| | | Presonus StudioLive RML32 AI | | | This is a no hassle BUY IT NOW listing for your convenience with FREE SHIPPING in the continental United States! | | | | Brand New Presonus StudioLive RML32 AI with Full Factory WarrantyPresonus - StudioLive RML32AIRetail Price: $2299.95Includes:
(1) User's Manual
(1) Power Supply |
| | | Description | | Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology. | | | Features: | Specifications: | | Inputs and Outputs: 24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs; Stereo tape input (RCA jacks); 8 XLR line-level Mix outputs; 1 DB25 jack mirrors 8 line-level Mix outputs; 3 XLR main outputs (left, right, mono/center) with analog trim pots; S/PDIF digital output on removable option card; Headphone output with volume knob and selectable source; 1x1 MIDI I/O (for future implementation)Channels and Buses: 32 internal channels; 25 mix buses; Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)UC Surface Live Mixing and Control Software: Designed specifically for live sound mixing; Multiplatform support for Mac ® , Windows ® , and iPad ®; Contextual-based navigation for quick, intuitive access to all mixing functions; 8 Mute Groups with All On and All Off; Scene Store and Recall; Individual channel-strip setting storage; Contextual Presets System; Filter DCAs; Security features to monitor and restrict access to the mixer’s controlsOther Actively Integrated Software: Capture™ one-click recording software with true virtual soundcheck (Mac/Windows); Studio One ® Artist full-featured digital audio workstation software (Mac/Windows); QMix ® -AI wireless monitor-mix control from an iPhone ® /iPod ® touchNetworking Connections: 2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter; SL-Dante-Mix option card available separately; Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house consoleSignal Processing: Dual Fat Channel signal processing on all channels and buses; Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only); Variable lowpass filter on the mono/center bus; 4-band fully parametric EQ; Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=8:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release; Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function; Limiter: Variable Threshold -28 dBfs to 0, 8:1 Ratio; Pan; Stereo link for input channels and aux buses; Polarity reverse (input channels only); Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus; 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses); 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated busesHardware Controls: 32 LED meter grid, Front-panel Mute All button temporarily mutes all inputs and outputs; +48MV Meters button to display phantom power assignment on the meter grid; Headphones source selection between Main and Cue; Studiolive CS18Al AVB control surface available separatelyDigital: High-definintion Burr-Brown analog-to-digital converters (118 dB dynamic range); Unlimited-headroom, 32-bit floating point, digital mixing and effects processing; Internal sample frequency 44.1, 48, 88.2, 96 kHzPhysical: 3U rack-mount steel chassis | Microphone Preamp, Input Type: 24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS lineFrequency Response to Direct Output (at unity gain: 20-40 kHz, ±0.5 dBuFrequency Response to Main Output (at unity gain): 20-20 kHz, ±0.5 dBuInput Impedance : 1 kO THD to Main Output (1 kHz at un: 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtdS/N Ratio to Main Output (Ref =: 94 dBCommon Mode Rejection Ratio (1kHz at unity gain): 65 dBGain Control Range (±1 dB): 0 dB to +65 dBMaximum Input Level (unity gain): +22 dBuPhantom Power (±2 VDC): 48 VDC, switchable per channelLine Inputs; Type: ¼” TRS Female (via Combo), BalancedMaximum Input Level (min. gain, 1 kHz@0.5% THD+N): + 18 dBu, ±0.5 dBFrequency Response (A-D): 20 Hz to 20 kHz, ±0.2 dBDynamic Range (min. gain, A-wtd): > 114 dBDynamic Range (mid. gain, unwtd): > 105 dBTHD+N (1 kHz, -1 dBFS, A-wtd): Input Impedance: 10 kOType: RCA Female, unbalanced (stereo pair)Maximum Input Level: +12 dBuMain Outputs; Type: XLR Male, balancedRated Output Level: +24 dBuOutput Impedance: 100OMix Outputs; Type: XLR Male, balancedRated Output Level: +24 dBuOutput Impedance: 100OHeadphone Output; Type: ¼” TRS Female, active stereoMaximum Output: 100 mW/ch. @ 60O loadFrequency Response: 20 Hz – 20 kHz (± 0.5 dB)THD+N: 0.01%, 1 kHz, max gain, 20 Hz BW, unwtdS/N Ratio: 96 dB, 1 kHz, max gain, 20 Hz BW, unwtdSystem Crosstalk; Input to Output: -90 dB (Ref = +4 dBu, 1 kHz, unwtd) Adjacent Channels: -87 dB (Ref = +4 dBu, 1 kHz, unwtd)Noise Gate/Expander: Threshold Range: -84 dB to 0 dBAttack Time: 0.02s to 500 ms/ 0.5msRelease Time: 0.05s to 2sExpander Attenuation Range: 2:1 (fixed)Noise Gate Attenuation Range: -84 to 0dBKey Filter: 2nd-order, resonant bypass; Q=0.7Key Listen: Off, 40 Hz to 16 kHzCompressor; Threshold Range: -56 dB to 0 dB Ratio: 1:1 to 14:1Attack Time: 0.2 ms to 150 msRelease Time: 40 ms to 1,000 msAuto Attack and Release: Attack = 10 ms, Release = 150 msCurve Types: hard and soft kneesThreshold: -56 dB to 0 dB/ -28dBFSRatio: 8:1Attack: 20 nsHold: 10 msRelease: 20 msParametric EQ; Type: 2nd-order shelving filter Low (Lowpass or Bandpass): 36 to 465 Hz, ±15 dBLow Mid (Bandpass): 90 Hz to 1.2 kHz, ±15 dBHigh Mid (Bandpass): 380 Hz to 5 kHz, ±15 dBHigh (Highpass or Bandpass): 1.4 kHz to 18 kHz, ±15 dBQ (sweepable for each band): 0.1 to 4 / Low Q= 0.55, Hi Q=2.031-Band 1/3-Octave Controls: Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.Gain/Attenuation: ±15 dBADC Dynamic Range: 118 dB (A-wtd, 48 kHz)DAC Dynamic Range: 118 dB (A-wtd, 48 kHz)FireWire: S800, 800 Mb/sS/PDIF Output: RCA FemaleInternal Processing: 32-bit, floating pointSampling Rate: 44.1, 48, 88.2, 96 kHzA/D/A Bit Depth: 24Reference Level for 0 dBFS: +18 dBuClock, Type: JetPLL™Jitter: Jitter Attenuation: >60 dB (1 ns in, 1 ps out)Connector: IECInput-Voltage Range: 90 to 240 VACPower Requirements (continuous): 200WRecommended Ambient Operating: 0° to 40° Celsius / 32° to 104° FahrenheitPhysical, Rackspaces: 4UHeight: 7” (17.78 cm)Width: 19” (48.26 cm)Depth: 10.5” (26.67 cm)Weight: 22 lbs. (8.62 kg) | |
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