| | | Presonus Studio 192 Recording Interface with AKG C414 XL II Multi-Pattern Microphone | | | This is a no hassle BUY IT NOW listing for your convenience with FREE EXPEDITED SHIPPING in the continental United States! | | | | Brand New AKG C414 XL II with Full Factory Warranty9 Pattern Studio Condenser MicrophoneRetail Price: $1379.00Includes:
(1) AKG C414 XL II Condenser Microphones
(1) H85 Spider Suspension
(1) W 414 Windscreen
(1) Metal Carrying Case | | | Click on an image to open in new window |
| | | Description | | The C 414 XL II is the successor of the famous C 414 B-TL II. It shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivalled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking.The XL II version differs from the XLS version in one major respect - the capsule. Both, the slight presence boost and the impressive spatial reproduction is similar to the legendary C 12 microphones.For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications and ease of use to answer requests from ever-demanding recording studios, broadcast stations and audio engineers. | | | Features: | Specifications: | | AKG C 414 - A legend since 1971Nine selectable pickup patterns enables to choose the perfect setting for every applicationLock Mode: all controls can be disabled easily for trouble-free usePeak Hold LED even detects shortest overload peaksIncredible Dynamic Range of 152 dBThree switchable different bass cut filters and three pre-attenuation levelsLeading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moistureDesigned, Engineered and Built in Vienna, Austria | Polar pattern: Omnidirectional, wide cardioid, cardioid, hypercardioid, figure eight and 4 intermediate settingsFrequency range: 20 to 20,000 HzSensitivity: 20 mV/Pa (-34 dBV) ± 0.5 dBMax. SPL: 200/400/800/1600 Pa = 140/146/152/158 dB (0/-6/-12/-18 dB) for 0.5% THDEquivalent noise level: 6 dB-A (0 dB preattenuation) (IEC 60268-4)Signal/noise ratio (A-weighted): 88 dBPreattenuation pad: 0 dB, -6 dB, -12 dB, -18 dB, switchableBass cut filter slope: 12 dB/octave at 40 Hz and 80 Hz; 6 dB/octave at 160 HzImpedance: Recommended load impedance: >= 2,200 ohmsSupply voltage: 48 V phantom power to DIN/IECPowering: approximately 4 mAConnector: 3-pin XLR to IECFinish: dark grey/goldDimensions: 50 x 38 x 160 mm (2.0 x 1.5 x 6.3 in.)Net weight: 300 g (10.6 oz.)Patent(s): Electrostatic transducer (Patent no. AT 395.225, DE 4.103.784, JP 2.815.488) | |
| | Brand New Presonus Studio 192 with Full Factory WarrantyAudio Interface and Studio Command CenterRetail Price: $1199.95Includes:
(1) Presonus Studio 192 USB 3.0 Audio Interface
(1) External Power Supply
(1) Operator's Instructions
(1) USB Cable | |
Click on an image to open in new window |
| | | Description | | The PreSonus Studio 192 USB 3.0 audio interface delivers exceptional sonic fidelity, flexible connectivity, and professional monitoring and mixing controls in a single rack space. Whether you’re a producer, an audio engineer, an independent band, a sound designer, or all of the above, your Studio 192 was built for you to create.The Studio 192 is designed to be the central hub for any project or professional studio. The onboard talkback mic can be routed to any mix. Onboard Dim and Mono options let you take control of your main mix. Listen to any mix from either headphone amp. Use the ten balanced outputs for monitor mixing, speaker switching, or both, depending on how you work. With its flexible software and abundant I/O, the Studio 192 fits into any recording and production environment.Audiophile-grade digital converters, ultra-low jitter clocking, and recallable preamps add up to a superior recording and listening experience. The Studio 192 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide 118 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our recallable XMAX™ microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you’ll hear every breath, transient, and detail in your recordings.With the Studio 192, your audio interface is an integrated extension of your recording environment. Launch Studio One 3, and you’ll find full preamp control and zero-latency monitor-mix functions integrated into your recording environment. Our hybrid Fat Channel plug-in runs on the Studio 192’s DSP and in Studio One on your computer so you can record and monitor with Studio 192-based processing and seamlessly switch to the Studio One Fat Channel for playback. Need to track away from your computer? Launch Studio One Remote on your iPad®.The Studio 192’s onboard features can also be controlled in PreSonus’ free UC Surface control software, so even if you use third-party recording software, you can remotely access them. UC Surface has rapidly won accolades for an intuitive mixing interface that provides quick access to everything you need to create quality monitor mixes.Adding just the right amount of effects and processing to a monitor mix can make a huge difference in a musician’s ability to experience their performance naturally. To that end, the Studio 192 provides sixteen instances of Studio One’s Fat Channel plug-in, one for every analog input and the first ADAT inputs, plus a stereo reverb and delay. The result is a better performance and a better recording.The Studio 192 has 18 digital inputs and outputs, allowing you to add more analog I/O when you need it. The DigiMax DP88 preamp/converter was designed to seamlessly extend the analog I/O on the Studio 192 with eight digitally-controlled XMAX preamps, ADAT I/O support up to 96 kHz, direct analog inputs, DAC outputs, and word clock I/O. Its mic preamps are fully remote-controllable from UC Surface, Studio One, and Studio One Remote when connected via ADAT Lightpipe to the Studio 192 so that they naturally extend your analog inputs both sonically and functionally.The Studio 192 gives you a powerful combination audio interface and studio command center. With pristine audio up to 192 kHz, near-zero-latency effects, remote-controllable preamps, monitor mixing, speaker switching, a headphone amp, and unprecedented Studio One integration, it gives you a portable recording solution like no other. | | | Features: | Specifications: | | Zero latency monitoring with award-winning StudioLive™ Fat Channel processing on every analog input and the first ADAT inputs.Total integration with Studio One® for multitrack music production, zero-latency monitor mixing with effects, and studio command features. Studio One Artist included.Wireless control over preamp levels, monitor mixing, and speaker switching from UC Surface for iPad and Windows Surface or Studio One Remote for iPad.Ultra low latency, 24-bit, 192 kHz USB 3.0 audio interface (backwards compatible with USB 2.0)Simultaneous I/O up to 26 inputs / 32 outputs (8 x 14 at 192 kHz)Flawless analog signal path with top-quality 118 dB digital conversionIndividual stereo main balanced outputs with mono, dim, mute, output metering and level control accessible from front-panel and UC SurfaceOnboard talkback micTwo high-volume headphone outs with dedicated DACs for optimal headphone monitoring8 XMAX™ remote controllable mic preamps with individual 48V Phantom Power switching and 85 dB gain range.2 instrument inputs, available via dual-purpose front-panel combo jacks6 balanced line level direct to ADC inputs, available via dual-purpose rear-panel combo jacks8 balanced TRS ¼” outputs for monitor mixing and speaker switchingADAT / Dual SMUX Optical inputs/outputs: 16x16 channels at 44.1 or 48 kHz; 8x8 channel at 88.2 or 96 kHzStereo S/PDIF coaxial input and OutputBNC Wordclock input and output with low-jitter clockingRoad-rugged construction with all-metal chassis and metal knobs1U rack-mountable18 VDC external power supply (included)Studio One® Artist license included, PreSonus’ revolutionary digital audio workstation for Mac and Windows, with unlimited track count and 2 GB contentUC Surface for Windows and Mac PCs, Windows 8 touch computers and iPad | Microphone Preamp Type: XLR Female (via Combo), Balanced RemoteMicrophone Preamp Maximum Input level (min. gain, : +12 dBu, +/-0.5 dBMicrophone Preamp Gain Control Range: 60 dB, +/-1 dBMicrophone Preamp Frequency Response (A-D): 10 Hz to 40 kHz, +/-0.2 dBMicrophone Preamp Dynamic Range (min. gain, a-wtd): > 110 dBMicrophone Preamp Dynamic Range (mid. Gain, unwtd): > 105 dBMicrophone Preamp THD+N (min. gain, a-wtd): Microphone Preamp Input Impedance: 1600 OhmMicrophone Preamp EIN (+55 dB gain, 150O input, 20: Microphone Preamp Common Mode Rejection Ratio (1 k: > 55 dBMicrophone Preamp Phantom Power: +48 V, +/- 3 V, > 8mA per channelInstrument Input Type: ¼” TS Female (via Combo), UnbalancedInstrument Input Maximum Input Level (min. gain, 1: +16 dBu +/-0.5 dBInstrument Input Gain Control Range: 60 dB, +/-1 dBInstrument Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dBInstrument Input Dynamic Range (min. gain, a-wtd): > 110 dB dBInstrument Input Dynamic Range (mid. Gain, unwtd): > 105 dBInstrument Input THD+N (1 kHz, -1 dBFS, a-wtd): Instrument Input THD+N (1 kHz, -1 dBFS, un-wtd): Instrument Input Input Impedance: > 1 MOInstrument Input Crosstalk (1 kHz, channel-to-chan: Line Input Type: ¼” TRS Female (via Combo), BalancedLine Input Maximum Input Level (min. gain, 1 kHz@0: + 18 dBu, +/-0.5 dBLine Input Frequency Response (A-D): 20 Hz to 20 kHz, +/-0.2 dBLine Input Dynamic Range (min. gain, a-wtd): > 114 dBLine Input Dynamic Range (mid. gain, unwtd): > 105 dBLine Input THD+N (1 kHz, -1 dBFS, a-wtd): Line Input Input Impedance: 10 kOhmLine Input Crosstalk (1 kHz, channel-to-channel): Line Output Type: ¼” TRS Female, Impedance BalancedMain Output Type: XLR Male, Impedance BalancedMain and Line Output Maximum Output Level: +18 dBu, +/-0.5 dBMain and Line Output Frequency Response: 20 Hz to 20 kHz, +/-0.2 dBMain and Line Output Dynamic Range (a-wtd): > 112 dBMain and Line Output THD+N (1 kHz, -1 dBFS, un-wtd: Main and Line Output Output Impedance: 51 OhmMain and Line Output Crosstalk (1 kHz, channel-to-: Headphone Output Type: ¼” TRS Female, Stereo, UnbalancedHeadphone Output Maximum Output Level: 150 mW/channel @ 60 OHeadphone Output Frequency Response: 20 Hz to 20 kHz, +/-0.3 dBHeadphone Output Dynamic Range (a-wtd): > 103 dBHeadphone Output THD+N (1 kHz, -1 dBFS, un-wtd): Headphone Output Crosstalk (1 kHz, channel-to-chan: Internal Talkback Microphone Type: Electret CondenserInternal Talkback Microphone Sensitivity: -42 dBSignal Level LEDs: 1: -50 dBFS; 2: -30 dBFS; 3: -20 dBFS; 4: -10 dBFS; 5: -6 dBFS; 6: -4 dBFS; 7: -2 dBFS; Clip: -0.5 dBFSHost Interface: USB 3.0 (backwards compatible to USB 2.0)ADC Dynamic Range (A-wtd, 48 kHz): 118 dBDAC Dynamic Range (A-wtd, 48 kHz): 118 dBBit Depth: 24 bitsInternally Supported Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192 kHzADAT Optical I/O: ADAT/SMUX II formats supported [16x16 (44.1/48 kHz), 8x8 (88.2/96 kHz)]S/PDIF I/O: RCA female connections, supported up to 96 kHzWord Clock I/O: BNC connector, 4.5 Vpp @75O loadClock Jitter: Clock Jitter Attenuation: >60 dB (1 ns in => 1 ps out)External Power Adapter: +12 VDC, 3.0A, center positivePower Connector Type: Barrel: 5.5 mm OD, 2.1 mm ID, 9.5 mm lengthDimensions: 1.75" x 5.5" x 19" (44.45 x 139.7 x 482.6 mm) - 1U rackmountWeight: 4.9 lb. (2.22 kg) | |
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