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Audio Mixer MG24/14FX 24 channel MIXING DESK/CONSOLE
Estimated price for orientation: 943 $
Category: Live and Studio Mixers
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: Yamaha Features: Fader-Type Control, MP3/CD Player Compatible, Phantom Power Suited For: Home Recording, Recording & Live Sound, Stage/Live Sound, Studio/Recording Number of Channels: 24
Yamaha MG24/14FX 24-Channel MixerA basic mixer has to offer volume and pan controls, and a master output. A good mixer adds features that help you solve basic mixing problems, like a simple EQ for taming different sound sources, aux sends for stage monitoring setups, insert points for adding outboard signal processing, and a separate output for subs. A great mixer gives you the ability to add you own signature to your mix, by upgrading that EQ to one with sweepable mids, throwing in sub-mix faders for channel grouping, and adding a suite of on-board digital effects. But what do you call a mixer that has all this plus an unassailable build quality, great sound, an impressive channel count, and an even more impressive low price? Just call it the Yamaha MG24/14FX.Plenty Of Channels For Full BandsThe MG24/14FX is just what you need to reinforce modern bands. With 24 channels, you can easily mic a simple drum/bass/dual-guitar setup, and still have room for backup vocals, keyboards, drum machines, samplers, and whatever retro-techy gadgets the next big indie sensation adds to their sound. To make setup even easier, the first 16 channels are fully featured mono channels, each with their own high-detail, low-noise microphone preamp. Each channel has an amazing array of sound shaping options to keep every instrument distinct and audible. A three-band EQ plus gain trim and pad can accommodate any signal source, no matter how hot. The equalizing section features a sweepable midrange frequency that carves out a space for each element in the mix, and also makes combating feedback a cinch. High-pass filters eliminate microphone rumble, and each channel supplies a full 48 volts of phantom power for use with sensitive condenser mics. Channels 25 through 32 are grouped as stereo channels. Each pair shares an EQ and volume fader, perfect for accommodating keyboards, samplers, synths, or any other line-level, stereo instrument where the L/R relationship must be maintained. There's even a dedicated stereo RCA input for routing music from an MP3 or CD player through the house. The MG24/14FX never met a source it couldn't handle.FX Means EffectsYamaha MG-FX series mixers represent a significant value for many reasons, not least of which is their comprehensive digital effects arsenals. The MG24/14FX is no exception. Two separate banks provide sixteen effects each, from integral patches like reverb and delay, to more "special"-effects like chorus, phaser, vocal doubling, distortion and more. Add a tap-tempo button on bank two for synching effects with the band and you truly become a part of the live performance. Should you need to add additional outboard processing, each of the first 24 channels has a dedicated insert for incorporating compression, EQ or any other effect on a source-by-source basis. A stereo insert provides an FX-loop for the overall mix, perfect for master effects like reverb or room-tuning equalization.Output Routing Options A-PlentyWhile the audience may only hear one unified mix, the front-of-house engineer needs to have plenty more output routing options at their disposal. The MG24/14FX boasts a total of fourteen outs, or busses, to be used as you see fit. The main stereo out is accompanied by a multi-purpose mono output. With its variable low-pass filter, this third main output makes for the perfect subwoofer channel, but that filter can be switched off for use as a center channel, a speaker fill, or anything else, really. Likewise, the mixer has six auxiliary sends which can be used as monitor mixes or additional effects loops, and an additional stereo sub-mix provides even more output options. In addition, the MG24/14FX gives you four stereo sub-group faders: use them to group channels for backup singers, drum kits, or complex guitar rigs, and control their overall volumes from a single fader.Add a few thoughtful touches like a lamp socket, self-illuminated switches and an integrated talk-back system, and you've got yourself a fully featured mixer that you'll be proud to call the cornerstone of your live sound system. The Yamaha MG32-14FX is the versatile, dependable, professional choice for serious live reinforcement. . . easy to own and even easier to love. SpecsTotal Harmonic Distortion:
Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 (ST OUT)Frequency Response:
0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 (ST OUT)Input Hum & Noise*1:
-128dB
20 Hz - 20 kHz, Rs=150, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dBCrosstalk: -70dB @ 1kHzCH Input
Mic: 16+1 (Input A 1 - 16, Talk Back: XLR)
Line: 16 (Input B 1 - 16: TRS)
Stereo: 2 (Ch 17 18, 19 - 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 21 22, 23 - 24: TRS/RCA)
Insert I/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd)AUX
Send: 6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)
Return: 2 Stereo Sub In (L/MONO, R: TRS)EFFECT: Send 2 (1, 2: TRS)2TR: In 1 Stereo (L, R: RCA)STEREO: Insert 1 Stereo (L, R: TRS)GROUP: Insert 4 (1 - 4: TRS)REC: Out 1 Stereo (L, R: RCA)ST: Out 1 Stereo (L, R: XLR)MONO: Out 1 (XLR)ST SUB: Out 1 Stereo (L, R: TRS)GROUP: Out 4 (1 - 4: TRS)Phones: 1 (TRS Stereo)Phantom Power: + 48 VCH & ST Ch Input Gain Control: 44 dB valiableCH & ST High Pass Filter: 80 Hz 12 dB/OctaveCH EQ (MONO)*2 -15 dB (Max.)
High: 10 kHz (Shelving)
Mid: 0.25-5 kHz (Peaking)
Low: 100 Hz (Shelving)CH EQ (STEREO)*2 -15 dB (Max.)
High 10 kHz (Shelving)
Hi-Mid: 3 kHz (Peaking)
Low-Mid: 800 Hz (Peaking)
Low: 100 Hz (Shelving)MONO Out Low Pass Filter: 80 - 120 Hz 12dB/octaveInternal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)Dimensions
Width: 33.54"
Depth: 21.25"
Height: 5.90"Weight 46.29 lbs.Power Requirements: UL/CSA: 60 W 120 V/60 Hz*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | Yamaha |
| Features: | Fader-Type Control, MP3/CD Player Compatible, Phantom Power | Suited For: | Home Recording, Recording & Live Sound, Stage/Live Sound, Studio/Recording |
| Number of Channels: | 24 |
Yamaha MG24/14FX 24-Channel MixerA basic mixer has to offer volume and pan controls, and a master output. A good mixer adds features that help you solve basic mixing problems, like a simple EQ for taming different sound sources, aux sends for stage monitoring setups, insert points for adding outboard signal processing, and a separate output for subs. A great mixer gives you the ability to add you own signature to your mix, by upgrading that EQ to one with sweepable mids, throwing in sub-mix faders for channel grouping, and adding a suite of on-board digital effects. But what do you call a mixer that has all this plus an unassailable build quality, great sound, an impressive channel count, and an even more impressive low price? Just call it the Yamaha MG24/14FX.Plenty Of Channels For Full BandsThe MG24/14FX is just what you need to reinforce modern bands. With 24 channels, you can easily mic a simple drum/bass/dual-guitar setup, and still have room for backup vocals, keyboards, drum machines, samplers, and whatever retro-techy gadgets the next big indie sensation adds to their sound. To make setup even easier, the first 16 channels are fully featured mono channels, each with their own high-detail, low-noise microphone preamp. Each channel has an amazing array of sound shaping options to keep every instrument distinct and audible. A three-band EQ plus gain trim and pad can accommodate any signal source, no matter how hot. The equalizing section features a sweepable midrange frequency that carves out a space for each element in the mix, and also makes combating feedback a cinch. High-pass filters eliminate microphone rumble, and each channel supplies a full 48 volts of phantom power for use with sensitive condenser mics. Channels 25 through 32 are grouped as stereo channels. Each pair shares an EQ and volume fader, perfect for accommodating keyboards, samplers, synths, or any other line-level, stereo instrument where the L/R relationship must be maintained. There's even a dedicated stereo RCA input for routing music from an MP3 or CD player through the house. The MG24/14FX never met a source it couldn't handle.FX Means EffectsYamaha MG-FX series mixers represent a significant value for many reasons, not least of which is their comprehensive digital effects arsenals. The MG24/14FX is no exception. Two separate banks provide sixteen effects each, from integral patches like reverb and delay, to more "special"-effects like chorus, phaser, vocal doubling, distortion and more. Add a tap-tempo button on bank two for synching effects with the band and you truly become a part of the live performance. Should you need to add additional outboard processing, each of the first 24 channels has a dedicated insert for incorporating compression, EQ or any other effect on a source-by-source basis. A stereo insert provides an FX-loop for the overall mix, perfect for master effects like reverb or room-tuning equalization.Output Routing Options A-PlentyWhile the audience may only hear one unified mix, the front-of-house engineer needs to have plenty more output routing options at their disposal. The MG24/14FX boasts a total of fourteen outs, or busses, to be used as you see fit. The main stereo out is accompanied by a multi-purpose mono output. With its variable low-pass filter, this third main output makes for the perfect subwoofer channel, but that filter can be switched off for use as a center channel, a speaker fill, or anything else, really. Likewise, the mixer has six auxiliary sends which can be used as monitor mixes or additional effects loops, and an additional stereo sub-mix provides even more output options. In addition, the MG24/14FX gives you four stereo sub-group faders: use them to group channels for backup singers, drum kits, or complex guitar rigs, and control their overall volumes from a single fader.Add a few thoughtful touches like a lamp socket, self-illuminated switches and an integrated talk-back system, and you've got yourself a fully featured mixer that you'll be proud to call the cornerstone of your live sound system. The Yamaha MG32-14FX is the versatile, dependable, professional choice for serious live reinforcement. . . easy to own and even easier to love. Specs
Total Harmonic Distortion:
Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 (ST OUT)Frequency Response:
0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 (ST OUT)Input Hum & Noise*1:
-128dB
20 Hz - 20 kHz, Rs=150, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dBCrosstalk: -70dB @ 1kHzCH Input
Mic: 16+1 (Input A 1 - 16, Talk Back: XLR)
Line: 16 (Input B 1 - 16: TRS)
Stereo: 2 (Ch 17 18, 19 - 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 21 22, 23 - 24: TRS/RCA)
Insert I/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd)AUX
Send: 6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)
Return: 2 Stereo Sub In (L/MONO, R: TRS)EFFECT: Send 2 (1, 2: TRS)2TR: In 1 Stereo (L, R: RCA)STEREO: Insert 1 Stereo (L, R: TRS)GROUP: Insert 4 (1 - 4: TRS)REC: Out 1 Stereo (L, R: RCA)ST: Out 1 Stereo (L, R: XLR)MONO: Out 1 (XLR)ST SUB: Out 1 Stereo (L, R: TRS)GROUP: Out 4 (1 - 4: TRS)Phones: 1 (TRS Stereo)Phantom Power: + 48 VCH & ST Ch Input Gain Control: 44 dB valiableCH & ST High Pass Filter: 80 Hz 12 dB/OctaveCH EQ (MONO)*2 -15 dB (Max.)
High: 10 kHz (Shelving)
Mid: 0.25-5 kHz (Peaking)
Low: 100 Hz (Shelving)CH EQ (STEREO)*2 -15 dB (Max.)
High 10 kHz (Shelving)
Hi-Mid: 3 kHz (Peaking)
Low-Mid: 800 Hz (Peaking)
Low: 100 Hz (Shelving)MONO Out Low Pass Filter: 80 - 120 Hz 12dB/octaveInternal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)Dimensions
Width: 33.54"
Depth: 21.25"
Height: 5.90"Weight 46.29 lbs.Power Requirements: UL/CSA: 60 W 120 V/60 Hz*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.
Less than 0.1 % (THD+N)
20 Hz - 20 kHz @ +14 dB 600 (ST OUT)Frequency Response:
0 +1, -3 dB
20 Hz - 20 kHz @ +4 dB 600 (ST OUT)Input Hum & Noise*1:
-128dB
20 Hz - 20 kHz, Rs=150, Input Gain=Maximum, Input Pad =OFF, Input sensitivity=-60 dBCrosstalk: -70dB @ 1kHzCH Input
Mic: 16+1 (Input A 1 - 16, Talk Back: XLR)
Line: 16 (Input B 1 - 16: TRS)
Stereo: 2 (Ch 17 18, 19 - 20:TRS) * Ch17, 19:L (MONO) 2 (Ch 21 22, 23 - 24: TRS/RCA)
Insert I/O: 16 (Ch 1 - 16: TRS T: Out, R: In, S: Gnd)AUX
Send: 6 (1 - 2/Post-Pre selectable, 3 - 4/Post-Pre selectable, 5 - 6/Post: TRS)
Return: 2 Stereo Sub In (L/MONO, R: TRS)EFFECT: Send 2 (1, 2: TRS)2TR: In 1 Stereo (L, R: RCA)STEREO: Insert 1 Stereo (L, R: TRS)GROUP: Insert 4 (1 - 4: TRS)REC: Out 1 Stereo (L, R: RCA)ST: Out 1 Stereo (L, R: XLR)MONO: Out 1 (XLR)ST SUB: Out 1 Stereo (L, R: TRS)GROUP: Out 4 (1 - 4: TRS)Phones: 1 (TRS Stereo)Phantom Power: + 48 VCH & ST Ch Input Gain Control: 44 dB valiableCH & ST High Pass Filter: 80 Hz 12 dB/OctaveCH EQ (MONO)*2 -15 dB (Max.)
High: 10 kHz (Shelving)
Mid: 0.25-5 kHz (Peaking)
Low: 100 Hz (Shelving)CH EQ (STEREO)*2 -15 dB (Max.)
High 10 kHz (Shelving)
Hi-Mid: 3 kHz (Peaking)
Low-Mid: 800 Hz (Peaking)
Low: 100 Hz (Shelving)MONO Out Low Pass Filter: 80 - 120 Hz 12dB/octaveInternal Digital Effect: SPX x 2 (Effect 1: 16 Programs, Effect 2: 16 Programs :Parameter Control)Dimensions
Width: 33.54"
Depth: 21.25"
Height: 5.90"Weight 46.29 lbs.Power Requirements: UL/CSA: 60 W 120 V/60 Hz*1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz; equivalent to a 20 kHz filter with infinite dB/octave attenuation.
*2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.