| | | Presonus Studio 192 Interface and Audio Technica AT4050 Microphone and AKG K271 MKII Studio Monitor | | | This is a no hassle BUY IT NOW listing for your convenience with FREE EXPEDITED SHIPPING in the continental United States! | | | | Brand New Presonus Studio 192 with Full Factory WarrantyAudio Interface and Studio Command CenterRetail Price: $1199.95Includes:
(1) Presonus Studio 192 USB 3.0 Audio Interface
(1) External Power Supply
(1) Operator's Instructions
(1) USB Cable | |
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| | | Description | | The PreSonus Studio 192 USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a single rack space. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 was built for you to create.The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.Audiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.With the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.The Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.The Studio 192 has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 so that they naturally extend your analog inputs both sonically and functionally.The Studio 192 gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, near-zero-latency effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. | | | Features: | Specifications: | | Zero latency monitoring with award-winning StudioLive™ Fat Channel processing on every analog input and the first ADAT inputs.Total integration with Studio One® for multitrack music production, zero-latency monitor mixing with effects, and studio command features. Studio One Artist included.Wireless control over preamp levels, monitor mixing, and speaker switching from UC Surface for iPad and Windows Surface or Studio One Remote for iPad.Ultra low latency, 24-bit, 192 kHz USB 3.0 audio interface (backwards compatible with USB 2.0)Simultaneous I/O up to 26 inputs / 32 outputs (8 x 14 at 192 kHz)Flawless analog signal path with top-quality 118 dB digital conversionIndividual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC SurfaceOnboard talkback micTwo high-volume headphone outs with dedicated DACs for optimal headphone monitoring8 XMAX™ remote controllable mic preamps with individual 48V Phantom Power switching and 85 dB gain range.2 instrument inputs, available via dual-purpose front-panel combo jacks6 balanced line level direct to ADC inputs, available via dual-purpose rear-panel combo jacks8 balanced TRS ¼” outputs for monitor mixing and speaker switchingADAT / Dual SMUX Optical inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHzStereo S/PDIF coaxial input and OutputBNC Wordclock input and output with low-jitter clockingRoad-rugged construction with all-metal chassis and metal knobs1U rack-mountable18 VDC external power supply (included)Studio One® Artist license included, PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 2 GB contentUC Surface for Windows and Mac PCs, Windows 8 touch computers and iPad | Microphone Preamp Type: XLR Female (via Combo), Balanced RemoteMicrophone Preamp Maximum Input level (min. gain, : +12 dBu, +/-0.5 dBMicrophone Preamp Gain Control Range: 60 dB, +/-1 dBMicrophone Preamp Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dBMicrophone Preamp Dynamic Range (min. gain, a-wtd): > 110 dBMicrophone Preamp Dynamic Range (mid. Gain, unwtd): > 105 dBMicrophone Preamp THD+N (min. gain, a-wtd): Microphone Preamp Input Impedance: 1600 OhmMicrophone Preamp EIN (+55 dB gain, 150O input, 20: Microphone Preamp Common Mode Rejection Ratio (1 k: > 55 dBMicrophone Preamp Phantom Power: +48 V, +/- 3 V, > 8mA per channelInstrument Input Type: ¼” TS Female (via Combo), UnbalancedInstrument Input Maximum Input Level (min. gain, 1: +16 dBu +/-0.5 dBInstrument Input Gain Control Range: 60 dB, +/-1 dBInstrument Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dBInstrument Input Dynamic Range (min. gain, a-wtd): > 110 dB dBInstrument Input Dynamic Range (mid. Gain, unwtd): > 105 dBInstrument Input THD+N (1 kHz, -1 dBFS, a-wtd): Instrument Input THD+N (1 kHz, -1 dBFS, un-wtd): Instrument Input Input Impedance: > 1 MOInstrument Input Crosstalk (1 kHz, channel-to-chan: Line Input Type: ¼” TRS Female (via Combo), BalancedLine Input Maximum Input Level (min. gain, 1 kHz@0: + 18 dBu, +/-0.5 dBLine Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dBLine Input Dynamic Range (min. gain, a-wtd): > 114 dBLine Input Dynamic Range (mid. gain, unwtd): > 105 dBLine Input THD+N (1 kHz, -1 dBFS, a-wtd): Line Input Input Impedance: 10 kOhmLine Input Crosstalk (1 kHz, channel-to-channel): Line Output Type: ¼” TRS Female, Impedance BalancedMain Output Type: XLR Male, Impedance BalancedMain and Line Output Maximum Output Level: +18 dBu, +/-0.5 dBMain and Line Output Frequency Response: 20 Hz to 20 kHz, +/-0.2 dBMain and Line Output Dynamic Range (a-wtd): > 112 dBMain and Line Output THD+N (1 kHz, -1 dBFS, un-wtd: Main and Line Output Output Impedance: 51 OhmMain and Line Output Crosstalk (1 kHz, channel-to-: Headphone Output Type: ¼” TRS Female, Stereo, UnbalancedHeadphone Output Maximum Output Level: 150 mW/channel @ 60 OHeadphone Output Frequency Response: 20 Hz to 20 kHz, +/-0.3 dBHeadphone Output Dynamic Range (a-wtd): > 103 dBHeadphone Output THD+N (1 kHz, -1 dBFS, un-wtd): Headphone Output Crosstalk (1 kHz, channel-to-chan: Internal Talkback Microphone Type: Electret CondenserInternal Talkback Microphone Sensitivity: -42 dBSignal Level LEDs: 1: -50 dBFS; 2: -30 dBFS; 3: -20 dBFS; 4: -10 dBFS; 5: -6 dBFS; 6: -4 dBFS; 7: -2 dBFS; Clip: -0.5 dBFSHost Interface: USB 3.0 (backwards compatible to USB 2.0)ADC Dynamic Range (A-wtd, 48 kHz): 118 dBDAC Dynamic Range (A-wtd, 48 kHz): 118 dBBit Depth: 24 bitsInternally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHzADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]S/PDIF I/O: RCA female connections, supported up to 96 kHzWord Clock I/O: BNC connector, 4.5 Vpp @75O loadClock Jitter: Clock Jitter Attenuation: >60 dB (1 ns in => 1 ps out)External Power Adapter: +12 VDC, 3.0A, center positivePower Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm lengthDimensions: 1.75" x 5.5" x 19" (44.45 x 139.7 x 482.6 mm) - 1U rackmountWeight: 4.9 lb. (2.22 kg) | |
| | Brand New Audio Technica AT4050 with Full Factory WarrantyStudio Condenser MicrophoneRetail Price: $895.00Includes:
(1) AT4050 Studio Condenser Microphone
(1) Shock Mount
(1) Dust Cover
(1) Protective Carrying Case | |
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| | | Description | | Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. | | | Features: | Specifications: | | Ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more. Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest qualityDual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphoneThe 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of useThree switchable polar patterns: omni, cardioid, figure-of-eightTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transientsState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standardsSwitchable 80 Hz hi-pass filter and 10 dB padCustom shock mount provides superior isolation | ELEMENT: Externally-polarized (DC bias) condenserPOLAR PATTERNS: Cardioid, Omnidirectional, Figure-of-eightFREQUENCY RESPONSE: 20-18,000 HzLOW FREQUENCY ROLL-OFF: 80 Hz, 12 dB/octaveOPEN CIRCUIT SENSITIVITY: -36 dB (15.8 mV), re 1V at 1 PaIMPEDANCE: 100 ohmsMAXIMUM INPUT SOUND LEVEL: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)NOISE: 17 dBDYNAMIC RANGE (TYPICAL): 132 dB, 1 kHz at Max SPLSIGNAL-TO-NOISE RATIO: 77 dB, 1 kHz at 1 PaPHANTOM POWER REQUIREMENTS: 48V DC, 4.2 mA typicalSWITCHES: Polar selection; Flat, roll-off; 10 dB pad (nominal)WEIGHT: 18.0 oz (510 g)DIMENSIONS: 7.40" (188.0 mm) long, 2.10" (53.4 mm) maximum body diameterOUTPUT CONNECTORS: Integral 3-pin XLRM-typeACCESSORIES FURNISHED: AT8449 shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying caseAUDIO-TECHNICA CASE STYLE: R1 | |
| | Brand New AKG K271 MKII with Full Factory WarrantyClosed Back Studio HeadphonesRetail Price: $299.00Includes:
(1) AKG K271 MKII headphone
(1) Velvet Earpads for headphones
(1) EK300 CABLE
(1) EK500 COILED CABLE
(1) 1/8in to 1/4in Gold-Plated Convertible Jack Adapter |
| | | Description | The K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications.The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. The package includes a 3m (10ft) straight and 5m (16ft) coiled cable.
| | | Features: | Specifications: | | Over-ear design maximum wearing comfort for long work sessionsAdvanced closed technology for high noise insulation, best possible sound reproductionAuto-mute feature mutes headphones when they are taken offSealed design with lowest signal bleeding for vocal and instrument recordings without unwanted spillSelf-adjusting headband for optimum fit and ease of use | Headphone type: Closed-backMax. Input Power: 200 mWAudio Frequency Bandwidth: 16 to 28000 HzSensitivity headphones: 104 dB SPL/VRated Impedance: 55 OhmsEarpads: Detachable cable: YesCable Length: 3 mEarpads Replaceable: YesType: Stereo plug – 3.5mm (1/8-inch) with 6.3 mm (1/4”) screw-on adapterGender: MaleContacts: 3-pinInterface Finish: GoldLength: 110 mmWidth: 205 mmHeight: 200 mmNet Weight: 240 g | |
| | Brand New Hosa MBL-110 with Full Factory WarrantyStandard Microphone CableRetail Price: $13.65Includes:
(1) Hosa 10' Standard Mic Cable |
| | | Description | | Standard 10 ft. Microphone Cable. | | | Features: | Specifications: | | Use to connect mics to mic preamps and mixing consolesBlack connectors disappear on stageA cost-effective solution for light- and medium-duty applications | Length: 10 ft.Conductor: 22 AWG X 2Shield: OFC BraidConnectors: Hosa Pro Black | |
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