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Mistika Real time HD Video Production Editing system AV Edit
Estimated price for orientation: 18 000 $
Category: Image Video and Audio
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition
1 x HP XW8200 Workstaion Rack mount chassis with:- v2.5rc10 1 x DVD r/w Drive 1 x Quad-ROFX4500 Graphics card 2 X 160GB Hard drives 2 x 1 GB Ram 1 x QLA2342 Dual Port 2GB PS Dual channel fibre card DVS SD:64bit PCI-X Oem board for uncompressed YUV - 4:2:2 HDTV I/O for HDTV - 6 BNC connectors, PAL Format, DVi and VGA DVS Centarus Dual Link RGB 4:4:4 I/O HDTV SGO V4.6 Mistika Editing software (with passwords) there is access to test system with software information present 1 x Sony PremierPro SDM-P234/B Widescreen 23" LCD Monitor 1 x Keyboard 1 x Optical Mouse 1x Eonstar ES A16F-G2221 3U 16 Drive Fibre to Sata Drive subsystem 16 x maxtor Maxline III (3) 150HDD 300GB sata Drives 2 x Power supplies 2 x 2Gb Port Fibre Card with 2 SFP Please click to view product information on Eonstar Mistika is a flexible high-end post production system capable of SD, HD, 2K, and stereoscopic 3D with real-time ARRI, RED Camera and other native data workflows. It seamlessly integrates timeline-based editing, conforming, infinite-layer compositing, colour grading and image restoration all in one complete solution, with various toolsets working together in the timeline. Some of Mistika’s Creative Capabilities include: Multilayer 2K/HD/SD editing in real-time; Direct conform from tape and tapeless cameras, data files, r3d, and so forth; Intuitive multi-layer editing for image and audio; Advanced image restoration grain & noise management, including Motion Estimation techniques; Interactive Paint tools; Advanced colour correction in real-time; Real-time compositing in true stereo 3D space, with stereo 3D camera views; Advanced effects, including multilayer keying, filters, key-framing, warp, text, lights, tree display, etc; Optical Flow processing; Multi-mastering to all formats & Advanced Stereoscopic tools.Significantly, Mistika performs all of these functions without the use of any proprietary hardware file formats, storage systems, or processes, resulting in a truly open, versatile and flexible system. Mistika is based on off-shelf hardware, with the top-of-the-range systems utilising standard HP PCs, with Nvidia graphics cards, and SAN. For on-set work Mistika can also run on HP Laptops, providing scene-to-screen workflows. Open & Flexible System Unlike many of its competitors, Mistika employs an open storage policy. Mistika can provide storage for any other product that allows connection to generic file systems. This allows Mistika to be easily integrated into an existing facility, because files of many different formats can be easily exchanged. With Mistika, it is also possible to develop custom scripts to aid integration and automate common functions Technical Capabilities include: 16 bit per channel floating point processes Support for Linux 32bit and 64bit systems Native support for many image file formats 3D LUT support HDR image support Motion Estimation based processing Real-time non-destructive processes for most effects Ability to background process any effect or process that can’t be performed real-timeThe ensuant Speed and Power that this standard hardware provides is outstanding. Mistika’s capabilities include real-time, non-destructive operations without the need for rendering, at 2K resolutions, with multiple layers and multiple creative effects. Mistika can do this because it has been programmed to maximise multiple CPU and multiple thread processing, combined with maximum GPU acceleration. No other post-production system comes close, and the result is unrivalled speed with many effects requiring no processing or rendering whatsoever.
Speed Benchmarks include: Full colour grading of 2K DPX files without rendering Real-time motion estimated slow motion at up to 2K resolution Real-time, full resolution Stereoscopic 3D colour grading, convergence, and effects at up to 2K per channel. Many additional real-time functions, including advanced RED camera workflows – 2D and 3D. The Open Architecture and Open Storage approach of Mistika also enables any third-party systems to have direct access to the system’s storage and files, providing for a truly ‘open’ workflow. Internally, Mistika also uses Open Formats at the highest Bit-depth Quality, with true 16 bit floating point per channel processes, HDR support, 8K+ resolution support, with optical quality processing based on Fourier mathematics. Native File Format support includes many industry standards, from DPX to DNxHD, from TIFF and TGA, to EXR and HDR, from RED r3d to Weinberger, and many, many more.
RAW file camera based projects Mistika can decompress and grade images from RAW camera files, sucj as RED, ARRI, Phantom, CineForm, amongst many others, in real-time without any importing or cross conversion processes. By working directly from the RAW files, Mistika retains access to RAW meta-data, such as exposure, white balance and gamma curve settings, whilst also benefiting from more efficient usage of image storage space. Many other products that claim to support RAW files, do so by first converting the files to their own convenient format, which takes up time for cross conversion, uses more disk space to hold larger files and loses access to the underlying meta-data. One of the strongest features of Mistika is its colour correction functions which can compete with any stand-alone grading system. Combining this grading power with direct and real-time access to RAW files creates an extremely capable and efficient RAW file-based workflow.
Stereoscopic 3D Workflow Mistika has arguably the most advanced and developed Stereo 3D post production tools in the market, which has lead to BSkyB placing it at the core of their workflow for example. Post Facilities companies such as The Framestore, On Sight, BTV Post, Park Road Post, amongst many others, base their stereo 3D strategy upon it. Mistika’s advanced features include optical recognition between left and right cameras to aid the rapid correction of inherent stereo problems, such as camera pairs that are not exactly aligned. Mistika also allows its very strong colour grading functions to be applied to both image streams at the same time, or to just the left or right as need be. Compositing can also be carried out in 3D. Mistika’s real-time stereo tools including colour grading, convergence adjustments and camera error correction, as well as some very advanced features such as retrospective adjustment of the camera’s interocular distance have left the market stunned by its remarkable ability.
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition |
1 x HP XW8200 Workstaion Rack mount chassis with:- v2.5rc10 1 x DVD r/w Drive 1 x Quad-ROFX4500 Graphics card 2 X 160GB Hard drives 2 x 1 GB Ram 1 x QLA2342 Dual Port 2GB PS Dual channel fibre card DVS SD:64bit PCI-X Oem board for uncompressed YUV - 4:2:2 HDTV I/O for HDTV - 6 BNC connectors, PAL Format, DVi and VGA DVS Centarus Dual Link RGB 4:4:4 I/O HDTV SGO V4.6 Mistika Editing software (with passwords) there is access to test system with software information present 1 x Sony PremierPro SDM-P234/B Widescreen 23" LCD Monitor 1 x Keyboard 1 x Optical Mouse 1x Eonstar ES A16F-G2221 3U 16 Drive Fibre to Sata Drive subsystem 16 x maxtor Maxline III (3) 150HDD 300GB sata Drives 2 x Power supplies 2 x 2Gb Port Fibre Card with 2 SFP Please click to view product information on Eonstar Mistika is a flexible high-end post production system capable of SD, HD, 2K, and stereoscopic 3D with real-time ARRI, RED Camera and other native data workflows. It seamlessly integrates timeline-based editing, conforming, infinite-layer compositing, colour grading and image restoration all in one complete solution, with various toolsets working together in the timeline. Some of Mistika’s Creative Capabilities include: Multilayer 2K/HD/SD editing in real-time; Direct conform from tape and tapeless cameras, data files, r3d, and so forth; Intuitive multi-layer editing for image and audio; Advanced image restoration grain & noise management, including Motion Estimation techniques; Interactive Paint tools; Advanced colour correction in real-time; Real-time compositing in true stereo 3D space, with stereo 3D camera views; Advanced effects, including multilayer keying, filters, key-framing, warp, text, lights, tree display, etc; Optical Flow processing; Multi-mastering to all formats & Advanced Stereoscopic tools.Significantly, Mistika performs all of these functions without the use of any proprietary hardware file formats, storage systems, or processes, resulting in a truly open, versatile and flexible system. Mistika is based on off-shelf hardware, with the top-of-the-range systems utilising standard HP PCs, with Nvidia graphics cards, and SAN. For on-set work Mistika can also run on HP Laptops, providing scene-to-screen workflows. Open & Flexible System Unlike many of its competitors, Mistika employs an open storage policy. Mistika can provide storage for any other product that allows connection to generic file systems. This allows Mistika to be easily integrated into an existing facility, because files of many different formats can be easily exchanged. With Mistika, it is also possible to develop custom scripts to aid integration and automate common functions
RAW file camera based projects Mistika can decompress and grade images from RAW camera files, sucj as RED, ARRI, Phantom, CineForm, amongst many others, in real-time without any importing or cross conversion processes. By working directly from the RAW files, Mistika retains access to RAW meta-data, such as exposure, white balance and gamma curve settings, whilst also benefiting from more efficient usage of image storage space. Many other products that claim to support RAW files, do so by first converting the files to their own convenient format, which takes up time for cross conversion, uses more disk space to hold larger files and loses access to the underlying meta-data. One of the strongest features of Mistika is its colour correction functions which can compete with any stand-alone grading system. Combining this grading power with direct and real-time access to RAW files creates an extremely capable and efficient RAW file-based workflow.
Stereoscopic 3D Workflow Mistika has arguably the most advanced and developed Stereo 3D post production tools in the market, which has lead to BSkyB placing it at the core of their workflow for example. Post Facilities companies such as The Framestore, On Sight, BTV Post, Park Road Post, amongst many others, base their stereo 3D strategy upon it. Mistika’s advanced features include optical recognition between left and right cameras to aid the rapid correction of inherent stereo problems, such as camera pairs that are not exactly aligned.
Technical Capabilities include: 16 bit per channel floating point processes Support for Linux 32bit and 64bit systems Native support for many image file formats 3D LUT support HDR image support Motion Estimation based processing Real-time non-destructive processes for most effects Ability to background process any effect or process that can’t be performed real-timeThe ensuant Speed and Power that this standard hardware provides is outstanding. Mistika’s capabilities include real-time, non-destructive operations without the need for rendering, at 2K resolutions, with multiple layers and multiple creative effects. Mistika can do this because it has been programmed to maximise multiple CPU and multiple thread processing, combined with maximum GPU acceleration. No other post-production system comes close, and the result is unrivalled speed with many effects requiring no processing or rendering whatsoever.
Speed Benchmarks include: Full colour grading of 2K DPX files without rendering Real-time motion estimated slow motion at up to 2K resolution Real-time, full resolution Stereoscopic 3D colour grading, convergence, and effects at up to 2K per channel. Many additional real-time functions, including advanced RED camera workflows – 2D and 3D.
The Open Architecture and Open Storage approach of Mistika also enables any third-party systems to have direct access to the system’s storage and files, providing for a truly ‘open’ workflow. Internally, Mistika also uses Open Formats at the highest Bit-depth Quality, with true 16 bit floating point per channel processes, HDR support, 8K+ resolution support, with optical quality processing based on Fourier mathematics. Native File Format support includes many industry standards, from DPX to DNxHD, from TIFF and TGA, to EXR and HDR, from RED r3d to Weinberger, and many, many more. Speed Benchmarks include: Full colour grading of 2K DPX files without rendering Real-time motion estimated slow motion at up to 2K resolution Real-time, full resolution Stereoscopic 3D colour grading, convergence, and effects at up to 2K per channel. Many additional real-time functions, including advanced RED camera workflows – 2D and 3D.
RAW file camera based projects Mistika can decompress and grade images from RAW camera files, sucj as RED, ARRI, Phantom, CineForm, amongst many others, in real-time without any importing or cross conversion processes. By working directly from the RAW files, Mistika retains access to RAW meta-data, such as exposure, white balance and gamma curve settings, whilst also benefiting from more efficient usage of image storage space. Many other products that claim to support RAW files, do so by first converting the files to their own convenient format, which takes up time for cross conversion, uses more disk space to hold larger files and loses access to the underlying meta-data. One of the strongest features of Mistika is its colour correction functions which can compete with any stand-alone grading system. Combining this grading power with direct and real-time access to RAW files creates an extremely capable and efficient RAW file-based workflow.
Stereoscopic 3D Workflow Mistika has arguably the most advanced and developed Stereo 3D post production tools in the market, which has lead to BSkyB placing it at the core of their workflow for example. Post Facilities companies such as The Framestore, On Sight, BTV Post, Park Road Post, amongst many others, base their stereo 3D strategy upon it. Mistika’s advanced features include optical recognition between left and right cameras to aid the rapid correction of inherent stereo problems, such as camera pairs that are not exactly aligned.
Mistika also allows its very strong colour grading functions to be applied to both image streams at the same time, or to just the left or right as need be. Compositing can also be carried out in 3D. Mistika’s real-time stereo tools including colour grading, convergence adjustments and camera error correction, as well as some very advanced features such as retrospective adjustment of the camera’s interocular distance have left the market stunned by its remarkable ability.