : 50 Hz to 280 Hz Tune : Off to +12dB PARAMETRIC EQ Frequency Tune : 240 Hz to 8 kHz Peak / Dip : ±12dB Q Range : 0.5 to 5 AURAL EXCITER Frequency Tune : 500 Hz to 5kHz Mix : Off to +12dB ANALOG AUDIO THD IMD Freq Response (Flat) : 18 Hz to 24kHz ±1dB DIGITAL AUDIO Internal Sample Rates : 44.1KHz, 48KHz, 88.2KHz, 96KHz External Sample Rates : Automatically syncs to any word clock between 32KHz and 96KHz Resolution : 24 bits Word Clock Input : BNC Jack, High Z, Captures Word Clock Output : BNC Jack, 75 Ohms, 5Vp-p Dynamic Range : Digital dynamic range greater than analog front end Noise Dither : Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither. Level Equivalency : -20dBFS Digital = +4dBu Analog OTHER SPECIFICATIONS Power requirements : 90-250 VAC 50-60 Hz 12W Dimensions : 19″W x 1.75″H x 8.25″ D 1 Rack U (482.6mm x 44.5mm x 209.6mm) Depth Behind Front Panel : 7.5″ (190.5mm) Net Weight : 6 lbs (2.73 kg) Shipping Weight : 9 lbs (4.1 kg)
International bidders: Please ask for further information.
Mail: info@reverse-records.de
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Marke: | Aphex |
| Herstellernummer: | nicht zutreffend | EAN: | 0136975019935 |
Artikel ist absolut NEU. Mit 3 Jahren Reverse Pro-Store Garantie*
Versandkosten:
Für dieses Produkt fallen innerhalb Deutschlands keine Versandkosten an!
Für Preisanfragen und Rabatte bitte Mail an info@reverse-records.deComplete High Performance Channel Strip With more and more studios foregoing consoles in favor of recording and mixing in the computer,
a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel
strips and similar devices to choose from, but none that come close to the Channel by way of sound,
features or performance. The legendary Model 230 has been re-imagined, adding a host of new features to address a greater
number of workflows while retaining the sound, functionality and versatility that made it one of
the most in-demand processors ever for professional audio, live sound, broadcast and post production. The Channel incorporates seven powerful devices within a compact, single rack space design,
including five of Aphex’s exclusive patented technologies. Together, the result is the highest possible
audio quality, processing power and flexibility available. The elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow
with easy to understand labeling. Building on the foundation of the Model 230, the Channel features
an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock
source selection, and a reference quality internal clock. Applications Broadcast The Aphex Channel is a Tube Microphone Preamp and signal processor that is an indispensable
broadcast station tool. You’ll find them in the production room and installed as a permanent on-air
processing for pumping up voices. Recording Studios The Aphex Channel is a powerful and easy-to-use channel strip for commercial and project studios,
featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser,
parametric EQ, Aural Exciter, and Big Bottom bass enhancement.
It is an extraordinary single rack unit that offers 7 of Aphex’s most popular tools that help you work
more easily and naturally, achieving the sonic quality you want without connecting several devices. Live Sound When space is at a premium in a touring rig, and night after night reliability is essential,
the rugged Aphex Channel provides all the top quality processing needed for any instrument without
taking up precious rack space. Features Patented Reflected Plate Amplifier (RPA) Tube Preamp · Ultra-wide bandwidth, maximum gain and headroom · Lower operating temperature than conventional tube designs for longer tube life · Each unit is individually tuned at the Aphex factory for unparalleled consistency any two units are a matched pair EasyRider Class A Compressor · Aphex’s patented Wave Dependent Compressor automatically adjusts attack and release times according to program complexity · No-Knee compression curve circuitry automatically adjusts compression ratio based on program levels · Includes Aphex’s 1001 Class A Voltage Controlled Attenuator, used in the Compellor and Dominator Logic Assisted Gate · Patented gate technology designed to avoid false triggers, clicks and chattering De-Esser · Split band universal de-esser designed to maintain presence while dramatically reducing sibilance on any voice Big Bottom · Patented technology for deeper and more resonant bass with little or no increase in peak output Parametric EQ · For the ability to precisely fine tune the all-important midrange between the Big Bottom and Aural Exciter. Aural Exciter · Patented technology for increased presence and clarity with improved detail and intelligibility Preliminary Specifications MIC INPUT Connector : XLR-3F Type : Transformerless, NPN active balanced, tube second stage Input Z : 2k ohms nominal Maximum Input Level (MIL) : +25dBu CMRR : >70 dB @ 60 Hz Nominal Preamp Gain : 20 to 65 dB Phantom Power : +48VDC Pad : 20dB EIN : -127dBu (Input Shorted) Tube Type : 12AT7/ECC81 Dual Triode OUTPUT Connector : XLR-3M and 1/4″ TRS Phone Jacks Type : XLR is Impedance Balanced (may be used unbalanced); TRS is unbalanced Out Z Balanced : XLR 66 ohms Out Z Unbalanced : XLR 33 ohms; TRS 600 ohms Nominal Level : XLR +4dBu; TRS -10dBV Maximum Output Level : +25dBu Unloaded; TRS +11dBV COMPRESSOR Attack / Release : Program dependent, user variable release baseline Ratio : 4:1 Threshold : Fixed Knee : Medium Hard GATE Attack : 0.1 millisecond Hold / Release : 300 milliseconds / 400 milliseconds Threshold : Variable -50 to +20dB Depth : Variable, 1 to 58dB DE-ESSER Attack : 0.1 millisecond Release : 100 milliseconds Threshold : Variable -20 to +20dB Ratio : 5:1 Active Band : 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover INSERT Connector type – Send : 1/4 TRS Phone Jack, Balanced Connector type – Return : 1/4 TRS Phone Jack, Balanced Nominal Operating Level : 0 dBu Point of Insertion : Between dynamics processing and equalizers BIG BOTTOM Frequency : 50 Hz to 280 Hz Tune : Off to +12dB PARAMETRIC EQ Frequency Tune : 240 Hz to 8 kHz Peak / Dip : ±12dB Q Range : 0.5 to 5 AURAL EXCITER Frequency Tune : 500 Hz to 5kHz Mix : Off to +12dB ANALOG AUDIO THD IMD Freq Response (Flat) : 18 Hz to 24kHz ±1dB DIGITAL AUDIO Internal Sample Rates : 44.1KHz, 48KHz, 88.2KHz, 96KHz External Sample Rates : Automatically syncs to any word clock between 32KHz and 96KHz Resolution : 24 bits Word Clock Input : BNC Jack, High Z, Captures Word Clock Output : BNC Jack, 75 Ohms, 5Vp-p Dynamic Range : Digital dynamic range greater than analog front end Noise Dither : Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither. Level Equivalency : -20dBFS Digital = +4dBu Analog OTHER SPECIFICATIONS Power requirements : 90-250 VAC 50-60 Hz 12W Dimensions : 19″W x 1.75″H x 8.25″ D 1 Rack U (482.6mm x 44.5mm x 209.6mm) Depth Behind Front Panel : 7.5″ (190.5mm) Net Weight : 6 lbs (2.73 kg) Shipping Weight : 9 lbs (4.1 kg)
International bidders: Please ask for further information.
Mail: info@reverse-records.de
Für dieses Produkt fallen innerhalb Deutschlands keine Versandkosten an!
Für Preisanfragen und Rabatte bitte Mail an info@reverse-records.deComplete High Performance Channel Strip With more and more studios foregoing consoles in favor of recording and mixing in the computer,
a clean and versatile front end input stage is indispensible. There are dozens and dozens of channel
strips and similar devices to choose from, but none that come close to the Channel by way of sound,
features or performance. The legendary Model 230 has been re-imagined, adding a host of new features to address a greater
number of workflows while retaining the sound, functionality and versatility that made it one of
the most in-demand processors ever for professional audio, live sound, broadcast and post production. The Channel incorporates seven powerful devices within a compact, single rack space design,
including five of Aphex’s exclusive patented technologies. Together, the result is the highest possible
audio quality, processing power and flexibility available. The elegant front panel not only looks great, but is laid out in an intuitive, easy-to-use workflow
with easy to understand labeling. Building on the foundation of the Model 230, the Channel features
an instrument input, dedicated output and gain reduction metering, front panel sample rate and clock
source selection, and a reference quality internal clock. Applications Broadcast The Aphex Channel is a Tube Microphone Preamp and signal processor that is an indispensable
broadcast station tool. You’ll find them in the production room and installed as a permanent on-air
processing for pumping up voices. Recording Studios The Aphex Channel is a powerful and easy-to-use channel strip for commercial and project studios,
featuring our reflected-plate amplifier tube microphone preamp design plus compression, gating, de-esser,
parametric EQ, Aural Exciter, and Big Bottom bass enhancement.
It is an extraordinary single rack unit that offers 7 of Aphex’s most popular tools that help you work
more easily and naturally, achieving the sonic quality you want without connecting several devices. Live Sound When space is at a premium in a touring rig, and night after night reliability is essential,
the rugged Aphex Channel provides all the top quality processing needed for any instrument without
taking up precious rack space. Features Patented Reflected Plate Amplifier (RPA) Tube Preamp · Ultra-wide bandwidth, maximum gain and headroom · Lower operating temperature than conventional tube designs for longer tube life · Each unit is individually tuned at the Aphex factory for unparalleled consistency any two units are a matched pair EasyRider Class A Compressor · Aphex’s patented Wave Dependent Compressor automatically adjusts attack and release times according to program complexity · No-Knee compression curve circuitry automatically adjusts compression ratio based on program levels · Includes Aphex’s 1001 Class A Voltage Controlled Attenuator, used in the Compellor and Dominator Logic Assisted Gate · Patented gate technology designed to avoid false triggers, clicks and chattering De-Esser · Split band universal de-esser designed to maintain presence while dramatically reducing sibilance on any voice Big Bottom · Patented technology for deeper and more resonant bass with little or no increase in peak output Parametric EQ · For the ability to precisely fine tune the all-important midrange between the Big Bottom and Aural Exciter. Aural Exciter · Patented technology for increased presence and clarity with improved detail and intelligibility Preliminary Specifications MIC INPUT Connector : XLR-3F Type : Transformerless, NPN active balanced, tube second stage Input Z : 2k ohms nominal Maximum Input Level (MIL) : +25dBu CMRR : >70 dB @ 60 Hz Nominal Preamp Gain : 20 to 65 dB Phantom Power : +48VDC Pad : 20dB EIN : -127dBu (Input Shorted) Tube Type : 12AT7/ECC81 Dual Triode OUTPUT Connector : XLR-3M and 1/4″ TRS Phone Jacks Type : XLR is Impedance Balanced (may be used unbalanced); TRS is unbalanced Out Z Balanced : XLR 66 ohms Out Z Unbalanced : XLR 33 ohms; TRS 600 ohms Nominal Level : XLR +4dBu; TRS -10dBV Maximum Output Level : +25dBu Unloaded; TRS +11dBV COMPRESSOR Attack / Release : Program dependent, user variable release baseline Ratio : 4:1 Threshold : Fixed Knee : Medium Hard GATE Attack : 0.1 millisecond Hold / Release : 300 milliseconds / 400 milliseconds Threshold : Variable -50 to +20dB Depth : Variable, 1 to 58dB DE-ESSER Attack : 0.1 millisecond Release : 100 milliseconds Threshold : Variable -20 to +20dB Ratio : 5:1 Active Band : 4 kHz to 20kHz Linkwitz-Riley 24 db/octave crossover INSERT Connector type – Send : 1/4 TRS Phone Jack, Balanced Connector type – Return : 1/4 TRS Phone Jack, Balanced Nominal Operating Level : 0 dBu Point of Insertion : Between dynamics processing and equalizers BIG BOTTOM Frequency : 50 Hz to 280 Hz Tune : Off to +12dB PARAMETRIC EQ Frequency Tune : 240 Hz to 8 kHz Peak / Dip : ±12dB Q Range : 0.5 to 5 AURAL EXCITER Frequency Tune : 500 Hz to 5kHz Mix : Off to +12dB ANALOG AUDIO THD IMD Freq Response (Flat) : 18 Hz to 24kHz ±1dB DIGITAL AUDIO Internal Sample Rates : 44.1KHz, 48KHz, 88.2KHz, 96KHz External Sample Rates : Automatically syncs to any word clock between 32KHz and 96KHz Resolution : 24 bits Word Clock Input : BNC Jack, High Z, Captures Word Clock Output : BNC Jack, 75 Ohms, 5Vp-p Dynamic Range : Digital dynamic range greater than analog front end Noise Dither : Dithered by analog preamp noise floor. Equivalent to 16-bit digital audio dither. Level Equivalency : -20dBFS Digital = +4dBu Analog OTHER SPECIFICATIONS Power requirements : 90-250 VAC 50-60 Hz 12W Dimensions : 19″W x 1.75″H x 8.25″ D 1 Rack U (482.6mm x 44.5mm x 209.6mm) Depth Behind Front Panel : 7.5″ (190.5mm) Net Weight : 6 lbs (2.73 kg) Shipping Weight : 9 lbs (4.1 kg)
International bidders: Please ask for further information.
Mail: info@reverse-records.de