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DAVE SMITH INSTRUMENTS - OB-6 MODULE
Estimated price for orientation: 2 499 $
Category: Other Pianos and Keyboards
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Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Dave Smith Instruments MPN: OB-6 MODULE EAN: 0855346000746
Référence : OB-6 MODULE Disponibilité: Disponible en stock fournisseur
Livraison: Sous 2 jours ouvrés
Garantie: 2 ans pièces & main-d'oeuvre DAVE SMITH INSTRUMENTS - OB-6 MODULE - Synthétiseur Analogique Deux légendes. Un instrument. L'OB-6 est le fruit d'une collaboration historique entre deux légendes vivantes du monde des synthétiseurs analogiques : Dave Smith et Tom Oberheim. Ce synthétiseur a été élaboré autour des circuits du SEM fait par Oberheim – avec ses oscillateurs contrôlés en tension, son filtre 2-pole et ses VCAs – ont été ajoutées la souplesse et la maniabilité d'un synthétiseur moderne, à savoir une implémentation MIDI complète, une interface très bien pensée, des effets audio de qualité studio, un séquenceur pas à pas polyphonique, un arpégiateur, et bien plus encore. L'OB-6 contient 1000 presets et est polyphonique 4 ou 8 voies. Le son vintage du SEM Il dispose de deux oscillateurs (plus un sub-oscillateur) par voie avec les formes d'ondes classiques : dents de scie et carrée (plus triangle pour le 2eme oscillateur). Le choix entre les formes d'onde se fait de façon progressive à l'aide d'un potentiomètre. Le filtre résonant est inspiré du classique Oberheim 2-pôle, quatre modes sont possibles : passe-bas, passe-haut, passe-bande et notch. Des VCAs (amplificateurs commandés en tension) viennent compléter le chemin du signal qui est entièrement analogique. Module d'effets La section d'effets propose deux effets simultanées, parmi : une réverbération de qualité studio, des délais (standard et BBD), chorus, flanger et des reproductions fidèles des effets que l'on trouve chez Tom Oberheim : jeux de phase et modulateur en anneau. Les effets sont numériques avec une résolution de 24 bits 48 kHz, le routage des effets est entièrement analogique. X-Mod et Séquenceur polyphonique Également présent le X-Mod, qui élargit la palette sonore en permettant facilement de créer des sons complexes. Les sources de modulations sont : enveloppe du filtre et l'oscillateur 2, avec atténuateurs bi-polaires. Les destinations possibles sont, chez l'oscillateur 1 : la fréquence, le changement de la forme d'onde, la largeur de l'onde carrée et chez le filtre : la fréquence de coupure et le mode. Le séquenceur polyphonique permet jusqu'à 64 pas et jusqu'à 6 notes par pas. Vous pouvez créer des séquences polyphonique, avec des silences et synchroniser le séquenceur et l'apérgiateur à une horloge MIDI externe. Le mode unisson est de 1 à 6 voies, avec mémoire des accords et des modes de jeux. Prise en main rapide Le panneau avant très complet propose « un bouton par fonction », ce qui permet d'avoir pratiquement toutes les fonctions de l'OB-6 à portée de main. 500 presets d'usine permanents sont inclus ainsi que 500 autres presets utilisateur modifiables à volonté. Le bouton « Manuel » permet d'activer le mode « live panel », dans lequel le son produit par l'OB-6 correspondra à la position des boutons en façade. SPECIFICATIONS : OSCILLATEURS Deux VCOs (oscillateur contrôlé en tension) par voie Passage progressif entre les formes d'ondes carrée et dents de scie (plus triangle pour le VCO 2) Largeur de l'onde carrée variable Hard sync: synchronisation du VCO 1 au VCO2 Sub oscillateur carré (suivant le VCO 1) par voie Mode « low frequency » permettant de faire passer le VCO 2 en LFO Suivi du clavier on/off pour le VCO 2 Possibilité de detune du VCO 2 pour créer de léger désaccords (de subtile à extrême) MIXEUR Volume du VCO 1 Volume du Sub oscillateur Volume du VCO 2 Volume du bruit blanc FILTRE Un filtre par voie : 2-pole, résonant et avec quatre modes différents : passe-bas, passe-haut, passe-bande et notch. Inspiré par le fonctionnement du filtre du SEM d'Oberheim Atténuverteur pour contrôler le taux de modulation apporté par l'enveloppe dédiée au filtre La vélocité peut contrôler ce taux de modulation Suivi du clavier: off, half, full ENVELOPPE ASSIGNÉE AU FILTRE Enveloppe ADSR La vélocité peut contrôler le taux de modulation apportée par cette enveloppe ENVELOPPE LOUDNESS (VOLUME) Enveloppe ADSR La vélocité peut contrôler le taux de modulation apportée par cette enveloppe OSCILLATEUR BASSE FRÉQUENCE (LFO) Cinq formes d'onde: sinusoïdale, dents de scie, dents de scie renversées, carrée et aléatoire (sample and hold) Synchronisation à l'horloge interne ou externe (MIDI) Destination de la modulation: fréquence du VCO 1,fréquence du VCO 2, largeur du l'onde carrée pour les VCOs 1 et 2, fréquence de coupure du filtre, mode du filtre, contrôle du volume X-MOD Sources: enveloppe dédiée au filtre et VCO 2 Destinations: VCO 1 : fréquence, forme d'onde et largeur de l'onde carré, fréquence et mode du filtre (de normal à passe-bande) AFTERTOUCH Source: touche (mono) du clavier, bipolaire Destinations: fréquence du VCO 1,fréquence du VCO 2, taux de modulation du LFO, taux de l'enveloppe « loudness », taux de l'enveloppe dédiée au filtre, mode du filtre HORLOGE Horloge générale avec « tap tempo » Contrôle du BPM avec affichage Synchronisation à une horloge MIDI externe ARPÉGIATEUR Sélection de la vitesse: 16ème de note, 8ème de note en triolet, 8ème de note, 8ème de note pointée, à la noire Sur un, deux ou trois octaves Modes : up, down, up/down, random (aléatoire) SÉQUENCEUR Séquenceur pas à pas polyphonique de 64 pas EFFECTS Distorsion stéréo analogique Double section d'effets digitaux, 24-bit, 48 kHz, qui comprend: réverbération (room, hall, plate, spring), délais (numérique large bande et émulation de BBD), chorus, flanger, phase shifters, et modulateur en anneau Synchronisation des délais à l'horloge principale Routage du signal totalement analogique. Bypass total des effets de la sorte que le chemin du signal audio soit entièrement analogique quand les effets sont désactivés. CONTRÔLES POUR JEUX LIVE Fonction hold pour maintenir une note indéfiniment Portamento polyphique Mode unison (monophonique) de 1 à 6 voies avec mémoire des accords et des modes de jeux Mode manuel pour que le son produit par l'OB-6 corresponde à la position des boutons en façade MÉMOIRE DES PRESETS 500 presets d'usine permanents ainsi que 500 autres presets utilisateur modifiables à volonté. 10 banques de 10 presets, changement de banque intuitif et accès direct aux presets. ENTRÉES ET SORTIES Sorties audio Left/mono and right (gauche/mono et droite) en jack 6.35 Sortie casque stéréo en jack 6.35 Prises MIDI in (entrée), out (sortie) et thru Connectique USB pour échange d'informations MIDI Entrée pour contrôler la fréquence de coupure du filtre (cutoff) à l'aide d'une pédale d'expression Entrée pour contrôler le volume à l'aide d'une pédale d'expression Entrée pour le contrôle du sustain à l'aide d'une pédale ON/OFF Entrée pour contrôler le start/stop du séquenceur à l'aide d'une pédale ON/OFF ALIMENTATION Prise IEC AC pour l’alimentation Fonctionne dans le monde entier avec les tensions comprise entre 100 et 240 volts et entre 50 et 60 Hz; consommation : 30 watts DIMENSION ET POIDS 52.0 cm x 19.8.cm x 11.2 cm 5,9 kg Reference : OB-6 MODULE Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels Referencia : OB-6 MODULE Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels Artikel-Nr : OB-6 MODULE Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels Riferimento : OB-6 MODULE Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels Global Audio Store, Revendeur Dave Smith Instruments agréé
Global Audio Store, Authorized Dave Smith Instruments Dealer
Global Audio Store, Authorized Dave Smith Instruments Dealer
Global Audio Store, Authorized Dave Smith Instruments Dealer
Global Audio Store, Authorized Dave Smith Instruments Dealer
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Dave Smith Instruments |
| MPN: | OB-6 MODULE | EAN: | 0855346000746 |
Référence : OB-6 MODULE
Disponibilité: Disponible en stock fournisseur
Livraison: Sous 2 jours ouvrés
Garantie: 2 ans pièces & main-d'oeuvre
Livraison: Sous 2 jours ouvrés
Garantie: 2 ans pièces & main-d'oeuvre
DAVE SMITH INSTRUMENTS - OB-6 MODULE - Synthétiseur Analogique Deux légendes. Un instrument. L'OB-6 est le fruit d'une collaboration historique entre deux légendes vivantes du monde des synthétiseurs analogiques : Dave Smith et Tom Oberheim. Ce synthétiseur a été élaboré autour des circuits du SEM fait par Oberheim – avec ses oscillateurs contrôlés en tension, son filtre 2-pole et ses VCAs – ont été ajoutées la souplesse et la maniabilité d'un synthétiseur moderne, à savoir une implémentation MIDI complète, une interface très bien pensée, des effets audio de qualité studio, un séquenceur pas à pas polyphonique, un arpégiateur, et bien plus encore. L'OB-6 contient 1000 presets et est polyphonique 4 ou 8 voies. Le son vintage du SEM Il dispose de deux oscillateurs (plus un sub-oscillateur) par voie avec les formes d'ondes classiques : dents de scie et carrée (plus triangle pour le 2eme oscillateur). Le choix entre les formes d'onde se fait de façon progressive à l'aide d'un potentiomètre. Le filtre résonant est inspiré du classique Oberheim 2-pôle, quatre modes sont possibles : passe-bas, passe-haut, passe-bande et notch. Des VCAs (amplificateurs commandés en tension) viennent compléter le chemin du signal qui est entièrement analogique. Module d'effets La section d'effets propose deux effets simultanées, parmi : une réverbération de qualité studio, des délais (standard et BBD), chorus, flanger et des reproductions fidèles des effets que l'on trouve chez Tom Oberheim : jeux de phase et modulateur en anneau. Les effets sont numériques avec une résolution de 24 bits 48 kHz, le routage des effets est entièrement analogique. X-Mod et Séquenceur polyphonique Également présent le X-Mod, qui élargit la palette sonore en permettant facilement de créer des sons complexes. Les sources de modulations sont : enveloppe du filtre et l'oscillateur 2, avec atténuateurs bi-polaires. Les destinations possibles sont, chez l'oscillateur 1 : la fréquence, le changement de la forme d'onde, la largeur de l'onde carrée et chez le filtre : la fréquence de coupure et le mode. Le séquenceur polyphonique permet jusqu'à 64 pas et jusqu'à 6 notes par pas. Vous pouvez créer des séquences polyphonique, avec des silences et synchroniser le séquenceur et l'apérgiateur à une horloge MIDI externe. Le mode unisson est de 1 à 6 voies, avec mémoire des accords et des modes de jeux. Prise en main rapide Le panneau avant très complet propose « un bouton par fonction », ce qui permet d'avoir pratiquement toutes les fonctions de l'OB-6 à portée de main. 500 presets d'usine permanents sont inclus ainsi que 500 autres presets utilisateur modifiables à volonté. Le bouton « Manuel » permet d'activer le mode « live panel », dans lequel le son produit par l'OB-6 correspondra à la position des boutons en façade. SPECIFICATIONS : OSCILLATEURS Deux VCOs (oscillateur contrôlé en tension) par voie Passage progressif entre les formes d'ondes carrée et dents de scie (plus triangle pour le VCO 2) Largeur de l'onde carrée variable Hard sync: synchronisation du VCO 1 au VCO2 Sub oscillateur carré (suivant le VCO 1) par voie Mode « low frequency » permettant de faire passer le VCO 2 en LFO Suivi du clavier on/off pour le VCO 2 Possibilité de detune du VCO 2 pour créer de léger désaccords (de subtile à extrême) MIXEUR Volume du VCO 1 Volume du Sub oscillateur Volume du VCO 2 Volume du bruit blanc FILTRE Un filtre par voie : 2-pole, résonant et avec quatre modes différents : passe-bas, passe-haut, passe-bande et notch. Inspiré par le fonctionnement du filtre du SEM d'Oberheim Atténuverteur pour contrôler le taux de modulation apporté par l'enveloppe dédiée au filtre La vélocité peut contrôler ce taux de modulation Suivi du clavier: off, half, full ENVELOPPE ASSIGNÉE AU FILTRE Enveloppe ADSR La vélocité peut contrôler le taux de modulation apportée par cette enveloppe ENVELOPPE LOUDNESS (VOLUME) Enveloppe ADSR La vélocité peut contrôler le taux de modulation apportée par cette enveloppe OSCILLATEUR BASSE FRÉQUENCE (LFO) Cinq formes d'onde: sinusoïdale, dents de scie, dents de scie renversées, carrée et aléatoire (sample and hold) Synchronisation à l'horloge interne ou externe (MIDI) Destination de la modulation: fréquence du VCO 1,fréquence du VCO 2, largeur du l'onde carrée pour les VCOs 1 et 2, fréquence de coupure du filtre, mode du filtre, contrôle du volume X-MOD Sources: enveloppe dédiée au filtre et VCO 2 Destinations: VCO 1 : fréquence, forme d'onde et largeur de l'onde carré, fréquence et mode du filtre (de normal à passe-bande) AFTERTOUCH Source: touche (mono) du clavier, bipolaire Destinations: fréquence du VCO 1,fréquence du VCO 2, taux de modulation du LFO, taux de l'enveloppe « loudness », taux de l'enveloppe dédiée au filtre, mode du filtre HORLOGE Horloge générale avec « tap tempo » Contrôle du BPM avec affichage Synchronisation à une horloge MIDI externe ARPÉGIATEUR Sélection de la vitesse: 16ème de note, 8ème de note en triolet, 8ème de note, 8ème de note pointée, à la noire Sur un, deux ou trois octaves Modes : up, down, up/down, random (aléatoire) SÉQUENCEUR Séquenceur pas à pas polyphonique de 64 pas EFFECTS Distorsion stéréo analogique Double section d'effets digitaux, 24-bit, 48 kHz, qui comprend: réverbération (room, hall, plate, spring), délais (numérique large bande et émulation de BBD), chorus, flanger, phase shifters, et modulateur en anneau Synchronisation des délais à l'horloge principale Routage du signal totalement analogique. Bypass total des effets de la sorte que le chemin du signal audio soit entièrement analogique quand les effets sont désactivés. CONTRÔLES POUR JEUX LIVE Fonction hold pour maintenir une note indéfiniment Portamento polyphique Mode unison (monophonique) de 1 à 6 voies avec mémoire des accords et des modes de jeux Mode manuel pour que le son produit par l'OB-6 corresponde à la position des boutons en façade MÉMOIRE DES PRESETS 500 presets d'usine permanents ainsi que 500 autres presets utilisateur modifiables à volonté. 10 banques de 10 presets, changement de banque intuitif et accès direct aux presets. ENTRÉES ET SORTIES Sorties audio Left/mono and right (gauche/mono et droite) en jack 6.35 Sortie casque stéréo en jack 6.35 Prises MIDI in (entrée), out (sortie) et thru Connectique USB pour échange d'informations MIDI Entrée pour contrôler la fréquence de coupure du filtre (cutoff) à l'aide d'une pédale d'expression Entrée pour contrôler le volume à l'aide d'une pédale d'expression Entrée pour le contrôle du sustain à l'aide d'une pédale ON/OFF Entrée pour contrôler le start/stop du séquenceur à l'aide d'une pédale ON/OFF ALIMENTATION Prise IEC AC pour l’alimentation Fonctionne dans le monde entier avec les tensions comprise entre 100 et 240 volts et entre 50 et 60 Hz; consommation : 30 watts DIMENSION ET POIDS 52.0 cm x 19.8.cm x 11.2 cm 5,9 kg
Reference : OB-6 MODULE
Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels
Referencia : OB-6 MODULE
Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels
Artikel-Nr : OB-6 MODULE
Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels
Riferimento : OB-6 MODULE
Availability: Available in supplier stock
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
Processing time: Under 2 working days
Guaranty: 2 years by manufacturer
DAVE SMITH INSTRUMENTS - OB-6 MODULE - Analog Synthetiser Classic Oberheim Sound — Made Portable The OB-6 desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout. How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world. We’ve also added a poly chain feature so that any two OB-6s can be paired for twelve-voice polyphony! Two Legends. One Instrument The OB-6 is a once-in-a-lifetime collaboration between the two most influential designers in poly synth history, Dave Smith and Tom Oberheim. The OB-6 takes the classic bold Tom Oberheim sound — with its true voltage-controlled oscillators, 2-pole filter, and amplifiers — and adds modern enhancements such as studio-quality effects, a polyphonic step sequencer, an arpeggiator, and more. No other modern analog poly synth can boast such a pedigree or such a massive, in-your-face sonic signature. Vintage SEM Tone The OB-6 sound engine is inspired by Tom’s original SEM, the core of his acclaimed 4-voice and 8- voice synthesizers. It features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice with continuously variable waveshapes (sawtooth and variable-width pulse, plus a triangle wave on oscillator 2). The classic Oberheim-inspired 2-pole, state-variable, resonant filter provides low-pass, high-pass, band-pass, and notch functionality. Voltage-controlled amplifiers complete the all-analog signal path. Dual Effects The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus, flangers, and faithful recreations of Tom’s original phase shifter and ring modulator. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. X-Mod and Poly Step Sequencing Also present is X-Mod, which expands the tonal palette and makes it easy to create dramatic and unconventional sounds. Modulation sources are filter envelope and oscillator 2, both with bi-polar control. Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, and filter mode. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well. Unison mode features configurable voice count (1-6 voices), chord memory, and key modes. Easy to Program The knob-per-function front panel puts virtually all OB-6 functions at your fingertips. Included are 500 permanent factory programs and 500 rewritable user programs. Turning on the Manual button enables live panel mode, in which the sound of the OB-6 switches to its current front panel settings. In this state, what you see is what you hear. Easy to Play This analog powerhouse is packed into a four-octave, semi-weighted keyboard with velocity and channel aftertouch, making it perfect for stage or studio. OB-6 Specifications : OSCILLATORS Two discrete VCOs per voice Continuously variable wave shape (sawtooth and variable-width pulse, plus triangle on oscillator 2) per oscillator Pulse width per oscillator Hard sync: oscillator 1 syncs to oscillator 2 Square wave sub-octave generator (oscillator 1) per voice Low frequency mode (oscillator 2) Keyboard tracking on/off (oscillator 2) Oscillator detune amount for increased tuning instability, from subtle to extreme MIXER Oscillator 1 amount Oscillator 1 sub-octave amount Oscillator 2 amount White noise amount STATE-VARIABLE FILTER Two-pole, resonant, filter per voice with low-pass, high-pass, band-pass, and notch functionality inspired by the original Oberheim SEM filter Bi-polar filter envelope amount Velocity modulation of envelope amount Keyboard tracking: off, half, full FILTER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount AMPLIFIER ENVELOPE Four-stage (ADSR) envelope generator Velocity modulation of envelope amount LOW FREQUENCY OSCILLATOR Five wave shapes: sine, sawtooth, reverse sawtooth, square, and random (sample and hold) Clock sync (internal or external MIDI clock) Initial amount Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, filter cutoff, filter mode, amp X-MOD Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar) Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, filter cutoff, filter mode, normal to bandpass filter AFTERTOUCH Source: channel (mono) aftertouch with bi-polar amount Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, filter envelope amount, filter mode CLOCK Master clock with tap tempo BPM control and display MIDI clock sync ARPEGGIATOR Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note One, two, or three octave range Up, down, up/down, random, and assign modes SEQUENCER Polyphonic step sequencer with up to 64 steps and rests EFFECTS Stereo analog distortion Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade), chorus, flanger, phase shifters, and ring modulator Delay sync True bypass maintains fully analog signal path when digital effects are off PERFORMANCE CONTROLS Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch Backlit pitch and mod wheels Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down) Transpose controls for an 8-octave range Hold switch latches held notes on Polyphonic portamento Unison (monophonic) mode with configurable voice count, from one to all six voices, chord memory, and key modes Manual switch: when on, the front panel is live; what you see is what you hear PATCH MEMORY 500 user and 500 factory programs in 10 banks of 100 programs each Direct program access, including single-button access to the current set of 10 programs IN/OUT Left/mono and right audio outputs (2 x 1/4” phone jack) Headphone output (stereo, 1/4” phone jack) MIDI in, out, and thru ports USB for bidirectional MIDI communication Filter cutoff expression pedal input Volume expression pedal input Sustain footswitch input Sequencer start/stop footswitch input POWER IEC AC power inlet for internal power supply Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 30 watts maximum power consumption PHYSICAL SPECS 31.8” L x 12.7” W x 4.6″ H (80.7 cm x 32.3 cm x 11.7 cm) 20 lbs (9.5 kg) Walnut end panels
Global Audio Store, Revendeur Dave Smith Instruments agréé
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Global Audio Store, Authorized Dave Smith Instruments Dealer
Global Audio Store, Authorized Dave Smith Instruments Dealer
Global Audio Store, Authorized Dave Smith Instruments Dealer