The Apogee DA-16 16 channel digital to analog converter, a powerful and flexible multichannel digital-to-analog converter that renders an accurate soundstage and pristine audio quality in the tradition of Apogee’s award-winning converters. Designed for the latest hard-disk recording systems, the DA-16 “IntelliDAC” offers 16 channels of Apogee quality at an exceptionally affordable price, handling 24-bit D/A conversion at sample rates up to 96 kHz. The converters can source their digital input from either AES/EBU, ADAT optical or TDIF sources, and the unit can then sync to word clock or a specified input. ADAT and TDIF inputs are organized into two groups of eight, and channels 1-8 and 9-16 can have different sources. In addition, the light-pipe inputs accept the Sonorus S/MUX protocol for sample-splitting high-resolution signals into optical interfaces, allowing access to all 16 channels – the first time this protocol has been included on an Apogee converter. The input sample rate is detected automatically, and a two-level “Lock” indicator shows “wide” (up to ±150 degrees) and “narrow” (5 degrees) lock. LEDs indicate signal status on each channel, with the LED intensity modulated by the signal level to give an “analog-like” display. The balanced analog outputs are supplied in groups of eight channels on 25-pin D connectors, in keeping with other Apogee D/A conversion systems using these connectors (the pinout is the same as on Tascam systems). The subtitle “IntelliDAC” relates to the converter’s unique “intelligent” two-stage re-clocking system, a first for Apogee. Apogee converters have traditionally excelled at removing jitter from the incoming clock signal, but for extremely jittery input sources, more control is needed. The DA-16 solves this problem by utilizing two clocks. A fast-responding “read” clock, with a wide locking range, fills a dedicated FIFO buffer, while an ultralow-jitter 'write' clock writes the data out of the buffer, and is used to clock the converters. The advantage of this configuration is that both incoming clock and data are de-jittered. In addition, the system is less sensitive to phase errors between synchronous digital sources. Errors up to plus or minus 150 degrees can be corrected, substantially reducing the chances of glitching, and enabling the DAC to offer superior performance even when the input signal is extremely unstable.Please come and check out this and our full line of analog and digital outboard gear, mixers, microphones and other recording and performing equipment at our showroom;Dynacoustics Pro Audio
inTune Academy of Music
475 Marlboro Road
Old Bridge, NJ 08857
732-526-2155