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RME FIREFACE UC: USB High Speed Audio Interface - NEW!
Estimated price for orientation: 989 $
Category: Audio or MIDI Interfaces
Class:
Description Condition: New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition Brand: RME Type: USB Audio Interface Model: Fireface UC MPN: Fireface UC UPC: Does not apply
The compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS.
Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies
even with multiple channels. It uses two different firmware versions with different transfer methods
to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac
can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant,
the operating system therefore automatically uses the included MIDI driver.
Under both Operating Systems the available latencies* are simply sensational.
The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples.
With this RME provides a performance previously not available from USB audio interfaces.
Connectivity
18 Input / 18 Output channels8 x Analog I/O1 x ADAT I/O or 1 x SPDIF I/O optical1 x SPDIF I/O coaxial2 x MIDI I/O1 x USB 2.01 x Word Clock I/O2 x Mic Preamp with digitally controlled gainTotalMixThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer,
it also provides a unique low-latency concept and a high grade of performance and compatibility,
making the dream of the perfect and future-proof mobile pro audio recording solution come true.
The Fireface UC features all of the proven RME analog and
digital circuitry. It is the only device in its class with active jitter
suppression,
enhanced stand-alone functionality and complete controllability
from the front panel, highly flexible I/Os in professional quality,
and an unsurpassed 648-channel matrix router - at sample rates
of up to 192 kHz.
Integrated DSP mixer . All inputs and
outputs can be freely mixed, routed, and distributed with RME´s TotalMix
software.
Up to 9 totally independent stereo submixes can be set up. Every
output channel, and every submix channel can be recorded
directly and without external cable loops. TotalMix can be
completely MIDI remote controlled. The DSP-based hardware calculates
RMS and Peak levels for all channels, without causing any
significant CPU load.
Analog I/O . Eight analog inputs and outputs
(all balanced, except outputs 7/8) with software controlled reference
levels (-10 dBV, +4 dBu, Lo/HiGain),
realized discretely in the analog domain, ensure highest dynamic
range and fidelity. Inputs 5 to 8 on the rear feature RME's proven
level references,
-10 dBV, +4 dBu and Lo Gain can be selected in the settings
dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full
scale.
The same applies to the balanced rear analog outputs 1 to 6. The
hi-power phones output offers high volumes even with low-impedance
headphones.
Preamps . The Fireface UC features 2
balanced microphone inputs with a digitally controlled input stage,
individually switchable 48V phantom power,
and Neutrik Combo connectors for XLR and TRS. These can also be
used as additional line inputs. A pre-amplification of up to 65 dB
(adjustable in 1 dB-steps over a range of 55 dB), exceptional
EIN (Equivalent Input Noise) performance even at low pre amplification
settings,
and extremely low THD+N let these preamps surpass many reference
devices. All level settings are 100% reproducible and can also be
comfortably
adjusted by software. Inputs 3 and 4 are flexible universal
balanced inputs. They operate exactly like inputs 5 to 8 on the rear and
can be
adjusted to accept standard studio input levels (+4 dBu,
LoGain). The input impedance can be switched from line (10 kOhm) to
instrument
(470 kOhm), and offers an additional analog input amplification
of up to 18 dB in steps of 0.5 dB.
Digital I/O . One ADAT I/O provides digital
connection to mixers and converters. In combination with an ADI-8 DS/QS
or OctaMic II,
there are up to 16 analog inputs (respectively 12 @ 96 kHz). The
coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible.
SPDIF can also be accessed through the optical I/O.
Word Clock & MIDI . A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of
fea
Description
| Condition: | New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller's listing for full details. See all condition definitions- opens in a new window or tab ... Read moreabout the condition | Brand: | RME |
| Type: | USB Audio Interface | Model: | Fireface UC |
| MPN: | Fireface UC | UPC: | Does not apply |
The compact Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS.
Based on a newly developed RME Hammerfall core the Fireface UC provides revolutionary ultra-low latencies
even with multiple channels. It uses two different firmware versions with different transfer methods
to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac
can be changed directly at the unit at any time. Under Mac OS the Fireface's MIDI ports are class compliant,
the operating system therefore automatically uses the included MIDI driver.
Under both Operating Systems the available latencies* are simply sensational.
The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples.
With this RME provides a performance previously not available from USB audio interfaces.
Connectivity 18 Input / 18 Output channels8 x Analog I/O1 x ADAT I/O or 1 x SPDIF I/O optical1 x SPDIF I/O coaxial2 x MIDI I/O1 x USB 2.01 x Word Clock I/O2 x Mic Preamp with digitally controlled gainTotalMixThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true. The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz. Integrated DSP mixer . All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load. Analog I/O . Eight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones. Preamps . The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB. Digital I/O . One ADAT I/O provides digital connection to mixers and converters. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible. SPDIF can also be accessed through the optical I/O. Word Clock & MIDI . A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of fea
Connectivity 18 Input / 18 Output channels8 x Analog I/O1 x ADAT I/O or 1 x SPDIF I/O optical1 x SPDIF I/O coaxial2 x MIDI I/O1 x USB 2.01 x Word Clock I/O2 x Mic Preamp with digitally controlled gainTotalMixThe new interface not only makes the leading-edge RME Fireface technology available for every PC and Mac computer, it also provides a unique low-latency concept and a high grade of performance and compatibility, making the dream of the perfect and future-proof mobile pro audio recording solution come true. The Fireface UC features all of the proven RME analog and digital circuitry. It is the only device in its class with active jitter suppression, enhanced stand-alone functionality and complete controllability from the front panel, highly flexible I/Os in professional quality, and an unsurpassed 648-channel matrix router - at sample rates of up to 192 kHz. Integrated DSP mixer . All inputs and outputs can be freely mixed, routed, and distributed with RME´s TotalMix software. Up to 9 totally independent stereo submixes can be set up. Every output channel, and every submix channel can be recorded directly and without external cable loops. TotalMix can be completely MIDI remote controlled. The DSP-based hardware calculates RMS and Peak levels for all channels, without causing any significant CPU load. Analog I/O . Eight analog inputs and outputs (all balanced, except outputs 7/8) with software controlled reference levels (-10 dBV, +4 dBu, Lo/HiGain), realized discretely in the analog domain, ensure highest dynamic range and fidelity. Inputs 5 to 8 on the rear feature RME's proven level references, -10 dBV, +4 dBu and Lo Gain can be selected in the settings dialog, equivalent to +2 dBV, +13 dBu and +19 dBu for digital full scale. The same applies to the balanced rear analog outputs 1 to 6. The hi-power phones output offers high volumes even with low-impedance headphones. Preamps . The Fireface UC features 2 balanced microphone inputs with a digitally controlled input stage, individually switchable 48V phantom power, and Neutrik Combo connectors for XLR and TRS. These can also be used as additional line inputs. A pre-amplification of up to 65 dB (adjustable in 1 dB-steps over a range of 55 dB), exceptional EIN (Equivalent Input Noise) performance even at low pre amplification settings, and extremely low THD+N let these preamps surpass many reference devices. All level settings are 100% reproducible and can also be comfortably adjusted by software. Inputs 3 and 4 are flexible universal balanced inputs. They operate exactly like inputs 5 to 8 on the rear and can be adjusted to accept standard studio input levels (+4 dBu, LoGain). The input impedance can be switched from line (10 kOhm) to instrument (470 kOhm), and offers an additional analog input amplification of up to 18 dB in steps of 0.5 dB. Digital I/O . One ADAT I/O provides digital connection to mixers and converters. In combination with an ADI-8 DS/QS or OctaMic II, there are up to 16 analog inputs (respectively 12 @ 96 kHz). The coaxial SPDIF I/O (up to 192 kHz) is fully AES/EBU compatible. SPDIF can also be accessed through the optical I/O. Word Clock & MIDI . A Word Clock input and output plus two MIDI I/Os (special breakout cable included) complete the list of fea