World-Wide Shiping Available!    We have a USED PreSonus StudioLive 16.4.2 Digital Mixer, It's clean and fully functional. Send us your City and postal code for an international shipping quote! We ship world wide!   More Than a Mixer—a Complete System You'll never go back to an old-skool analog mixer once you've used StudioLive™. With its incredible signal-processing power on every channel, easy store and recall of every setting, and the ability to record it all with just two mouse clicks, you'll get spoiled fast! Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, it delivers the most creative environment possible for both live performance and studio music production. But StudioLive is not simply a mixer, it's a rapidly growing family of state-of-the-art, integrated hardware-software mixing and recording systems that deliver the features you need for live sound, live recording, and studio recording. The StudioLive 16.4.2 is a great choice for those who want to mix smaller shows and worship services, and it's a great choice for small club systems, portable churches, small bands, corporate applications, educational institutions, and anywhere you want a rack-mount mixer. It's the perfect hardware core for a project studio. Or daisy-chain two StudioLive 16.4.2s to form a 32x4x2 performance and recording console for mid-sized shows and events. Here, in one device, are high-headroom XMAX™ microphone preamplifiers, a built-in FireWire recording and playback interface, more than 90 signal processors, a big library of DSP effects, 6 aux buses, 4 subgroups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback, and more. Yet despite its many controls and features, it's compact, rack-mountable (14U), and easy to transport. Build live mixes that glisten with clarity and detail—then record and enhance the performance with the power of StudioLive 16.4.2. Get creative in the studio. Build mixes, loops, sound effects, and more, then bring them out to your show and mix them with the live performance. Process channels using your favorite plug-ins and completely automate your entire performance. That’s just the start. Control the StudioLive from your Mac, PC, or iPad®. Manage monitor mixes from an iPhone® or iPod touch®. Tune your system to the room and fix feedback problems with integrated ™. StudioLive 16.4.2 revolutionizes music production, opening endless creative possibilities.   Technical Specifications

Microphone Preamp 1-16 (XLR Balanced)
Type	XLR Female, Balanced
Frequency Response to Direct Output	20 Hz to 40 kHz ±0.5 dBu
Frequency Response to Main Output	20 Hz to 20 kHz ±0.5 dBu
Input Impedance (Balanced)	1 kΩ
THD to Direct Output	< 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output	<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
EIN to Direct Output	+125 dB unwtd, +130 dB A-wtd
S/N Ratio to Direct Output	-97 dB
S/N Ratio to Main Output	-94 dB
Common Mode Rejection Ratio	+65 dB
Gain Control Range	-16 dB to +67 dB (± 1 dB)
Maximum Input Level (unity gain)	+16 dBu
Phantom Power	+48 VDC

Line Inputs
Type	¼" TRS Female, balanced mono
Frequency Response to Direct Outputs	10-40 kHz, 0 / -0.5 dBu
Frequency Response to Main Outputs	20-20 kHz, ±0.5 dBu
Input Impedance	10 kΩ
THD to Direct Output	<0.0007%, +4 dBu, 20-20 kHz, unity gain, unwtd
THD to Main Output	<0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
S/N Ratio to Direct Output	-105 dB
S/N Ratio to Main Output	-94 dB
Gain Control Range (±1 dB)	-20 dB to +20 dB
Maximum Input level (unity gain)	+22 dBu

Tape Inputs
Type	¼" TRS Female, balanced mono
Maximum Input Level	+10 dBu

Auxiliary Inputs
Type	¼" TRS Female, balanced (2 stereo pairs)
Maximum Input Level	+22 dBu

Main Outputs
Type	Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
Rated Output Level	+24 dBu
Output Impedance	100Ω

Aux Outputs
Type	¼" TRS Female, balanced (mono)
Rated Output Level	+18 dBu
Output Impedance	100Ω

Subgroup Outputs
Type	¼" TRS Female, balanced (mono)
Rated Output Level	+18 dBu
Output Impedance	100Ω

Tape Outputs
Type	RCA Female, unbalanced (stereo pair)
Rated Output Level	+18 dBu
Output Impedance	100Ω

Control Room Outputs
Type	¼" TRS Female, balanced (stereo pair)
Rated Output Level	+18 dBu
Output Impedance	100Ω

System Crosstalk
Input to Output	-90 dBu
Adjacent Channels	-87 dBu

Noise Gate / Expander
Threshold Range	-84 dB to 0 dB
Attack Time	0.5 ms
Release Time	0.05s to 2s
Expander Attenuation Range	2:1
Noise Gate Attenuation Range	∞

Compressor
Threshold Range	-56 dB to 0 dB
Ratio	1:1 to 14:1
Attack Time	0.2 ms to 150 ms
Release Time	40 ms to 1000 ms
Auto Attack and Release	Attack = 10 ms, Release = 150 ms
Curve Types	hard and soft knee

EQ
Type	2nd-order shelving filter (Q = 0.55)
Low (Lowpass or Bandpass)	36 to 465 Hz, ±15 dB
Low Mid	90 Hz to 1.2 kHz, ±15 dB
High Mid	380 Hz to 5 kHz, ±15 dB
High (Highpass or Bandpass)	1.4 kHz to 18 kHz, ±15 dB

Digital Audio
ADC Dynamic Range (A-wtd, 48 kHz)	118 dB
DAC Dynamic Range (A-wtd, 48 kHz)	118 dB
FireWire	S400, 400 Mb/s
Internal Processing	32-bit, floating point
Sampling Rate	44.1, 48 kHz
A/D/A Bit Depth	24
Reference Level for 0 dBFS	+18 dBu

Clock
Jitter	<20 ps rms (20 Hz - 20 kHz)
Jitter Attenuation	>60 dB (1 ns in ≈ 1 ps out)

Power/Environmental
Connector	IEC
Input-Voltage Range	100 to 240V, 50-60 Hz
Power Requirements (continuous)	100W
Temperature Range	0-40 degrees Celsius

Physical
Length	22.35 inches (568.06 mm)
Width (chassis only)	17.22 inches (437.40 mm)
Width (with rack ears)	19 inches (482.60 mm)
Maximum Height	6.90 inches (175.26 mm)
Weight	23 lbs.

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