Storico Mixer Analogico della Mackie, il 24-8 con 8 Bus Mixing Console.Un classico che ha registrato molti dischi di platino su produzioni major che probabilmente avete ascoltato. Una sicurezza.
L'oggetto è stato utilizzato in studio, no smoke.
Ricordo che è un MADE in USA e che lo fornisco COMPLETO DEL SUO ALIMENTATORE e PERFETTAMENTE FUNZIONANTE IN OGNI SUA PARTE, qualsiasi prova, niente che non funzioni come dovrebbe, niente fruscii strani, niente di tutto questo.
il mixer è chiaramente usato come da foto, è un massiccio made in usa come dicevo e se volete foto di particolari chiedetemele sarà felice di mandarvele.ottimo il ritiro a mano in zona padova, treviso, vicenza, venezia, visto il peso e l'ingombro dell'oggetto.
in caso di spedizione, assicuro naturalmente imballo impeccabile.qui sotto un pò di dettagli tecnici:
The 8.Bus series was designed to eliminate the last barrier between you and audio creativity - the 32.8, 24.8 are capable of sound quality equal to or better than that of $100,000 consoles.8.Bus consoles have recorded more platinum albums and major motion picture soundtracks than any other mixer in their class - they set the standard for affordable 8-bus consoles.Excellent for project studios and digital multitrack recording, when combined with digital multitrack or hard disk recording systems, a Mackie 8.Bus console can create not just major label CDs, but major motion picture soundtracks and network quality commercials.Features include low-noise/high-headroom mic preamps on every channel, as well as channel inserts and direct outs. In the channel strip you'll find Mackie's truly musical EQ - with Hi and Lo shelving EQ, parametric Hi-Mid, and sweepable Low-Mid EQ - as well as our Low Cut Filter, which allows you to eliminate mic thumps and room rumble from your mix, and use your EQ for music and vocals.With Mix B, "in-line monitoring" is a breeze. Six aux sends and six aux returns allow you to use all the effects you want. And the 8.Bus'scomplete talkback and phones level controls make communicating with the talent a snap. There's much more:When you get right down to it, the8.Bus series of recording consoles is a value at many times the price. The fact that artists and producers of every shape and size have sworn by them means when you buy an 8.Bus you'll be in good company.Features:

Available in 32, and 24 channel consoles
Loads of outputs for easy multitracking
Mackie's premium mic preamps on every channel (with phantom power for use with condenser mics)
100mm log-taper faders for consistently smooth fades
EQ: Full parametric Hi-Mid w/separate band center & "Q" controls, swept Lo-Mid, and Hi & Lo shelving EQ
Low Cut Filter (18dB/oct @ 75Hz) on every channel
6 stereo (2 assignable) aux returns
Extensive routing capabilities

Specifications:Noise:

Measured 20Hz to 20kHz bandwidth Tape Returns selected, no EQ, Channel Pans alternating L/R, L/R. "Faders up" refers to Unity gain, 0dBu position.

Output Noise: Main L/R or Submaster:

Master fader down:Noise: 101dBu
Master fader up:Channels Assigned: 24Channel Faders: down (mix noise)Noise: -90dBu
Master fader up:Channels Assigned: 24Channel Faders: upNoise: -86dBu
+4dBu operating level signal-to-noise ratio:Noise: >90dB

Total Harmonic Distortion:

1kHz @ + 14dBu measured 20Hz-20kHz, mic input, 1 channel assigned
Direct output: 0.0013% typical
L/R Mix output: 0.0014% typical
Submaster output: 0.0015% typical

Crosstalk:

1kHz measured relative to 0dBu, measured 20Hz to 20kHz.
Line In to Adjacent Channel: -91dBu
Channel Fader down:L/R Mix Output: -95dBuSubmaster Output: -96dBu
Channel muted:L/R Mix Output: -95dBuSubmaster Output: -96dBu
Channel un-assigned:L/R Mix Output: -91dBuSubmaster Output: -95dBu
Adjacent Channel assigned:L/R Mix Output: -92dBuSubmaster Output: -94dBu
Panpot attenuation:L/R Mix Output: -87dBuSubmaster Output: -87dBu

Frequency Response:

20Hz to 60kHz, any input to any output: +0/-1dB
10Hz to 120kHz, any input to any output: +0dB/-3dB

E.I.N.:

Mic input, 150 ohm termination, 20Hz-20kHz: 129.5dBm
Mic input, shorted, 20Hz-20kHz: -136dBV

C.M.R.R.:

Mic input, max gain, 1kHz: 83dB

Maximum Levels:

Mic input: +14dBu
All other inputs: +22dBu
L/R Mix balanced output: +28dBu
All other outputs: +22dBu

Impedances:

Microphone input: 1.5 kohms
Channel insert return: 2.5 kohms
All other inputs: 10 kohms or greater
All outputs: 120 ohms

Equalization:

Hi-Mid:Type: full parametric (Q) variable from 1/12 to 3 oct.Range: 500Hz-18kHzBoost/Cut: +/-15dB
Lo Mid:Type: sweptRange: 45Hz-3kHzBoost/Cut: +/-15dB
Hi:Type: shelvingRange: 12kHzBoost/Cut: +/-15dB
Lo:Type: shelvingRange: 80HzBoost/Cut: +/-15dB
Lo Cut:Type: HP filterRange: 75HzBoost/Cut: 18dB/oct. slope (Tchebechev)

8.Bus Power Supply:

Power Consumption: 400 watts
Output:+18V: 3.5A-18V: 3.5A+48V: 250MA+12V: 1.5A+5V: 3A
Weight: 24 pounds not including power cable.
Dimensions (HxWxD): 3.35" (85mm) x 19.00" (483mm) x 10.08" (256mm)