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musical instrument details
RME Fireface UCX USB-Firewire-iPad Audio interface (No Remote) NEW
Estimated price for orientation: 899 $
Category: Audio or MIDI Interfaces
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Mic/Line Input: Line TRS 1/4", Line TS 1/4", Mic/Preamp XLR Type: USB Audio Interface Additional Inputs/Outputs: Analogue In, Analogue Out, MIDI I/O, S/PDIF RCA In, S/PDIF RCA Out, TRS 1/4" Out, TS 1/4" Out, World Clock I/O MPN: FFUCX Max. Number of Channels: 36 Model: Firteface UCX Features: Bus-Powered, Software Included Brand: Rme Max. Sampling Rate: 24 Bit (192 kHz) EAN: 4260123362843
The RME Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. This unit offers 36 channels of audio I/O, firewire and USB2.0 connections, ultra low latency, DSP hardware effects and a Remote Control. Add this to RME's legendary high quality converters, the Fireface UCX is going to be a winner.RME Fireface UCX USB/Firewire/iPad Audio interface (No Remote) Main FeaturesLow Latency converters of mastering class with outstanding specifications Two mic preamps with the premium technology from RME’s high-end Micstasy and UFX Newly developed Hammerfall audio core, supporting USB and FireWire TotalMix FX with the complete Fireface UFX DSP engine 18 Input / 18 Output channels Class compliant for use with Apple iPad
Equipped with a new 2011 A/D and D/A high-performance converter design, all the I/Os operate at up to 192 kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 115 dBA dynamic range on both record and playback.The advanced multi-bit converter architecture guarantees excellent S/N and THD specs across a wide analogue level range. In the best RME tradition and product philosophy the UCX converters and preamps don't produce 'sound', they do not add or remove anything from the source signal, just capture it as it is.Due to its efficient jitter reduction, RME's superior SteadyClock™finalises the state-of-the-art AD/DA conversion, even when clocking to an external digital source.Low Latency Converters
All analogue I/Os provide a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate.These values are about a quarter of those from the Fireface UC/400 (43/28), and even out-perform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations and in the computer-based recording studio. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analogue digital monitoring into real analogue-style monitoring!Quality over quantity
The crown jewels of the UCX are the two high-end mic and instrument preamps, handily placed on the front panel for easy access.Both preamps use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The outstanding preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response that lets these preamps surpass those of other devices costing several times the price of the UCX. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.The digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.Each channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Mic/Line Input: | Line TRS 1/4", Line TS 1/4", Mic/Preamp XLR |
| Type: | USB Audio Interface | Additional Inputs/Outputs: | Analogue In, Analogue Out, MIDI I/O, S/PDIF RCA In, S/PDIF RCA Out, TRS 1/4" Out, TS 1/4" Out, World Clock I/O |
| MPN: | FFUCX | Max. Number of Channels: | 36 |
| Model: | Firteface UCX | Features: | Bus-Powered, Software Included |
| Brand: | Rme | Max. Sampling Rate: | 24 Bit (192 kHz) |
| EAN: | 4260123362843 |
The RME Fireface UCX is a highly integrated pro audio solution in an ultra-compact format for studio and live recordings. This unit offers 36 channels of audio I/O, firewire and USB2.0 connections, ultra low latency, DSP hardware effects and a Remote Control. Add this to RME's legendary high quality converters, the Fireface UCX is going to be a winner.RME Fireface UCX USB/Firewire/iPad Audio interface (No Remote) Main FeaturesLow Latency converters of mastering class with outstanding specifications Two mic preamps with the premium technology from RME’s high-end Micstasy and UFX Newly developed Hammerfall audio core, supporting USB and FireWire TotalMix FX with the complete Fireface UFX DSP engine 18 Input / 18 Output channels Class compliant for use with Apple iPad
Equipped with a new 2011 A/D and D/A high-performance converter design, all the I/Os operate at up to 192 kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 115 dBA dynamic range on both record and playback.The advanced multi-bit converter architecture guarantees excellent S/N and THD specs across a wide analogue level range. In the best RME tradition and product philosophy the UCX converters and preamps don't produce 'sound', they do not add or remove anything from the source signal, just capture it as it is.Due to its efficient jitter reduction, RME's superior SteadyClock™finalises the state-of-the-art AD/DA conversion, even when clocking to an external digital source.Low Latency Converters
All analogue I/Os provide a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate.These values are about a quarter of those from the Fireface UC/400 (43/28), and even out-perform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations and in the computer-based recording studio. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analogue digital monitoring into real analogue-style monitoring!Quality over quantity
The crown jewels of the UCX are the two high-end mic and instrument preamps, handily placed on the front panel for easy access.Both preamps use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The outstanding preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response that lets these preamps surpass those of other devices costing several times the price of the UCX. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.The digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.Each channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.
Equipped with a new 2011 A/D and D/A high-performance converter design, all the I/Os operate at up to 192 kHz. The AD/DA conversion supersedes the outstanding technical specifications of the Fireface UC/400 with an impressive 115 dBA dynamic range on both record and playback.The advanced multi-bit converter architecture guarantees excellent S/N and THD specs across a wide analogue level range. In the best RME tradition and product philosophy the UCX converters and preamps don't produce 'sound', they do not add or remove anything from the source signal, just capture it as it is.Due to its efficient jitter reduction, RME's superior SteadyClock™finalises the state-of-the-art AD/DA conversion, even when clocking to an external digital source.Low Latency Converters
All analogue I/Os provide a low latency converter design with impressive 14 samples for the ADC, and 7 samples for the DAC, independent of the used sample rate.These values are about a quarter of those from the Fireface UC/400 (43/28), and even out-perform much more expensive devices. A technical breakthrough that reduces the overall latency of timing critical applications, in live situations and in the computer-based recording studio. The converter latency is so low (0.4 ms at 48 kHz) that it can be ignored, turning analogue digital monitoring into real analogue-style monitoring!Quality over quantity
The crown jewels of the UCX are the two high-end mic and instrument preamps, handily placed on the front panel for easy access.Both preamps use the core technology from RME's Micstasy - a high-end preamp for supreme sonic demands and critical applications, like the professional recording of classical concerts. The outstanding preamp design impresses with extremely low distortion, excellent signal to noise ratio and a perfectly flat frequency response that lets these preamps surpass those of other devices costing several times the price of the UCX. A premium solution for transmitting and amplifying any audio source truly unchanged, be it high-level stage or typical studio signals, lower level and high-impedance instruments, or dynamic, condenser and ribbon microphones.The digitally controlled gain of up to 65 dB, adjustable in steps of 1 dB over a range of 55 dB, is individually set for each preamp with the encoder knob on the front or in TotalMix FX on the host computer. All level settings are 100% reproducible and can also be adjusted using a MIDI remote controller.Each channel can be individually switched to 48V phantom power. LEDs for signal, clip and activated phantom power give a complete overview on the unit's status.