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musical instrument details
Pro Tools HD Native Thunderbolt Interface and HD OMNI bundle
Estimated price for orientation: 2 500 $
Category: Avid HD OMNI Digital Recorder hr
Class:
Description Condition: Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Avid Max. Sampling Rate: 24 Bit (192kHz) MPN: 9935-65017-02 Media Type: ADAT Additional Inputs/Outputs: S/PDIF Optical In Mic/Line Input: Line XLR Features: Phantom Power, Built-In Speaker(s) Model: HD OMNI Inputs/Outputs: ADAT In Type: Digital Recorder Max. Number of Channels: 16 Form Factor: Rack Mountable UPC: 724643110659
The Hd Omni Bundle is fully functional with all wires. Mint condition aside from slight scratch on OMNI from placing into rack. THS BUNDLE DOES NOT INCLUDE SOFTWARE & ILOK. The Pro Tools HD Native Thunderbolt Interface and HD OMNI Interface Bundle from Avid is a music and post-production core system that allows the professional to create complex, high-quality audio productions, using the full capabilities of Pro Tools HD software in a lower-cost, native solution.Pro Tools HD and HDX systems deliver both card-based and computer-based DSP, but with an incremental increase in cost. With the Pro Tools HD Native system, a single PCI card handles the mixing and routing duties, with the rest of the DSP processing handled by the computer. Now Avid has taken the card and housed it in a Thunderbolt-equipped chassis for enhanced portability when paired with a Thunderbolt-equipped laptop computer.Pro Tools software has been the industry-standard digital audio production platform for years. Pro Tools HD 11 software tightly integrates the HD Native hardware and computer together as one, delivering performance and reliability, even with large mixes. It includes all the tools, advanced workflows, virtual instruments, and plug-ins needed to compose, record, edit, and mix music and/or sound for picture.The HD OMNI interface can be used to record instrument and vocal performances, while providing dedicated cue mixes for artists and monitoring their performance through a discrete mix. Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. 7.1 mixes can be folded down to almost any channel configuration subset required.Thunderbolt Native SystemHarness the power of your desktop or laptop computer with a Thunderbolt interfaceLow latency and high performance native digital audio workstationCapture and play back audio with pristine clarity using a Pro Tools HD Series interfaceWork with industry-standard Pro Tools HD software in a lower-cost solution for projects that don't require the DSP acceleration of Pro Tools HDXCreate bigger sessions with up to 256 audio tracks and up to 64 channels of I/OGet the ideal tracking experience and set-and-forget direct monitoring with an integrated low-latency monitor modeBoost your capabilities with advanced automation, surround mixing, input monitoring, AFL/PFL solo, destructive punch, and other professional featuresConveniently monitor every detail with the audiophile-grade headphone out, which provides enough gain to drive high impedance headphonesUse AAX Native and RTAS plug-ins, plus Automatic Delay Compensation on hardware and software insertsShare sessions with Pro Tools HDX and Pro Tools HD users without any loss of dataSynchronize to Timecode and video reference, with frame-edge accuracy, when using SYNC HD (sold separately)Take hands-on control over your mixes using Artist Series or Avid Pro Mixing consoles and control surfacesGet total flexibility-work with Mac or Windows, Pro Tools HD or third-party software, and moreHD OMNI24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192 kHzTwo high-quality microphone/DI preampsTwo XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level inputTwo XLR back panel microphone inputsTwo 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)Four analog 1/4" TRS line level back panel inputs (channels 1-4)Soft Clip and Curv limiting circuits to protect against clipping on analog inputEight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gainTwo channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)Front panel stereo 1/4" headphone jackRoute audio independently from Pro Tools with the 14-input persistent monitor mixerEight channels of AES/EBU output (up to 192 kHz Single Wire) using a DB-25 breakout cable (sold separately)Two channels of AES/EBU XLR input (up to 192kHz Single Wire)Two channels of S/PDIF RCA input and output (up to 192kHz)Eight channels of ADAT TOSLink input and outputSupport for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192 kHzSupport for two channels of S/PDIF optical with sample rates of up to 96 kHzReal-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or opticalAdditional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jackFront panel Control Room (MAIN/ALT) and headphone monitoring volume controlFlexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripheralsExternal Clock input and output for synchronizing HD OMNI with external Wordclock devices
Description
| Condition: | Used: An item that has been used previously. The item may have some signs of cosmetic wear, but is fully operational and functions as intended. This item may be a floor model or store return that has been used. See the seller’s listing for full details and description of any imperfections. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Avid |
| Max. Sampling Rate: | 24 Bit (192kHz) | MPN: | 9935-65017-02 |
| Media Type: | ADAT | Additional Inputs/Outputs: | S/PDIF Optical In |
| Mic/Line Input: | Line XLR | Features: | Phantom Power, Built-In Speaker(s) |
| Model: | HD OMNI | Inputs/Outputs: | ADAT In |
| Type: | Digital Recorder | Max. Number of Channels: | 16 |
| Form Factor: | Rack Mountable | UPC: | 724643110659 |
The Hd Omni Bundle is fully functional with all wires. Mint condition aside from slight scratch on OMNI from placing into rack. THS BUNDLE DOES NOT INCLUDE SOFTWARE & ILOK. The Pro Tools HD Native Thunderbolt Interface and HD OMNI Interface Bundle from Avid is a music and post-production core system that allows the professional to create complex, high-quality audio productions, using the full capabilities of Pro Tools HD software in a lower-cost, native solution.Pro Tools HD and HDX systems deliver both card-based and computer-based DSP, but with an incremental increase in cost. With the Pro Tools HD Native system, a single PCI card handles the mixing and routing duties, with the rest of the DSP processing handled by the computer. Now Avid has taken the card and housed it in a Thunderbolt-equipped chassis for enhanced portability when paired with a Thunderbolt-equipped laptop computer.Pro Tools software has been the industry-standard digital audio production platform for years. Pro Tools HD 11 software tightly integrates the HD Native hardware and computer together as one, delivering performance and reliability, even with large mixes. It includes all the tools, advanced workflows, virtual instruments, and plug-ins needed to compose, record, edit, and mix music and/or sound for picture.The HD OMNI interface can be used to record instrument and vocal performances, while providing dedicated cue mixes for artists and monitoring their performance through a discrete mix. Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. 7.1 mixes can be folded down to almost any channel configuration subset required.Thunderbolt Native SystemHarness the power of your desktop or laptop computer with a Thunderbolt interfaceLow latency and high performance native digital audio workstationCapture and play back audio with pristine clarity using a Pro Tools HD Series interfaceWork with industry-standard Pro Tools HD software in a lower-cost solution for projects that don't require the DSP acceleration of Pro Tools HDXCreate bigger sessions with up to 256 audio tracks and up to 64 channels of I/OGet the ideal tracking experience and set-and-forget direct monitoring with an integrated low-latency monitor modeBoost your capabilities with advanced automation, surround mixing, input monitoring, AFL/PFL solo, destructive punch, and other professional featuresConveniently monitor every detail with the audiophile-grade headphone out, which provides enough gain to drive high impedance headphonesUse AAX Native and RTAS plug-ins, plus Automatic Delay Compensation on hardware and software insertsShare sessions with Pro Tools HDX and Pro Tools HD users without any loss of dataSynchronize to Timecode and video reference, with frame-edge accuracy, when using SYNC HD (sold separately)Take hands-on control over your mixes using Artist Series or Avid Pro Mixing consoles and control surfacesGet total flexibility-work with Mac or Windows, Pro Tools HD or third-party software, and moreHD OMNI24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192 kHzTwo high-quality microphone/DI preampsTwo XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level inputTwo XLR back panel microphone inputsTwo 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)Four analog 1/4" TRS line level back panel inputs (channels 1-4)Soft Clip and Curv limiting circuits to protect against clipping on analog inputEight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gainTwo channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)Front panel stereo 1/4" headphone jackRoute audio independently from Pro Tools with the 14-input persistent monitor mixerEight channels of AES/EBU output (up to 192 kHz Single Wire) using a DB-25 breakout cable (sold separately)Two channels of AES/EBU XLR input (up to 192kHz Single Wire)Two channels of S/PDIF RCA input and output (up to 192kHz)Eight channels of ADAT TOSLink input and outputSupport for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192 kHzSupport for two channels of S/PDIF optical with sample rates of up to 96 kHzReal-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or opticalAdditional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jackFront panel Control Room (MAIN/ALT) and headphone monitoring volume controlFlexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripheralsExternal Clock input and output for synchronizing HD OMNI with external Wordclock devices