| | | Audio Technica AT4050 Studio Microphone and Zoom TAC-8 Thunderbolt Interface | | | This is a no hassle BUY IT NOW listing for your convenience with FREE EXPEDITED SHIPPING in the continental United States! | | | | Brand New Audio Technica AT4050 with Full Factory WarrantyStudio Condenser MicrophoneRetail Price: $895.00Includes:
(1) AT4050 Studio Condenser Microphone
(1) Shock Mount
(1) Dust Cover
(1) Protective Carrying Case | |
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| | | Description | | Meet the studio condenser that captures every nuance. With three switchable polar patterns, the large-diaphragm Audio-Technica AT4050 exhibits a remarkable combination of qualities: high-SPL capability with transparent and airy uppers/mids complemented by rich low-end qualities. Its dual large diaphragms are gold-vaporized and aged for consistent, outstanding performance. A precision-machined, nickel-plated brass acoustic element baffle provides rock-solid element stability and exceptional sensitivity. | | | Features: | Specifications: | | Ideal for studio use and live sound productions with vocals, piano, strings, drum overheads, guitar amps, and more. Transparent uppers/mids balanced by rich low-end qualities combine with advanced acoustic engineering for extensive performance capabilities and highest qualityDual-diaphragm capsule design maintains precise polar pattern definition across the full frequency range of the microphoneThe 2-micron-thick, vapor-deposited gold diaphragms undergo a five-step aging process so that the optimum characteristics achieved remain constant over years of useThree switchable polar patterns: omni, cardioid, figure-of-eightTransformerless circuitry virtually eliminates low-frequency distortion and provides superior correlation of high-speed transientsState-of-the-art surface-mount electronics ensure compliance with A-T's stringent consistency and reliability standardsSwitchable 80 Hz hi-pass filter and 10 dB padCustom shock mount provides superior isolation | ELEMENT: Externally-polarized (DC bias) condenserPOLAR PATTERNS: Cardioid, Omnidirectional, Figure-of-eightFREQUENCY RESPONSE: 20-18,000 HzLOW FREQUENCY ROLL-OFF: 80 Hz, 12 dB/octaveOPEN CIRCUIT SENSITIVITY: -36 dB (15.8 mV), re 1V at 1 PaIMPEDANCE: 100 ohmsMAXIMUM INPUT SOUND LEVEL: 149 dB SPL, 1 kHz at 1% T.H.D.; 159 dB SPL, with 10 dB pad (nominal)NOISE: 17 dBDYNAMIC RANGE (TYPICAL): 132 dB, 1 kHz at Max SPLSIGNAL-TO-NOISE RATIO: 77 dB, 1 kHz at 1 PaPHANTOM POWER REQUIREMENTS: 48V DC, 4.2 mA typicalSWITCHES: Polar selection; Flat, roll-off; 10 dB pad (nominal)WEIGHT: 18.0 oz (510 g)DIMENSIONS: 7.40" (188.0 mm) long, 2.10" (53.4 mm) maximum body diameterOUTPUT CONNECTORS: Integral 3-pin XLRM-typeACCESSORIES FURNISHED: AT8449 shock mount for 5/8"-27 threaded stands; microphone dust cover; protective carrying caseAUDIO-TECHNICA CASE STYLE: R1 | |
| | Brand New Zoom TAC-8 with Full Factory WarrantyRackmountable Thunderbolt Audio ConverterRetail Price: $849.99Includes:
(1) Zoom TAC-8 Rackmountable Thunderbolt Audio Converter
(1) AD-19 AC adapter
(1) Steinberg Cubase LE software online download
(1) Operator's Instructions | | | Click on an image to open in new window |
| | | Description | The rack-mountable TAC-8 audio interface is designed to act as the central hub in both professional and home environments. It provides 8 analog inputs and 10 analog outputs, 10 digital inputs and outputs (in both S/PDIF and ADAT Optical formats), and both Word Clock and MIDI I/O.Whether you want to record large scale multi-channel 24-bit/192k sessions in your studio without worrying about latency or you want to bring your onstage performance to new heights, the TAC-8 allows you to take full advantage of today's latest technology.Recording
With 8 analog inputs, 10 digital inputs, and the ability to record and play back 8 channels simultaneously, the TAC-8 allows you to record what you want, when you want. Lay down full backing tracks—drums, bass, guitar, keyboards, even vocals—at the same time, or go big with an 8-mic drum setup, or anything in-between. Thunderbolt's speed ensures you won’t have to deal with latency issues, and the TAC-8's built-in software mixer and flexible output options let you customize each session to your needs.On Stage
Whether you're a one-man band with an epic onstage rig or your laptop is serving as the central hub for multiple musicians accessing software effects and virtual instruments, the TAC-8 allows you to fully customize your performance setup according to your needs. Simply connect it to your computer with a Thunderbolt cable and then connect the rear panel TRS outputs to your mixing board or PA system. Wherever you play, you can count on your TAC-8 to deliver the ultimate in high quality audio.Thunderbolt Speed.
Revolutionary Recording.
Thunderbolt technology opens up new doors for creators. More than twice as fast as USB 3.0—not to mention twenty times faster than USB 2.0 and twelve times faster than Firewire 800—Thunderbolt is the interconnection technology of the future. Co-developed by Apple and Intel Labs, it allows signal to be transferred at an incredibly fast 10 gigabits per second, which means virtually no latency. Thunderbolt interfaces such as the TAC-8 are also unaffected by computer jitter (slight variations in timing).Analog I/O
The TAC-8 provides a wide variety of both analog and digital connectors. Eight front panel combo XLR/TRS inputs accept mic- and line-level signals. Inputs 1 and 2 can also accept instrument-level signal from electric guitars and basses. Dedicated input gain controls and Clip LEDs make it easy to set optimum input levels, and a Phantom Power switch enables the use of condenser microphones.Dual balanced analog ¼" TRS output jacks allow you to connect the TAC-8 to amplifiers or self-powered speakers, and there are also 8 discrete balanced TRS analog line outputs for multichannel monitoring or connection to external effects devices. A large front-panel Output knob offers fast control over output level, and there are two independent ¼" stereo headphone jacks, each with its own dedicated volume control, for private monitoring.Digital I/O
The TAC-8 provides 10 channels of digital inputs and outputs, including 8 channels of I/O on ADAT Optical connectors and an additional 2 channels on S/PDIF connectors. In addition, Word Clock I/O enables the TAC-8 to be easily integrated into any system.In addition, MIDI In and Out allow electronic keyboards, sequencers, and drum machines to be connected to the TAC-8, with Thunderbolt speed ensuring precise audio and MIDI sync.Additional features
In standalone mode, the TAC-8 can be used as an 8-channel mic preamp and analog-to-digital or digital-to-analog converter without being connected to a computer. The TAC-8 performs 4-times upsampling during both analog-to-digital and digital-to-analog conversion. In other words, when the sampling frequency is set to 44.1kHz or 48kHz, the signal is processed at high resolution 176.4kHz or 192kHz, respectively. For A/D conversion, this means less aliasing noise; for D/A conversion, this means increased clarity and fidelity. | | | Features: | Specifications: | | 18-in/20-out high speed Thunderbolt™ audio interfaceRecord and play back 8 tracks simultaneouslyStandalone mode allows use as an 8-channel mic preamp and A/D or D/A converter without connection to a computerSupport for up to 24-bit/192kHz high-definition audioNear-zero latency audio streaming8 combo balanced XLR/TRS analog input connectors accept both mic and line-level signalHigh-performance mic preamps with up to +60dB of amplificationHi-Z switches allow direct connection of electric guitar or bass (INPUT1, INPUT2)Independent gain controls and clip LEDs for each inputSwitchable +48V phantom power (INPUTS 1-4, INPUTS 5-8)10 balanced TRS output jacks for connection to mixers, amplifiers, self-powered speakers, or effects devicesDual front-panel 1/4" headphone outputs with dedicated volume controlsLarge knob output volume control4x upsampling during A/D and D/A conversion for reduced noise and enhanced fidelityAsynchronous transfer system unaffected by computer jitterS/PDIF IN/OUT: 2IN / 2OUT, up to 24-bit/192kHz audio resolutionADAT Optical IN/OUT: 2 IN / 2 OUT at 192/176.4kHz(S/MUX4 compatible), 4 IN/4 OUT at 96/88.2kHz(S/MUX compatible), 8 IN / 8 OUT at 48/44.1kHzWord Clock in/out Clock source indicatorMIDI in/outRack-mountable (1U space)Robust metal housingWorks with all Thunderbolt-equipped Macintosh computers running OS X 10.8.5 or later | Input Connectors: XLR/TRS combo jacks, (XLR: 2 hot, TRS: TIP hot)Input gain: 0--60 dB (1 dB steps)Input impedance: 5 kOhm, 1 MOhm (When IN1/IN2 Hi-Z on)Maximum input level: +13 dBu (XLR at 0 dBFS), +21 dBu (TRS at 0 dBFS)Phantom power: +48 VOutput L/R Connectors: TRS jacks (balanced)LINE Maximum output level: +14 dBu (at 0 dBFS)LINE Output impedance: 150 OhmPHONES 1/2 Connectors: Standard stereo phone jacks, 20 mW × 2 (into 32 Ohm load)PHONES Maximum output level: +10 dBuPHONES Output impedance: 33 OhmADAT OPTICAL Connectors: ADAT Optical (lightpipe), 8 IN/OUT: 44.1 kHz/48 kHz, 4 IN/OUT: 88.2kHz/96kHz, S/MUX compatible, 2 IN/OUT: 176.4kHz/192kHz, S/MUX4 compatibleS/PDIF Connectors: RCA (coaxial)S/PDIF Supported sampling frequencies: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHzWORD CLOCK Connectors: BNCWORD CLOCK Supported sampling frequencies: 44.1 / 48 / 88.2 / 96 / 176.4 / 192 kHzWORD CLOCK Output impedance: 75 OhmFrequency characteristics: 44.1 kHz: -1.0 dB, 20 Hz--20 kHz, 96 kHz: -1.0 dB, 20 Hz--40 kHz, 192 kHz: -1.0 dB, 20 Hz--60 kHzInput conversion noise: Measured EIN: 125 dB (IHF-A) at 60dB, 150O inputDynamic range: AD: 120 dB typical (IHF-A) DA: 120 dB typical (IHF-A)Sampling frequencies: 192 kHz, 176.4 kHz, 96 kHz, 88.2 kHz, 48 kHz, 44.1 kHzBit depth: 24-bitInterface: Thunderbolt™MIDI IN/OUT: 5-pin DIN jacksPower supply: AD-19 DC12V 2A AC adapterExternal dimensions: 6.2 in. (D) × 19 in. (W) × 1.8 in. (H), 157.65 mm (D) × 482.6 mm (W) × 46.03 mm (H)Weight (main unit only): 4.4 pounds / 2.01 kg | |
| | Brand New Hosa MBL-110 with Full Factory WarrantyStandard Microphone CableRetail Price: $13.65Includes:
(1) Hosa 10' Standard Mic Cable |
| | | Description | | Standard 10 ft. Microphone Cable. | | | Features: | Specifications: | | Use to connect mics to mic preamps and mixing consolesBlack connectors disappear on stageA cost-effective solution for light- and medium-duty applications | Length: 10 ft.Conductor: 22 AWG X 2Shield: OFC BraidConnectors: Hosa Pro Black | |
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