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musical instrument details
Digico D5 Live Digital Mixing Audio Console Mixer + MADI Digirack + Roadcase
Estimated price for orientation: 19 988 $
Category: Live and Studio Mixers
Class:
Description Brand: DiGiCo Features: See Specs in description Analog/Digital: Digital MPN: Digico Suited For: Front of House (FOH), Monitor, Recording & Live Sound, Stage/Live Sound, Studio/Recording Voltage: 100V - 240V
What's Included?This listing includes:Digico D5 Live ConsoleDust Cover for ConsoleDigico MADI DigiRackRoadcase / Tourcase for ConsolePower cables for Console and DigiRackShipping:Regarding shipping please message us with your nearest airport and seaport to quote both shipping methods for you. If you wish to arrange for shipping yourself, please message us to supply you with details.D5 Live : OverviewThe D5 Live is the digital mixing system that changed the professional audio industry’s perceptions of what a digital console can do, and how it should do it.WorksurfaceThe D5 Live software gives you unparalleled flexibility in configuring your console precisely to suit the show. The control surface consists of three input sections, each with their own dedicated touch screen, 8 faders and 6 individually selectable bank switches allowing multiple user operation. The master section has its own touch screen with 16 Faders plus master and two lots of selectable bank switches for instant access to Groups, Auxes, Matrix and Control Groups.EngineThe Engine itself is integral to the console worksurface, its internal busses can be set up as mono or stereo auxiliaries and mono or stereo or surround busses (the console is fully 5.1-ready as well as for LCR(S), with three joystick surround sound panners for instant sound placement). And you can instantly select a basic set-up for either front-of-house or monitor mixing. With both types of console sharing the same fibre optic loop, automatic Gain Tracking™ allows either console operator to alter input gain without affecting the mix on either console.
All D5 systems includes the digital effects card which allows you to run up to six digital effects per channel simultaneously, including dedicated reverb algorithms, flanging, phasing, double tracking, vocoder, delays, dynamics, compression and equalisation for up to 7.1 surround sound outputs and up to twelve 28 band graphic equalisers.
It also includes the Insertable Processing Channels which provide a total of 32 IPCs, each complete with 6 bands of fully parametric equalisation, a fully featured compressor / limiter and digital delay of up to 512 milliseconds.
In a complete house-and-monitor D5 Live system, Gain Tracking™, a world first for DiGiCo, allows either console operator to change any input gain without affecting the sound balance on either console - Gain Tracking™ is selectable on each channel independently on each console.I/OThe D5 Live has four MADI connections and two Optical (the second optical allowing for a redundant loop) This allows a combination of up to four of any DiGiCo I/O Racks to be used with the console. Thus, giving the ability to connect up to 224 inputs and 224 Outputs.D5 Live : SpecificationsAnalogue inputs
Quantization range
Frequency response
Level linearity deviation
Phase difference between channels
Channel separation
Total harmonic distortion
Maximum input level (at unity gain) mic and line
Microphone equivalent input noise (150 ohm, 60dB gain)
Maximum analogue gain (mic and line)
Mic input impedance
All other analogue inputs impedance’s 24-bits
20Hz-20kHz +/-0.2dB
0dB to –90dB <0.3dB
20Hz to 20 kHz <2 degrees
100Hz to 10kHz >90dB
100Hz to 10kHz <0.004%
+22dBU
-127.5dB
+60dB
>1k ohms
>5k ohms Analogue Outputs Quantization range
Frequency response 20Hz-20kHz
Level linearity deviation 0dB to –90dB
Phase difference between channels 20Hz to 20 kHz
Channel separation 100Hz to 10kHz
Total harmonic distortion 100Hz to 10kHz
Idle channel noise ratio
Maximum output level
Output impedance 24-bits
+/-0.2dB
<0.3dB
<2 degrees
>90dB
<0.004%
<112dB
+22dBU
50 ohms Digital I/O AES/EBU
MADI
OPTICAL
24bit (with sample rate converters)
56 channels of 24 bit audio
512 channel redundant optical loop Clocking Clock sources
InternalExternal 44.1 and 48kHz using a high stability numerically controlled oscillator. With an upgrade option to 96kHzFrom any digital input
Black burst 75ohm video
Wordclock Sample range 30kHz to 50kHz Power requirements ConsoleAudio rack
87 to 260v AC 50/60Hz autosensing.
300 watts max87 to 260v AC 50/60Hz autosensing.
150 watts max Note: All measurements are made with a 22Hz to 22kHz filter and RMS detector. Delay Up to 240mS in0.5mS increments. Channel Equaliser High pass filter
High pass slope
High pass frequency range (-3dB)Low pass filter
Low pass slope
Low pass frequency range (-3Db)High band
Mode 1: Bell
Gain range
Frequency range
Q range
Mode 2: High Shelving
Gain range
Frequency range
Q range
Mode 3: Low Pass
Low pass slope
Low pass frequencyUpper mid band
Gain range
Frequency range
Q range
Lower mid band
Gain range
Frequency range
Q rangeLow band
Mode 1: Bell
Gain range
Frequency range
Q range
Mode 2: Low Shelving
Gain range
Frequency range
Q range
Mode 3: High Pass
High pass slope
High pass frequency
-12dB/octave
20Hz to 20kHz-12dB/octave
200Hz to 20kHz+/-18dB
20Hz to 20kHz
0.1 To 20+/-18dB
20Hz to 20kHz
0.1 to 0.85-12dB/octave
20Hz to 20kHz+/-18dB
20Hz to 20kHz
01. To 20+/-18dB
20Hz to 20kHz
01. To 20+/-18dB
20Hz to 20kHz
0.1 To 20+/-18dB
20Hz to 20kHz
0.1 to 0.85-12dB/octave
20Hz to 20kHzDynamics Compressor
Threshold range
Attack range
Decay range
Ratio range
Gain make up rangeGate
Threshold range
Attack range
Decay range
Hold range
Gate depth rangeOutput buss limiter
Attack time
Threshold range
Release range
-50dB to 0dB
500uS to 100mS
10mS to 10S
1:1 to 50:1
0 to 40dB-50dB to 0dB
50uS to 100mS
5mS to 5S
2mS to 2S
0 to -90dB1 audio sample
0 to –50dB
5mS to 5sEffects Module Dialog box tab effects type name reverb
large reverb in FX1 only
reverb in any/all FX slots halls large hall
clear hall
warm hall
bright hall
stage hallambient hall
live hall
soft hall
vocal hall
small hall plates silky plate
bright plate
hard plate
ambient plate
perc plate rooms wood room
clear room
percussion room
rehearsal room
hard room spaces lounge
kitchen
bathroom
corridor
car
boardroom
factory
subway
courtyard
forest other FX
delay in FX2..FX6
only one delay unit available delays simple delay
studio delay
pingpong
stereo 4 tap
chorus & echo effects public address
phone
thru the wall
congregation
comms choruses in any/all FX2..FX6 choruses piano chorus
strings chorus
strum chorus
pick chorus
lo chorusdeep flange
light flange
vibrato
robo pich shifters in any/all FX2..FX6
pitch dual pitch
stereo pitch
12 string
vox thicken
vox double vocoders in any/all FX2..FX6
vocoder vocoder auto-panners in any/all FX2..FX6 autopan autopan output processing
slots FX5 and/or FX6
mutiband compressor, soft clipping limiter
4 band parametric eq and filters, and normalisation available up to 8 channels wide
mastering processors stereo
LCRS
5.1
7.1 slots FX5 and/or FX6
28 band proportional Q
pairs selectable as stereo graphic equalisers 6 mono
Description
| Brand: | DiGiCo | Features: | See Specs in description |
| Analog/Digital: | Digital | MPN: | Digico |
| Suited For: | Front of House (FOH), Monitor, Recording & Live Sound, Stage/Live Sound, Studio/Recording | Voltage: | 100V - 240V |
What's Included?This listing includes:Digico D5 Live ConsoleDust Cover for ConsoleDigico MADI DigiRackRoadcase / Tourcase for ConsolePower cables for Console and DigiRack
All D5 systems includes the digital effects card which allows you to run up to six digital effects per channel simultaneously, including dedicated reverb algorithms, flanging, phasing, double tracking, vocoder, delays, dynamics, compression and equalisation for up to 7.1 surround sound outputs and up to twelve 28 band graphic equalisers.
It also includes the Insertable Processing Channels which provide a total of 32 IPCs, each complete with 6 bands of fully parametric equalisation, a fully featured compressor / limiter and digital delay of up to 512 milliseconds.
In a complete house-and-monitor D5 Live system, Gain Tracking™, a world first for DiGiCo, allows either console operator to change any input gain without affecting the sound balance on either console - Gain Tracking™ is selectable on each channel independently on each console.I/OThe D5 Live has four MADI connections and two Optical (the second optical allowing for a redundant loop) This allows a combination of up to four of any DiGiCo I/O Racks to be used with the console. Thus, giving the ability to connect up to 224 inputs and 224 Outputs.D5 Live : Specifications
Shipping:Regarding shipping please message us with your nearest airport and seaport to quote both shipping methods for you. If you wish to arrange for shipping yourself, please message us to supply you with details.
D5 Live : OverviewThe D5 Live is the digital mixing system that changed the professional audio industry’s perceptions of what a digital console can do, and how it should do it.WorksurfaceThe D5 Live software gives you unparalleled flexibility in configuring your console precisely to suit the show. The control surface consists of three input sections, each with their own dedicated touch screen, 8 faders and 6 individually selectable bank switches allowing multiple user operation. The master section has its own touch screen with 16 Faders plus master and two lots of selectable bank switches for instant access to Groups, Auxes, Matrix and Control Groups.EngineThe Engine itself is integral to the console worksurface, its internal busses can be set up as mono or stereo auxiliaries and mono or stereo or surround busses (the console is fully 5.1-ready as well as for LCR(S), with three joystick surround sound panners for instant sound placement). And you can instantly select a basic set-up for either front-of-house or monitor mixing. With both types of console sharing the same fibre optic loop, automatic Gain Tracking™ allows either console operator to alter input gain without affecting the mix on either console.All D5 systems includes the digital effects card which allows you to run up to six digital effects per channel simultaneously, including dedicated reverb algorithms, flanging, phasing, double tracking, vocoder, delays, dynamics, compression and equalisation for up to 7.1 surround sound outputs and up to twelve 28 band graphic equalisers.
It also includes the Insertable Processing Channels which provide a total of 32 IPCs, each complete with 6 bands of fully parametric equalisation, a fully featured compressor / limiter and digital delay of up to 512 milliseconds.
In a complete house-and-monitor D5 Live system, Gain Tracking™, a world first for DiGiCo, allows either console operator to change any input gain without affecting the sound balance on either console - Gain Tracking™ is selectable on each channel independently on each console.I/OThe D5 Live has four MADI connections and two Optical (the second optical allowing for a redundant loop) This allows a combination of up to four of any DiGiCo I/O Racks to be used with the console. Thus, giving the ability to connect up to 224 inputs and 224 Outputs.D5 Live : Specifications
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