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musical instrument details
Gibson Southern Jumbo 1950 guitar FROM JAPAN/512
Estimated price for orientation: 7 800 $
Category: Gibson Southern Jumbo 1950 Guita
Class:
Description Brand: Gibson String Configuration: 6 String Model: Southern Jumbo 1950 MPN: Southern Jumbo 1950 UPC: does not apply
Southern Jumbo started production from 1943 as a high-end model of J-45. As a model representing the Gibson Round Shoulder, it is a popular model that receives tremendous support from Gibson fans along with J-45! Southern jumbo made in 50 years of rare small guard period arrived this time!
Spruce TOP, Mahogany SIDE & BACK, Mahogany NECK, Hakaranda Fingerboard & Bridge (Bridge / Replace), Tapered Head, 19 Fret & Small Guard, Scallop · Bracing, Measured 43 mm Nut, 24.75 inch Scale 16 1/8 inch · Round shoulder.
Sound sounds like Gibson Loudly modestly loud sound! Normally in the scallop / bracing period Gibson is a little tired of becoming muddy and bluesy sound, but although the individuals arriving this time have a sense of spreading sounds like scallop · bracing, the missing is very good, quite It's an offensive sound with open Bright. Sound that sounds like the addition of scallop's spreading feeling added to the sound of the popular high scallop Ballinette and Edge, which is popular in the latter half of the 50's, and it feels so pleasant sound! Because the sounds themselves each have their own preference, it's definitely Kore! Although it can not say, it is an individual with good ringing that you can be sure that "anyone who plays" is ringing!
Condition of instruments is age and there are scratches and feeling of use, aged feeling and repair history. First of all, although the bridge is hakaranda, it is replacing from the original. The center · seam part of the body · top is adhesively repaired from the bridge bottom part to the end part once the one whose mouth has opened. There is also a crack repair of about 10 cm heading upward from the end of the 6 string side. Both repairs have a little rasp on the surface, but firmly glued, reinforcing cleats are struck from the back, so there is no worry about strength. There are also 4 crack repairs in the back. Crack repair of about 3 cm, 8 cm, 10 cm, 15 cm each, but also firmly adhered here, reinforced cleats are struck. Since crack repair of the back sharpens the adhesive surface after bonding, it feels smooth, and I think that it is not conspicuous in the far eye. Others Other bruising scratches, weather checks and peeling of paint are also available, but thinking as a vintage made in 50 years, I think there is no place to worry about collecting.
The neck condition is good and roughly straight, the current string height is set on the 12 frets on the 6th string side 2.9mm, the 1st string side about 2.1mm. There is not much room in the saddle, but it seems that it can be adjusted up to around 2.5-2.0. There is not a place where the fret is dented extremely in the present state, but it is considerably reduced overall, and it is about 50% of the height of the original.
It is a good sounding one that you would like to try for those who place importance on sound!
The case comes with a general-purpose hard case.
SN: 4550-14 ●Condition neck is good
frets About 50%
others:
Total condition: You can check it by listed pics. ●Weight ●Serial No 4550-14 ●Includes hardcase "NOTICE:
About a vintage or used item.
Please buy it, only buyer that understanding below.
There are the rusts and lack of luster of metal department, weather check,
scratches, paint burnt, painting peel off, cracks and dents on body by aged degradation. "
Description
| Brand: | Gibson | String Configuration: | 6 String |
| Model: | Southern Jumbo 1950 | MPN: | Southern Jumbo 1950 |
| UPC: | does not apply |
Southern Jumbo started production from 1943 as a high-end model of J-45. As a model representing the Gibson Round Shoulder, it is a popular model that receives tremendous support from Gibson fans along with J-45! Southern jumbo made in 50 years of rare small guard period arrived this time!
Spruce TOP, Mahogany SIDE & BACK, Mahogany NECK, Hakaranda Fingerboard & Bridge (Bridge / Replace), Tapered Head, 19 Fret & Small Guard, Scallop · Bracing, Measured 43 mm Nut, 24.75 inch Scale 16 1/8 inch · Round shoulder.
Sound sounds like Gibson Loudly modestly loud sound! Normally in the scallop / bracing period Gibson is a little tired of becoming muddy and bluesy sound, but although the individuals arriving this time have a sense of spreading sounds like scallop · bracing, the missing is very good, quite It's an offensive sound with open Bright. Sound that sounds like the addition of scallop's spreading feeling added to the sound of the popular high scallop Ballinette and Edge, which is popular in the latter half of the 50's, and it feels so pleasant sound! Because the sounds themselves each have their own preference, it's definitely Kore! Although it can not say, it is an individual with good ringing that you can be sure that "anyone who plays" is ringing!
Condition of instruments is age and there are scratches and feeling of use, aged feeling and repair history. First of all, although the bridge is hakaranda, it is replacing from the original. The center · seam part of the body · top is adhesively repaired from the bridge bottom part to the end part once the one whose mouth has opened. There is also a crack repair of about 10 cm heading upward from the end of the 6 string side. Both repairs have a little rasp on the surface, but firmly glued, reinforcing cleats are struck from the back, so there is no worry about strength. There are also 4 crack repairs in the back. Crack repair of about 3 cm, 8 cm, 10 cm, 15 cm each, but also firmly adhered here, reinforced cleats are struck. Since crack repair of the back sharpens the adhesive surface after bonding, it feels smooth, and I think that it is not conspicuous in the far eye. Others Other bruising scratches, weather checks and peeling of paint are also available, but thinking as a vintage made in 50 years, I think there is no place to worry about collecting.
The neck condition is good and roughly straight, the current string height is set on the 12 frets on the 6th string side 2.9mm, the 1st string side about 2.1mm. There is not much room in the saddle, but it seems that it can be adjusted up to around 2.5-2.0. There is not a place where the fret is dented extremely in the present state, but it is considerably reduced overall, and it is about 50% of the height of the original.
It is a good sounding one that you would like to try for those who place importance on sound!
The case comes with a general-purpose hard case.
SN: 4550-14 ●Condition neck is good
frets About 50%
others:
Total condition: You can check it by listed pics. ●Weight ●Serial No 4550-14 ●Includes hardcase "NOTICE:
About a vintage or used item.
Please buy it, only buyer that understanding below.
There are the rusts and lack of luster of metal department, weather check,
scratches, paint burnt, painting peel off, cracks and dents on body by aged degradation. "
Spruce TOP, Mahogany SIDE & BACK, Mahogany NECK, Hakaranda Fingerboard & Bridge (Bridge / Replace), Tapered Head, 19 Fret & Small Guard, Scallop · Bracing, Measured 43 mm Nut, 24.75 inch Scale 16 1/8 inch · Round shoulder.
Sound sounds like Gibson Loudly modestly loud sound! Normally in the scallop / bracing period Gibson is a little tired of becoming muddy and bluesy sound, but although the individuals arriving this time have a sense of spreading sounds like scallop · bracing, the missing is very good, quite It's an offensive sound with open Bright. Sound that sounds like the addition of scallop's spreading feeling added to the sound of the popular high scallop Ballinette and Edge, which is popular in the latter half of the 50's, and it feels so pleasant sound! Because the sounds themselves each have their own preference, it's definitely Kore! Although it can not say, it is an individual with good ringing that you can be sure that "anyone who plays" is ringing!
Condition of instruments is age and there are scratches and feeling of use, aged feeling and repair history. First of all, although the bridge is hakaranda, it is replacing from the original. The center · seam part of the body · top is adhesively repaired from the bridge bottom part to the end part once the one whose mouth has opened. There is also a crack repair of about 10 cm heading upward from the end of the 6 string side. Both repairs have a little rasp on the surface, but firmly glued, reinforcing cleats are struck from the back, so there is no worry about strength. There are also 4 crack repairs in the back. Crack repair of about 3 cm, 8 cm, 10 cm, 15 cm each, but also firmly adhered here, reinforced cleats are struck. Since crack repair of the back sharpens the adhesive surface after bonding, it feels smooth, and I think that it is not conspicuous in the far eye. Others Other bruising scratches, weather checks and peeling of paint are also available, but thinking as a vintage made in 50 years, I think there is no place to worry about collecting.
The neck condition is good and roughly straight, the current string height is set on the 12 frets on the 6th string side 2.9mm, the 1st string side about 2.1mm. There is not much room in the saddle, but it seems that it can be adjusted up to around 2.5-2.0. There is not a place where the fret is dented extremely in the present state, but it is considerably reduced overall, and it is about 50% of the height of the original.
It is a good sounding one that you would like to try for those who place importance on sound!
The case comes with a general-purpose hard case.
SN: 4550-14 ●Condition neck is good
frets About 50%
others:
Total condition: You can check it by listed pics. ●Weight ●Serial No 4550-14 ●Includes hardcase "NOTICE:
About a vintage or used item.
Please buy it, only buyer that understanding below.
There are the rusts and lack of luster of metal department, weather check,
scratches, paint burnt, painting peel off, cracks and dents on body by aged degradation. "