The DP7 is a perfect complement of dynamic microphones for close and overhead miking a 5 piece kit. All mics perform equally well whether it be on a live stage or in the studio. Included in the DP7 drum mic package is the D6, Audix's flagship kick drum mic, two - D2's for rack toms, one - D4 for floor tom, and one - i5 for snare, two - ADX51 overheads. Also included are four DVICE rim mount clips for every mic except the D6 kick drum mic and the two ADX51's, which come with heavy duty snap to fit nylon clips. All mics and clips are conveniently packaged in a foam-lined aluminum carrying case for travel or safe keeping when the mics are not in use. ***Full manufacturers warranty applies***.THE MICS:D6 - Kick DrumThe D6 has a frequency response of 30Hz-15kHz and is characterized with a cardioid pick-up pattern. The D6 is designed to sound good in any position and it is not dependent on finding the "sweet spot" of the drum. The D6 capsule features the same legendary VLM technology that has made the D series percussion and instrument microphones very popular for today's live stages and recording studios.i5 - SnareThe i5 has the ability to capture the rich, deep resonance of the snare along with the attack necessary to cut through the mix.   The i5's cardioid polar pattern allows it to focus on the specific instrument that is being miked while rejecting other instruments or ambient noise on stage. With a smooth and uniform frequency response of 50 Hz-16 kHz and an ability to handle sound pressure levels in excess of 140 dB, the i5 can be also used for a wide variety of instrument applications including percussion, guitar cabs, and vocals.D2 (two) - Rack TomsFor bringing out the real, dynamic sound of toms or congas, the D2 cannot be beat.  The D2 accurately reproduces the warmth and overtones of the instrument without sounding harsh or boomy.  The D2, which is very natural and articulate, requires very little (if any) EQ, and because of the tight hypercardioid polar pattern, no gating is needed.D4 - Floor TomThe D4, which provides an additional octave of low end response beyond the D2, is the perfect companion for large toms and other instruments characterized with extended bass frequencies.   In fact, the D4 responds down to below 40 Hz, a remarkable feat for a microphone of the this size.  The D4 is characterized with flat linear response and can be considered the most versatile of the D-Series microphones. ADX51 - Overhead MicsThe ADX51 is a pre-polarized condenser microphone designed to handle a wide variety of live, studio and broadcast applications. Characterized with a cardioid pickup pattern and a smooth uniform response over a frequency range of 40-20k Hz, the ADX51 is precision machined from solid brass with a low reflective black e-coat finish. The ADX51 is designed with low noise electronic circuitry, balanced output, and switches that enable a 10 dB pad and a bass roll-off. The ADX51 is road-worthy and capable of handling high sound pressure levels of 142dB.     Features:     Specifications:Overhead for Drums / Percussion - Bells, cymbals, hi-hat, goodie tableAcoustic instruments - Guitar, piano, saxophone, orchestra (zone miking)Group vocals - ADX51 may be used as a hanging mic or on a stand to pick up group vocals for ensemble, choirs or plays. Two mics may be positioned overhead or in front of the group, at a distance of 4-6 feet apart.Transducer Type: Condenser (pre-polarized)Frequency Response: 40 Hz - 18 kHz150 Hz - 18 kHz (with low cut filter)Polar Pattern: CardioidOutput Impedance: 100 Ohms balancedOpen Circuit Sensitivity: 15.9 mV (ref 1k @ 1 Pascal)Equivalent Noise Level: 29 dB (A weighted)Signal to Noise Ratio: 65 dB (ref 1k @ 1 Pascal)Power Requirements: 9 - 52v phantomMaximum SPL: 132 dBCable/Connector: 3 pin gold plated male XLR connectorPolarity: Positive voltage on pin 2 relative to pin 3 of output XLR connectorHousing: Machined Brass