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musical instrument details
Allen and Heath GS-R24M
Estimated price for orientation: 5 000 $
Category: Live and Studio Mixers
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Allen & Heath Number of Channels: 32 Analog/Digital: Analog & Digital
This has been lightly used in my home studio and it's condition is like new. It has been treated with TLC and I will be sad to see it go. SERIOUS BUYERS ONLY PLEASE!!! Shipping for both mixer and power supply could cost up to $200 based on where you live as these items are extremely heavy. I will bring to Fed Ex or UPS to get best rate possible. BUYERS ARE RESPONSIBLE FOR SHIPPING COSTS!Studio Mixer with 24 Preamplifiers, 2 Stereo Line , 2 Valve 4-band EQ, Motorized Faders Includes Firewire Card and DAW Control and Power Supply!!!Original ManualLearn more about this product on youtube by searching for GS-R24M!MORE PHOTOS AVAILABLE IF REQUESTEDProduct Description for the Allen & Heath GS-R24 MotorizedGS-R24 combines refined analogue quality with a choice of analogue or Firewire / ADAT interface modules and MIDI control for your chosen Digital Audio Workstation or recording device. Designed to sit at the heart of a busy project studio, GS-R24 has the flexibility and audio excellence to enhance the impact of your recordings, whatever your workflow.The original concept for the GS-R24 was for a larger version of the ZED-R16 with similar routing philosophy, high quality pre-amps and EQ. Interaction with recording musicians and engineers has resulted in many new features being added a full width meterbridge for example, optional interface cards and more flexibility in workflow setup. The GS-R24 is the culmination of many things: exceptional analogue design, super-flexible usability, control and integration with digital workstations, and with an easily removed interface card it can be future-proofed against fast-moving technology, helping it to gain the status of a true modern classic.PreampsGS-R24 benefits from Allen & Heath's ultimate pre-amp design to date. Wide bandwidth, super linear, extremely low noise and precisely controllable - the mono channel pre-amps are open, transparent and accurate. Two thermionic valve pre-amp channels can be used where classic 2nd harmonic warmth can be added or if mild overdriven tones are required without harsh clippingWorkflowThe GS-R24 adapts to the way you like to work. Routing switches for the interface allow the signal sent to the DAW to be sourced either directly from the pre-amp or taken from after the EQ and DAW return (or track return) buttons switch the signal from the DAW into the channel at either the pre-insert point or post EQ. Using these routing switches the GS-R24 can be set up to send a non-EQ'd signal straight from the pre-amp (also using the pre-amp signal as a source for the auxes), providing zero latency monitoring. Alternatively, the record send can be EQ'd with the DAW track switched to the fader - a similar configuration to a traditional "inline" channel path providing a monitor mix on faders sourced from the equivalent of the tape machine replay head. Or the DAW can play straight into the insert point and EQ for equalisation during mixdown.EQWith its fully parametric mids, GS-R24's EQ provides tremendous corrective and creative equalisation. The Q is continuously variable from 0.8 to 6 and the low mid sweep extends down to a super-low 18Hz for controlled band-pass equalisation at bass frequencies. The circuit implemented ensures low noise contribution and minimal distortion at all settings.DAW ControlGS-R24 puts you in control of your DAW. In addition to the MIDI transport controls, there are rotary controllers, switches and a jogwheel to give you easy control of the track pane in the DAW. The 24 channel faders are MIDI enabled for multiple control of DAW levels, and the channel Solo switches can also be used for solo, track arming or muting DAW tracks. On the GS-R24m the channel faders are also motorised so they can follow automated moves recorded to assigned parameters in the DAW.Valve channelsTwo flexible valve channels are provided in addition to the mono and stereo input channels. They can be used as additional microphone pre-amps or with line level signals, or straight from a guitar or instrument pickup. The valve stage can also be fed from a digital track in your DAW and then re-recorded, ideal for warming up a final mix. A retro styled control allows you to dial in just the right amount of 2nd harmonic content from the valve stage so you can achieve sounds from mildly warm to saturated and compressed but avoiding the harshness of solid state overdriveMonitoringThe input channels can be monitored either pre-fade, post fader in stereo, or solo-in-place. This makes the GS-R24 a joy to use during both tracking and mixing processes. There's even 5.1 surround monitoring facilities for producing surround sound mixes. The six auxes mean you can create plenty of artists' cue mixes, while Studio 1 and Studio 2 mixes can be fed by auxes, groups, L-R and Mono outputs.Recording InterfaceA 32 x 32 channel interface module enables easy integration with your DAW or of choice. The interface can be switched in and out of different points in the channel path allowing for different workflows from dry multi-tracking to mixdown, dubbing, processing effects or even using the GS-R24 circuitry as analogue plug-ins in your DAW.Studio Console Power SupplyThe slimline RPS15 power supply unit is a high performance, low noise linear power supply producing DC voltages by rectifying, smoothing and regulating AC voltages from the secondary windings of a mains transformer. Allen & Heath mixing consoles employ a number of DC voltage supply levels in their operation and these are provided at the output of the power supply unit. Full protection and thermal sensing fan cooling ensures the power supply unit will operate consistently.
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Allen & Heath |
| Number of Channels: | 32 | Analog/Digital: | Analog & Digital |
This has been lightly used in my home studio and it's condition is like new. It has been treated with TLC and I will be sad to see it go. SERIOUS BUYERS ONLY PLEASE!!! Shipping for both mixer and power supply could cost up to $200 based on where you live as these items are extremely heavy. I will bring to Fed Ex or UPS to get best rate possible. BUYERS ARE RESPONSIBLE FOR SHIPPING COSTS!Studio Mixer with 24 Preamplifiers, 2 Stereo Line , 2 Valve 4-band EQ, Motorized Faders Includes Firewire Card and DAW Control and Power Supply!!!Original ManualLearn more about this product on youtube by searching for GS-R24M!MORE PHOTOS AVAILABLE IF REQUESTEDProduct Description for the Allen & Heath GS-R24 MotorizedGS-R24 combines refined analogue quality with a choice of analogue or Firewire / ADAT interface modules and MIDI control for your chosen Digital Audio Workstation or recording device. Designed to sit at the heart of a busy project studio, GS-R24 has the flexibility and audio excellence to enhance the impact of your recordings, whatever your workflow.The original concept for the GS-R24 was for a larger version of the ZED-R16 with similar routing philosophy, high quality pre-amps and EQ. Interaction with recording musicians and engineers has resulted in many new features being added a full width meterbridge for example, optional interface cards and more flexibility in workflow setup. The GS-R24 is the culmination of many things: exceptional analogue design, super-flexible usability, control and integration with digital workstations, and with an easily removed interface card it can be future-proofed against fast-moving technology, helping it to gain the status of a true modern classic.PreampsGS-R24 benefits from Allen & Heath's ultimate pre-amp design to date. Wide bandwidth, super linear, extremely low noise and precisely controllable - the mono channel pre-amps are open, transparent and accurate. Two thermionic valve pre-amp channels can be used where classic 2nd harmonic warmth can be added or if mild overdriven tones are required without harsh clippingWorkflowThe GS-R24 adapts to the way you like to work. Routing switches for the interface allow the signal sent to the DAW to be sourced either directly from the pre-amp or taken from after the EQ and DAW return (or track return) buttons switch the signal from the DAW into the channel at either the pre-insert point or post EQ. Using these routing switches the GS-R24 can be set up to send a non-EQ'd signal straight from the pre-amp (also using the pre-amp signal as a source for the auxes), providing zero latency monitoring. Alternatively, the record send can be EQ'd with the DAW track switched to the fader - a similar configuration to a traditional "inline" channel path providing a monitor mix on faders sourced from the equivalent of the tape machine replay head. Or the DAW can play straight into the insert point and EQ for equalisation during mixdown.EQWith its fully parametric mids, GS-R24's EQ provides tremendous corrective and creative equalisation. The Q is continuously variable from 0.8 to 6 and the low mid sweep extends down to a super-low 18Hz for controlled band-pass equalisation at bass frequencies. The circuit implemented ensures low noise contribution and minimal distortion at all settings.DAW ControlGS-R24 puts you in control of your DAW. In addition to the MIDI transport controls, there are rotary controllers, switches and a jogwheel to give you easy control of the track pane in the DAW. The 24 channel faders are MIDI enabled for multiple control of DAW levels, and the channel Solo switches can also be used for solo, track arming or muting DAW tracks. On the GS-R24m the channel faders are also motorised so they can follow automated moves recorded to assigned parameters in the DAW.Valve channelsTwo flexible valve channels are provided in addition to the mono and stereo input channels. They can be used as additional microphone pre-amps or with line level signals, or straight from a guitar or instrument pickup. The valve stage can also be fed from a digital track in your DAW and then re-recorded, ideal for warming up a final mix. A retro styled control allows you to dial in just the right amount of 2nd harmonic content from the valve stage so you can achieve sounds from mildly warm to saturated and compressed but avoiding the harshness of solid state overdriveMonitoringThe input channels can be monitored either pre-fade, post fader in stereo, or solo-in-place. This makes the GS-R24 a joy to use during both tracking and mixing processes. There's even 5.1 surround monitoring facilities for producing surround sound mixes. The six auxes mean you can create plenty of artists' cue mixes, while Studio 1 and Studio 2 mixes can be fed by auxes, groups, L-R and Mono outputs.Recording InterfaceA 32 x 32 channel interface module enables easy integration with your DAW or of choice. The interface can be switched in and out of different points in the channel path allowing for different workflows from dry multi-tracking to mixdown, dubbing, processing effects or even using the GS-R24 circuitry as analogue plug-ins in your DAW.Studio Console Power SupplyThe slimline RPS15 power supply unit is a high performance, low noise linear power supply producing DC voltages by rectifying, smoothing and regulating AC voltages from the secondary windings of a mains transformer. Allen & Heath mixing consoles employ a number of DC voltage supply levels in their operation and these are provided at the output of the power supply unit. Full protection and thermal sensing fan cooling ensures the power supply unit will operate consistently.