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musical instrument details
Avid HD OMNI Preamp
Estimated price for orientation: 1 495 $
Category: Audio or MIDI Interfaces
Class:
Description Brand: Avid Mic/Line Input: Line XLR MPN: 99005863100 Model: HD OMNI Additional Inputs/Outputs: S/PDIF Optical In Type: Digital Recorder Features: Phantom Power, Built-In Speaker(s) Form Factor: Rack Mountable Inputs/Outputs: ADAT In Interface Type: Line//Audio Interface Max. Number of Channels: 16 Country/Region of Manufacture: Unknown Max. Sampling Rate: 24 Bit (192kHz) Tracks: 8 Media Type: ADAT UPC: 724643110659
Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversionHigh-quality, low-noise analog I/O: 2 premium, digitally controlled mic/DI preamps4 line inputs8 line outputs, with true analog gainVersatile digital I/O, with sample rate conversion on all inputs: 8 channels of ADAT I/O (supports S/MUX II and IV)4 line inputs8 line outputs, with true analog gainSupports 4x8 analog audio streams, or 8x8 including digital Route audio independently from Pro Tools with the 14-input persistent monitor mixerCompletely integrates with Pro Tools | HD for full routing, mixing, and monitoring controlTrack hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiterHear your mixes in however many channels you need, from stereo to 7.1 surroundImprove communication while tracking with dedicated cue pathKeep things in sync with dedicated Word Clock and Loop Sync I/OCompact 1U rack-mountable chassisConnects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included) Track, mix, and monitor in one No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset. Hear what you’ve been missing Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter. and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red. Full monitoring flexibility Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input
Description
| Brand: | Avid | Mic/Line Input: | Line XLR |
| MPN: | 99005863100 | Model: | HD OMNI |
| Additional Inputs/Outputs: | S/PDIF Optical In | Type: | Digital Recorder |
| Features: | Phantom Power, Built-In Speaker(s) | Form Factor: | Rack Mountable |
| Inputs/Outputs: | ADAT In | Interface Type: | Line//Audio Interface |
| Max. Number of Channels: | 16 | Country/Region of Manufacture: | Unknown |
| Max. Sampling Rate: | 24 Bit (192kHz) | Tracks: | 8 |
| Media Type: | ADAT | UPC: | 724643110659 |
Pristine audio clarity and ultra-low latency through state-of- the-art A/D and D/A conversionHigh-quality, low-noise analog I/O: 2 premium, digitally controlled mic/DI preamps4 line inputs8 line outputs, with true analog gainVersatile digital I/O, with sample rate conversion on all inputs: 8 channels of ADAT I/O (supports S/MUX II and IV)4 line inputs8 line outputs, with true analog gainSupports 4x8 analog audio streams, or 8x8 including digital
Route audio independently from Pro Tools with the 14-input persistent monitor mixerCompletely integrates with Pro Tools | HD for full routing, mixing, and monitoring controlTrack hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiterHear your mixes in however many channels you need, from stereo to 7.1 surroundImprove communication while tracking with dedicated cue pathKeep things in sync with dedicated Word Clock and Loop Sync I/OCompact 1U rack-mountable chassisConnects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)
Track, mix, and monitor in one No need to route signals through multiple interfaces—with HD OMNI, you can do everything in one single-space rack, so you save money and space. As the hub of any music studio, you can use HD OMNI to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitor the performance through a discrete mix. For post production, not only do you have overdub and Foley recording capabilities at your disposal, you can use HD OMNI to monitor mixes with up to 7.1 channels—and fold down mixes from 7.1 to almost any channel configuration subset.
Hear what you’ve been missing Raising the bar on audio performance, HD OMNI features premium A/D and D/A converters, so you can achieve higher audio fidelity, extensive dynamic range, super-low jitter. and the absolute lowest possible latency in your sessions. You also get built-in sample rate conversion and a soft clip feature for worry-free performance. And using Curv, a new built-in soft-knee limiter that catches even the fastest transients, you can track hotter signals and be assured that any unexpected peaks in your input won’t put you in the red.
Full monitoring flexibility Whether you want to listen in stereo or surround, monitor sound personally or set up a personal mix for someone else, or hear your work in headphones or on the big speakers, you can do it all with HD OMNI. Mix and monitor up to 7.1 surround (with fold down to stereo). Hear how your mix sounds on different speakers using the Main and ALT speaker selections. Set up an integrated cue mix for artists to monitor. Or isolate yourself with your own headphone mix. And if you don't feel like launching Pro Tools—or even turning on your computer—HD OMNI features a built-in, customizable, 14-input