In great working condition. Also including the original replaced oem part. The original battery compartment's door cover has the teeth snapped off but an after market second red battery compartment door cover will be included free with this sale. This red sh101 has been modified with the Tubbutec sh1oh1 mod and has the external Stereo Ping controller to control the newly added Tubbutec features. The midi retrofit has been added through the battery compartment to prevent damaging the sh101 with drilled holes. Here is a list of the main features:-Midi in- and output. Can output key presses, arpeggiator and sequencer.-Additional Accent Envelope: Programmable accent for volume and filter with adjustable decay.Additional filter LFO A triangular LFO with the high range of 0.2Hz — 8kHz can modulate the filterAdditional ADSR for filter: Completely independent envelope with adjustable parameters, polarity and looping.Improved Sequencer:now has 32 sequences with 120 Steps eachSong mode: Sequences can be chained to create a “Song” and programmed liveMore sequencer and arp modes: Forward, backward, random, ping-pong,..A lot of midi controllable parameters, velocity can be mapped to 9 different targets including accents, filter and 2nd ADSR:Midi filter, pitch bend, arp and s/h-lfo control, optional midi soft throughClock dividers for internal arp clock and trigger including din-sync compatible dividerSettings via an internal configuration menu or external midi controller.Extra features accessible using the existing SH-101 controlsComes with sticker overlays and all necessary partsEasy to install in any SH-101 and compatible with analogue modsThere is a special microtonal edition: SH-1oh1 µTuneFor a complete list of features please refer to the user manual.overlayskitSome features in more detailACCENTWhile the siblings of the SH-101 – the MC-202 and TB-303 – both have this feature important for many musical styles, it was unfortunately lacking in the SH-101…until now!The SH-1oh1 accent consists of an envelope with a fixed fast attack and a decay adjustable between 1ms and 5s. It can be routed to VCA, filter or both while the amount can be adjusted individually. The accent can be programmed in the sequencer or triggered via midi velocity in various ways.accentenvIMPROVED SEQUENCERThe SH-101’s sequencer has been vastly improved and brought up to date. It now features 32 sequences with 120 steps each. Attributes like accent and/or glide can be programmed for each step.The individual sequences can be switched via the keyboard in multiple ways: Instantaneously or when the running sequence has finished. In both cases sync is maintained.They can also be chained into a complete song making it possible to produce pattern based. A new song can even be programmed while the old one is playing – perfect for jam and live sessions.And of course you don’t need a battery to keep your sequences..seqCLOCK SOURCES AND DIVIDERSThe SH-1oh1 sequencer, arp and ‘Random’ S/H-style lfo can be clocked by multiple sources.The internal LFO or external trigger input, midi clock or midi notes.Additional clock dividers are built in for these clock sources.This means you can for example have the ‘Random’ lfo synced to the internal lfo, while the arp is clocked at half its speed, the sequencer is synced to midi 16th and the ‘Random LFO triggered by an external trigger signal,……clock-flowSound demosThis demo shows the SH-1oh1 improved sequencer with 4 sequences chained to a song (2x A, 2xB, 3xC, 1xD).The sequence contains accent and glide, accent amounts and decay time are adjusted.The additional filter ADSR is briefly demonstrated as well as high frequency filter modulation by the additional lfo.All sounds in this track – including the drums – are SH-1oh1:Bassline: Programmed in sequencer with filter and volume accents, clocked via midiBassdrum / Toms: Filter in self-resonance, 2nd filter envelope with shirt decay for more “pinch”. Volume accent to get louder bassdrum, filter accent to create toms.Snare: Noise. Accent to get a longer snare, without accent shorter snare.Hihats: Noise + Filter in resonance + high freuqency filter LFO. Volume accent with longer decay is used to create open hihat. LFO frequency is changed over time.Lead 1: Played via midi, 2nd filter envelope with long attack. Later an extra high frequency LFO is added and frequency changedLead 2: Played by hand with glideArpeggio: synced over midi, played by hand